Las cartas de amor de una monja portuguesa

Tsk, tsk…. My poor, old and deeply religious granny should know what I'm watching here. Nunsploitation! Foxy looking nuns doing tricks with their willing and ravishing bodies, in blood-soaked and satanic-themed movies! Blasphemy, my old granny would call it…and she would be right as well. Call it what you want …it's still fun! It's pretty deranged to see a bunch of nuns bringing sacrifices to Satan. And it's even more messed up to see Lucifer actually appear then and sexually violate an innocent young disciple. Who else than Jess Franco could have been responsible for this? The Godfather of Sleaze tried out every subgenre of eurohorror in his long, fertile career and this stylish, well cinematographed film represents his bizarre nun-fantasies. A young girl named Marie – played by Susan Hemingway – is caught fooling around with her boyfriend by a frustrated priest. He intimidates her poor mother to force her into a convent. The nuns there, led by Alma Mater Ana Zanetti (who looks a lot like an exquisite version of Susan Sarandon, take unusual interest in her young and sensual body. Lovely convent this is! Mother Superior is a horny devil-worshipper and the priest is a perverted masturbator! Which brings me to the MESSAGE of this film! Yes indeed, message! Jess Franco's films don't often carry a message but this `Love Letters from a Portuguese Nun' does. Franco directly criticizes the historical hypocrisy of the Catholic Church and shows how Catholic superiors abused their powers. This really is one of Franco's finest achievements. Although the film exaggerates extremely when it comes to sleaziness and absurd situations, it also brings forward a lot of style and beauty. The acting is above average and the locations are beautifully chosen. The best aspect about the whole film is the truly magnificent music by Walter Baumgartner, who made a career out of filling exploitation soundtracks. Love Letters from a Portuguese Nun may not be top-quality cinema, but it shows a lot of goodwill and depth. And it's beautiful to look at. Hallelujah!

Love Letters of a Portuguese Nun (1977)

*** 1/2 (out of 4)

Fifteen-year-old Maria (Susan Hemingway) is caught by Father Vicente (William Berger) playing with her boyfriend in an innocent manor. The Father tells the girl's mother that she is possessed by Satan so the mother turns her over to a convent. Once there the girl realized that the Father as well as the main mother (Aida Vargas) are in pact with Satan and plan on turning her over to him. This isn't your typical nunsploitation film because it actually has a very strong message bashing the Catholic Church. A lot of these films are just out there to see lesbian nuns mess around and while we do get some of that here, the sexuality isn't the main goal. Franco is certainly trying to show the evils behind the walls of Catholic priests and this subject matter is certainly going to offend a lot of people just like it did when the film was originally released but after all the stories from the past five years it's easy to say this film and Franco were ahead of their time. Both Berger and Vargas turn in very strong performances and truly nasty ones as well. The entire film belongs to Hemingway who is simply brilliant here. Hemingway made a total of seven films in her career and all of them were with Franco, which I've watched six of. She's certainly a very good actress and it's a shame she got out of the business or was dumped by Franco but I've yet to hear any stories about what happened to her. She was around 15-years-old when she made this film so the scenes of her naked or being raped are going to turn a lot of people off but I think it brings a realistic nature to her performance as well as the film. There's nothing hardcore here but the scene where she is offered up to Satan is pretty disturbing. It appears Franco was working on a larger than normal budget here and he manages to turn over a very good looking film with some nice cinematography as well as a great music score. Franco has made a lot of exploitation films in his career but this isn't one of them. The message of the film is quite clear and very strong and in the end this ranks as one of the director's best films.

Many people accuse Jesus Franco of being a talentless hack, but he has an amazing ability to bring artistry and watchability, and occasionally even a little class, to some of the most sordid subject matter. It's hard to rave unreservedly about a movie that features a naked sixteen-year-old girl stretched out on a rack and tortured with a pair of metal tongs--a movie whose subject manner includes masturbating priests, lesbian nuns, satanic ritual sodomy, and all other manners of depravity and blasphemy--yet it's a testament to Franco that the film remains highly watchable and even manages to be somewhat of a serious historical indictment of the Catholic church. Since this at first seemed to be another of Franco's sick WIP movies, I was initially curious why he had cast the unknown Susan Hemingway in a role usually played by Lina Romay, but it turned out to be a good choice. You actually feel sympathy for Hemingway's innocent-looking character when she's tortured and sexually abused by corrupt and lecherous nuns and clergy, whereas these scenes probably would have been merely crass titillation if Romay (who was many things but innocent wasn't one of them) had played the role. This movie makes you wonder what Franco could have done if he'd ever made a serious film that did NOT plumb the depths of sexual violence and human depravity. But I guess it wouldn't really be a Franco movie then, would it?

Spanish horror director Jesús "Jess" Franco died recently, so I decided to watch one of his movies. "Die Liebesbriefe einer portugesischen Nonne" ("Love Letters of a Portuguese Nun" in English) offers a scathing look at the Catholic Church. It tells the story of a teenage girl whom a priest sees cavorting with a boy, and he makes her become a nun as penance. We see how the nuns are sexually repressed, while the priest and mother superior do everything possible to humiliate the novice. Specifically, there's a lot of torture going on. There are some VERY ugly scenes.

On the one hand this is basically the average movie that goes as much for shock value as possible. Even so, the movie is also an indictment of the RCC's blatant hypocrisy (note the scene where the priest uses the girl's confession as a way to get sexually aroused). The Church's policies in Medieval Europe constituted some of the most vicious misogyny imaginable.

It's only the second Jess Franco movie that I've seen. In fact, the copy that I saw looked like a copy of a copy (or copied from the TV) and was dubbed in English with Finnish subtitles! I hope to see more of his movies in the future. Just understand that this is a good movie, but definitely not for the fainthearted.

Jess Franco's "Love Letters of a Portuguese Nun" is the perfect film to show anyone who thinks all that Jess Franco is capable of is zooming in and out of tasteless sex scenes. Instead of his usual epileptic zooms, the cinematography in this is measured and carefully composed. The acting is also another plus. William Berger's portrayal as the Father Confessor is the epitome of slime and pretense. Let's not forget Susan Hemingway and her effortless performance as the innocent heroine of the title. In closing, this is a MUST-SEE picture and proof that Franco could make a film that would cater to the arthouse crowd.