Mannaja

This film begins with a bounty hunter who goes by the name "Blade" (Maurizio Merli) riding into the small mining town of Suttonville with a criminal named "Burt Craven" (Donald O'Brien) as his prisoner. Unfortunately, when he gets there he is informed that there is no real sheriff there which makes it impossible for him to claim the bounty. To make things even worse, he is also told that the entire town is essentially owned by the wealthy owner of the local silver mine named "Edward McGowan" (Philippe Leroy) and that nothing gets done without his approval or that of his chief enforcer and bodyguard by the name of "Voller" (John Steiner) . To that end, when Blade volunteers to help Edward McGowan with a problem he is experiencing with some local bandits, Voller doesn't take it too well and this results in a serious rift between Blade and everyone else-and Voller is not a man to take things lightly. Now rather than reveal any more I will just say that this was an entertaining "Spaghetti Western" which managed to keep my attention pretty much from start-to-finish. Admittedly, I didn't especially care for a couple of the twists and turns taken and the musical score was a bit odd. But even so I liked this film for the most part and I have rated it accordingly. Slightly above average.

Italian production full of action , excessive characters , shootouts and lots of violence . For money, for pleasure, for revenge, he doesn't care why he kills or how . It deals with a dramatic story of a feud between implacable enemies . After getting the bounty of a villainous outlaw known as Burt Craven (Donald O'Brien) , a tough bounty hunter named Blade (Maurizio Merli) arrives in a mining city called Suttonville , where is hired to track down the abducted daughter (Sonja Jeannine) of the town's crippled owner (Philippe Leroy) who has a corrupt right-hand-man (John Steiner) . Meanwhile , a bunch of bandits are looting shipment of silver from the silver mines that are run the mine owner McGregor. But Blade is double-crossed and imprisoned by the nasties and submitted to cruel tortures . Later on , there takes place some exciting scenes of men fighting to the death . At the end happens a bloody vendetta and reckoning , as usual . Sharp shoots, gun and axe with great accuracy!

This Western contains action-packed , ruthless characters , quick-fire , violence , rapacious revenge , slaughter , shoot'em up and results to be quite entertaining , though drags at times , balancing in ups and downs . A good example of twilight Spaghetti western genre from Italy ; it is daring , a notoriously violent Pasta movie , so extreme in every way , it is one of the handful of Italian Western that abounded in the 60s and 70s . This moving Spaghetti packs noisy action , thrills , crossfire , twists and turns with exciting final . There is a very odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as in the ending and the unusual conclusion . There is plenty of action in the movie , guaranteeing some violence , shoot'em up or stunts every few minutes , including agreeable soundtrack with Morricone influence . Well starred by Maurizio Merli as a bounty killer , armed with a hatchet instead of a gun , Merli may be a name best remembered by Poliziesco aficionados, but in his day, from the mid-'70s to the late 80s, Maurizio was one of the most popular actors of the genre where he found his niche - at the time cheap B movies, now revered cult classics. The handsome, Italian-born actor began in Western genre in White Fang series (1974) and worked well enough for Marino Girolami and Fabrizio De Angelis to cast Merli as the lead in the crime drama Rome violent (1975) a year later. Much like before, Merli was cast because the film vaguely resembled the Franco Nero Film Streets of eternity (1973) ("High Crime") . Violent Rome (1975) turned out to be a huge success both in Italy and abroad and Merli found himself inexplicably catapulted to national stardom. Very similar to how Terence Hill found his niche in comedies after being discovered out of the crowd of Nero stand-ins , Maurizio Merli established himself as the leading man in the Italian crime film genre of the period . Over the brief span from 1975-1979, Merli starred in no less than a dozen crime films from the likes of noted Italian directors Umberto Lenzi , Stelvio Massi, and Fernando Di Leo including such classics as Naples violenta (1976) , and From Corleone to Brooklyn (1978) . Merli also followed Nero's footsteps once again in the Keoma-inspired Mannaja .From there, Maurizio began acting in others genres until his early death at 49 . Unlike fellow Spaghetti star Franco Nero or Clint Eastwood, however, Maurizio never became a top international box-office attraction . Mannaja is a thrilling western with screenplay by the notorious Scavolini and Sergio Martino himself , including a breathtaking confrontation between the protagonist Maurizio Merli against the heartless John Steiner and his hoodlums . Exciting Spaghetti Western and it is proceeded in violent style and ordinary narration . The film packs thrills , gunplay and high body-count ; it's fast moving , quite entertaining and including bursting with explosive violence . Here appears familiar faces from Macaroni Western such as : Donald O'Brien , Rik Battaglia , Enzo Fiermonte , Antonio Casale and special mention for Philippe Leroy as the wheelchair bound mayor McGowan and the extremely baddie John Steiner as co-starring playing the corrupt and sadistic associate.

Good production design creating an acceptable scenario with muddy outdoors, rocky landscapes from Campo Imperatore, L'Aquila, Abruzzo in the Stagecoach/Horse Riding scenes , Lazio , Rome and interiors in Elios studios . Adequate and atomspheric cinematography by Federico Zanni. Nice and sensitive musical score by Guido and Maurizio De Angelis , furthermore , catching and emotive songs performed by Cesare De Natale as Dandylion. Mannaja was competently directed by the prolific filmmaker Sergio Martino who usually uses pseudonym as Martin Dolman . Talented and versatile writer/director Sergio Martino has made a vast array of often solid and entertaining films in all kind of genres as horror, Giallo , comedy, Western , and science fiction in a career that spans over 40 years . He was especially expert on Western as proved in ¨Mannaja¨ and this ¨Arizona returns¨ and Giallo such as ¨The case of scorpion's tail ¨ , ¨Torso¨ ,¨the scorpion with two tails¨ , ¨The strange vice of Mrs Ward¨ , Cannibal movie as "Mountain of the Cannibal God", Italian crime thrillers as "Violent Professionals" and ¨Sci-Fi as ¨Destroyer¨ , "2019: After the Fall of New York" . Rating: 7/10 , above average Spaghetti , this is a great Ravioli Western in which the camera stalks in moving style throughout a story with decent visual skills . This is a bewildering story , enjoyable as well as violent , and it will appeal to Spaghetti hardcore fans .

One of the later Spaghetti Westerns, and often compared to Enzo G. Castellari's "Keoma" from 1976, Sergio Martino's "Mannaja" aka. "A Man Called Blade" is a very stylish, and pretty brutal movie with some minor flaws. The comparisons to Keoma are quite plausible indeed, Mannaja was made only one year after Keoma, both soundtracks were composed by Maurizio and Guido De Angelis, and the leading actor Maurizio Merli actually looks a lot like the great Franco Nero, who played the title role in Keoma. It is often stated that Maurizio Merli only got bigger roles due to his resemblance to Franco Nero. Anyway, Merli's performance as Mannaja is great. Comparing Mannaja to Keoma, Mannaja had a smaller budget, but it makes up for this with graphic violence and genuine nastiness. The performances in Mannaja are great, even though it's pretty hard to come up to Franco Nero, Woody Strode and William Berger. The music composed by the De Angelis Brothers, which some folks seem to have disliked in "Keoma" (I'm not one of them), actually fits into Mannaja very well.

Mannaja, an occasional bounty hunter and gunslinger who is fast with both his gun and his tomahawk, comes to a small town to collect the reward for a bandit he has caught. The town, which doesn't have a Sheriff, is ruled by an aging rich landowner named Mc Gowan, who treats the laborers at his silver mine like animals. Mc Gowan's right hand man, a ruthless killer named Voller, however, even makes his boss look like a nice guy in his sadism and unscrupulousness.

Mannaja has, apart from its resemblances to Keoma, many resemblances to earlier Spaghetti Westerns. Mannaja's back-flashes, for example, remind of movies like Sergio Corbucci's "The Great Silence", or Sergio Leone's "Once Upon A Time In The West". Since these resemblances are only occasional, however, they don't make the movie worse. The performances are good, I especially liked John Steiner as the villainous Voller and Maurizio Merli as Mannaja. The character of Mannaja (according to the movie 'Mannaja' means 'blade' in a Native American language) is generally very cool, the fact that he kills with his tomahawk as frequently as with his gun (if not more frequently), makes the whole movie very stylish. All things considered, Maurizio Merli, who is best known for his roles in ultraviolent Italian crime flicks, is probably not as versatile an actor as Franco Nero, but he definitely made a great Mannaja. A nasty, ultra-violent and gripping Spaghetti Western, "Mannaja" is a must see for genre-fans!

The titular character thankfully isn't an ancestor of overrated vampire-hunter Wesley Snipes, but a genuinely old-fashioned and testosterone-laden spaghetti western hero who furiously wanders around the deserts like a one-man-army, hunting down wanted criminals for the rewards on their head. Blade is relentless but fair, he has an imposing charisma and wields hatchets as professionally as he fires shotguns. In short, he's the ideal guy to dedicate another magnificently violent, imaginative and nasty euro-Western to! And, oh yes, Sergio Martino's film can easily compete with the absolute greatest efforts in this sadly extinct sub genre of cult cinema, like Sergio Corbucci's "Django", Sergio Sollima's "The Big Gundown" and perhaps even some of Serio Leoni's lesser known movies. "A Man Called Blade" is a very eventful and exciting film, chock-full of outrageous gun & fistfights, mean & treasonous bandits and wild ambushes. When arriving in the little town of Suttonville to claim the reward on a killer's head, Blade encounters the vicious & corrupt sidekick of a prominent businessman. Blade offers his services to McGowan and Voller, because despite exploiting the local miners, large troops of outlaws continuously steal the silver. Voller wants to get rid of Blade as soon as possible, because he plots to take over the empire, but Blade is tough and has an extra personal score to settle with McGowan. The plot twists perhaps aren't the most original ones ever, but bear in mind "A Man Called Blade" got released during the dying years of spaghetti western cinema. And even though not always original, Martino's film is fast-paced and doesn't feature a single dull moment. The fights are dirty (literally) and the violence is rather graphic, with several cowboys dying from hatches in their foreheads or bullets between the eyes. The outdoor locations are sublime and I absolutely loved the moody theme song that gets repeated during the film's most essential sequences. Other fans seem to disapprove of the music in this film, but I thought it was excellent. Maurizio Merli makes a terrific macho hero. Perhaps not as legendary as Franco Nero or Tomas Milian, but close enough. The film sadly doesn't have a strong female lead, only a sympathetic go-go dancer and the silent daughter of the mayor. The most memorable performance is given by John Steiner as Blade's sadistic opponent Voller. With his ugly face and almost natural aura of arrogance, Steiner gave image of multiple villains in Italian cult films. His role here definitely ranks among the best! Highly recommended.

In the early 70s, Spaghetti Westerns were going through a dry spell. Countless crappy parody films had flooded the market and strangled the life out of the genre. Then Italian crime maestro and occasional Spaghetti director Enzo G. Castellari came along and directed the psychedelic, action-packed masterpiece "Keoma". Gone was the cynicism and nihilism that seperated early Spaghettis from American Westerns. Instead there was an injection of emotion. The silent hero of the past was now a heartfelt warrior who wasn't above crying in between bouts of ass-kicking. Needless to say, it revived the genre briefly and led to a few knock-offs. "Mannaja" is probably the most obvious with it's similar visual style and music score, but Sergio Martino's keen visual sense (though not as good as Castellari's) and Maurizio Merli's excellent performance allow the film to stand on it's own two legs. There's a lot of well-staged slow motion shootouts and a fistfight in the mud here and there, along with an interesting if not compelling plotline. All in all, this is a great knock-off that has just enough originality to be a good stand-alone piece. Recommended.