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7.0/10
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TU CALIFICACIÓN
Por petición de un viejo y querido amigo, la dramaturga Lillian Hellman emprende una peligrosa misión para contrabandear fondos a la Alemania nazi.Por petición de un viejo y querido amigo, la dramaturga Lillian Hellman emprende una peligrosa misión para contrabandear fondos a la Alemania nazi.Por petición de un viejo y querido amigo, la dramaturga Lillian Hellman emprende una peligrosa misión para contrabandear fondos a la Alemania nazi.
- Dirección
- Guionistas
- Elenco
- Ganó 3 premios Óscar
- 21 premios ganados y 26 nominaciones en total
Gérard Buhr
- Passport Officer
- (as Gerard Buhr)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Most remarkable, to me, about "Julia" is the understated acting of Vanessa Redgrave. For the amount of time she's on the screen, one would not assume her to be worthy of an Academy Award nomination, let alone the Oscar itself (1977, Best Supporting Actress). But there is something about that marvelous, tension-filled scene in the Berlin restaurant that comes across as nothing short of superior. Much the same can be said of Jason Robards as Dashiell Hammett, i.e. understated and short, and he, too, got the equivalent Oscar, rightfully outpointing co-star Maximillian Schell. What I had supposed would be a "chick flick" faux-biopic turned out to be a gripping drama on the highest order worth four stars from me.
Fred Zinnemann's last great movie. Based on part of Lillian Hellman's memoir, the film stars Jane Fonda as Hellman as she recounts her friendship with the enigmatic JULIA, played by Vanessa Redgrave. Fonda is a bit too pretty to be entirely convincing as the homely Hellman, but she gives a gutsy performance, playing well with Redgrave and, to a greater degree, Jason Robards, who plays Dashell Hammett. Alvin Sargent's screenplay cleverly bends time, jumping back and forth as the story of Hellman's friendship with Julia is told. Zinnemann creates a melancholy feel that's sustained throughout. The movie has a deliberate pace not usually allowed in Hollywood. The excellent music by Georges Delerue is haunting and the cinematography by the under-appreciated Douglas Slocombe is beautiful. The supporting cast features Maximillian Schell, Cathleen Nesbitt as Julia's grandmother, Meryl Streep, Rosemary Murphy as Dorothy Parker and Hal Holbrook as Parker's husband Alan Campbell. They're all terrific with the exception of Holbrook, who tries to convey a witty raconteur, but only makes Campbell out to be a real jerk.
A brilliantly acted masterpiece that thrives on a long time personal conflict many have with idealism versus self indulgence. Lillian Hellman, played by Jane Fonda, is unable to celebrate the thrill of her life time, success as a Broadway writer, as she looks at what's going on in the world, and attempts to ease her conscious by being drawn into European resistance by her longtime friend. Jason Robards plays Dashiell Hammett, her personal success encouragement. Vanessa Redgrave is her friend Julia, the other side of her personal dilemma. Also, the sets are exquisite. The acting is top notch.
Just cast an eye at the credits (Jane Fonda, Vanessa Redgrave, Jason Robards, Maximillian Schell, Hal Holbroke, Meryl Streep, John Glover and others directed by Fred Zinneman in a story by Lillian Hellman) and you know this film is worth seeing. It delivers fabulous performances by some of the best actors of our time, in a carefully -- yeah, sumptuously -- produced film directed by one of Hollywood's most respected veterans, based on a narrative by a gifted dramatist and tale-spinner.
The screenplay blends the two longest episodes in Lillian Hellman's PENTIMENTO, the third, most engaging, and most imaginative of her memoirs. It traces the (largely factual) struggle of Hellman to develop her talents as a playwright under the tutelage of her long-time lover, Dashiell Hammett, and the (largely fictional) course of her friendship with an anti-Nazi activist. The character of Julia seems to be part fantasy, part composite of women Hellman admired.
The film suffers from this blend of fact and fiction and even more from the episodic nature of the intermixed stories. In addition (and to its credit), it does not minimize Hellman's famously abrasive personality. But the characters are so compelling, the performances so outstanding, and the pacing so canny that it holds the viewer's interest for a full two hours.
A flawed but fascinating flick!
The screenplay blends the two longest episodes in Lillian Hellman's PENTIMENTO, the third, most engaging, and most imaginative of her memoirs. It traces the (largely factual) struggle of Hellman to develop her talents as a playwright under the tutelage of her long-time lover, Dashiell Hammett, and the (largely fictional) course of her friendship with an anti-Nazi activist. The character of Julia seems to be part fantasy, part composite of women Hellman admired.
The film suffers from this blend of fact and fiction and even more from the episodic nature of the intermixed stories. In addition (and to its credit), it does not minimize Hellman's famously abrasive personality. But the characters are so compelling, the performances so outstanding, and the pacing so canny that it holds the viewer's interest for a full two hours.
A flawed but fascinating flick!
JULIA is a fine film. Fonda as Hellman is very good as is Robards as Dashell Hammett. But the real prize is the performance of Vanessa Redgrave as Julia. Though her part is small she is absolutely glowing as Julia. Her face is very radiant and she projects so much with her eyes. She is a great actress indeed.
¿Sabías que…?
- TriviaLillian Hellman: the source story author and the film's primary subject as the shadowy person sitting in the fishing boat at the beginning and end of the film. Jane Fonda did the voice-over. This appearance is Hellman's only film.
- ErroresThe French train dining room had the menu title as the English word menu instead of the French word.
- Citas
Dashiell Hammett: [after reading Lillian's play] You better tear this up. It's not that it's bad, it's just not good enough, not for you.
- Bandas sonorasMy Blue Heaven
(uncredited)
Music by Walter Donaldson
[Song that the young Julia and Lily dance to that is played on the record]
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Julija
- Locaciones de filmación
- Winterton-on-Sea, Norfolk, Inglaterra, Reino Unido(The New England beach and beach house scenes)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 7,840,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,714,400
- Total a nivel mundial
- USD 20,714,400
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