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6.2/10
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Un detective de homicidios trata de resolver el brutal asesinato de Muriel Stark. Su prima menor, que vio al asesino y apenas escapó con vida, lo ayuda. Sin embargo, el caso pronto da un gir... Leer todoUn detective de homicidios trata de resolver el brutal asesinato de Muriel Stark. Su prima menor, que vio al asesino y apenas escapó con vida, lo ayuda. Sin embargo, el caso pronto da un giro extraño.Un detective de homicidios trata de resolver el brutal asesinato de Muriel Stark. Su prima menor, que vio al asesino y apenas escapó con vida, lo ayuda. Sin embargo, el caso pronto da un giro extraño.
- Dirección
- Guionistas
- Elenco
Kenny Ireland
- Bert Klinger
- (as Ian Ireland)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Evocatively directed and slickly photographed psychological mystery thriller with an exceptional lead performance by a sombre Donald Sutherland, and potent support roles from Donald Pleasence and David Hemming. The material decides to keep it all glum, and moves from the investigation period into the back-story of the victim. The seldom, and quite sullen nature of investigation pulled me in, but when it flashback to the victim's side showing her final days weren't as compelling, and became somewhat stodgy and stock-like. While the script is strongly detailed and to a certain degree complex in stringing us along, however the final and surprising revelation should have been more bone-jarring and it's not helped out by its sloppy execution. Howard Blake's music score has an emotional sting to its cues that simply linger, and director Claude Chabrol's capable handling (well for most part) has a strong stylistic and tight manner, which gets the best out of moody locations and flexible cast. The young faces Lisa Langlois and Aude Landry do an incredibly good job as well.
This oppressively creepy, sinisterly slashing, bone-fizzingly grim, Canadian-set murder mystery remains a darkly fascinating delight, so be sure to check it out if you dare to descend deep into the diabolically degenerated mind of one especially deviant killer!!! And nae bad it is too! (Personally, I'm rarely bored by murder maestro Claude!) Alongside the uber-talented character actor Donald Sutherland it also stars terror icon Donald Pleasence, sublimely gifted Gallic dream Stéphane Audran, and Deep Red's stilleto cool David Hemmings! Based on a popular crime novel by Ed McBain, Claude Chabrol's finely wrought, consistently engaging, impressively acted thriller is regarded by many cult film fans to be one of the very best McBain adaptations!
I honestly can't believe that this film isn't more highly rated. Claude Chabrol could be described as something like a French Alfred Hitchcock, and while this film is only the second one of his that I've seen (the first being Le Boucher), I can already see that this guy is something special just on the strength of these two films. The film is a French and Canadian co-production, and takes place in Canada. The cast is made up of British and Canadian stars and the high quality performances bode well with the rest of the film; most of which is high quality also. The film is a murder mystery and begins when a young girl covered in blood is brought into a police station. After being questioned by Inspector Carella, it emerges that the young girl, Patricia, and her sister Muriel were attacked by a man who killed the sister and only just allowed Patricia to flee. However, as the investigation goes on, Patricia goes back to the station to give new evidence, which reveals a far more shocking identity to the murderer.
The performances in this film are excellent. Donald Sutherland is subdued as usual, but he suits the role he's given here very well and I wouldn't hesitate to name his performance in Blood Relatives as one of his very best. The film also features supporting turns from British stars Donald Pleasance and David Hemmings who both give good turns; Pleasance in particular who shows just how great an actor he can be and highlights what a shame it is that he went on to waste himself in Halloween films. The unknown Aude Landry also gives a great performance in her role as Patricia. The movie is very mysterious for the first hour and really keeps the audience hooked. When Inspector Carella discovers Muriel's diary, the film turns into more of a drama in which the girl's last actions are shown; and while this section of the film is not as good as what went before it, it's still interesting and leads into a great twist at the end! Overall, Blood Relatives is a great film that really deserves to be better seen. Le Boucher is a better known effort from Chabrol, but for my money this is at least as good! Highly recommended viewing.
The performances in this film are excellent. Donald Sutherland is subdued as usual, but he suits the role he's given here very well and I wouldn't hesitate to name his performance in Blood Relatives as one of his very best. The film also features supporting turns from British stars Donald Pleasance and David Hemmings who both give good turns; Pleasance in particular who shows just how great an actor he can be and highlights what a shame it is that he went on to waste himself in Halloween films. The unknown Aude Landry also gives a great performance in her role as Patricia. The movie is very mysterious for the first hour and really keeps the audience hooked. When Inspector Carella discovers Muriel's diary, the film turns into more of a drama in which the girl's last actions are shown; and while this section of the film is not as good as what went before it, it's still interesting and leads into a great twist at the end! Overall, Blood Relatives is a great film that really deserves to be better seen. Le Boucher is a better known effort from Chabrol, but for my money this is at least as good! Highly recommended viewing.
Donald Sutherland was one of the most interesting and intelligent actors of the 1970s with impressive roles in movie such as 'Klute', 'Steelyard Blues', 'The Day Of The Locust', 'Don't Look Now' and '1900'. But for some reason 'Blood Relatives' has disappeared into obscurity, despite being directed by acclaimed French New Wave figure Claude Chabrol, and featuring yet another fine Sutherland performance. Why this movie has been all but forgotten is difficult to explain. I really have no idea. But as I could EASILY list 100 other unfairly neglected movies off the top of my head it doesn't really surprise me. Anyway, this is a very well made mystery thriller which kept me fascinated throughout. Sutherland is great, the three young leads (who include Lisa Langlois later of trash classic 'Class Of 1984'!) are all very good, plus we get the wonderful David Hemmings ('Blowup'/'Barbarella'/'Profondo Rosso'), and a brilliant cameo from Donald Pleasence ('THX 1138'/'Halloween') as a creepy paedophile. 'Blood Relatives' is recommended to mystery buffs and Sutherland fans.
7sol-
A relatively interesting little mystery murder, the film is okay viewing despite some sections being dull and not lively. It is, however, surprisingly acted mundanely despite some great names in the cast, but the film does have enough going for it as it is. The music score used in the English version (the dubbed French version has a completely different soundtrack) is great, bouncy in bits and almost always adding to the action. Chabrol also sets up some great shots, and there are a few chilling moments to be had along the way. It is overall nothing too special of its type, but of its type, it is certainly a solid entry.
¿Sabías que…?
- TriviaFirst English language film of French director Claude Chabrol. Though filmed in Canada which hosts both French and English as native languages, French director Claude Chabrol chose to shoot the film in English rather than French as he felt the story would work better on film in the native language of its novel.
- ErroresWhen Inspector Carella starts the tape to interview Patricia, he asks her what occurred on the night of September third, which one might assume is Saturday, the third of September, 1977. But in the very next scene another detective is interrogating Andrew as to the events of Saturday the twelfth. This is nine days later, not the date given by Carella, and was a Monday. It is clear from the context in the film that the murder occurred on a Saturday, as the next day was Sunday, for when the Inspector was in the park with his daughter, church bells could be heard. In addition, the following day when the Inspector goes to interview Jean Hanley, she admits to intending to return to school later that day, thus, that was Monday.
- ConexionesFeatured in Les rendez-vous du dimanche: Episode dated 29 January 1978 (1978)
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- CAD 1,450,000 (estimado)
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