Una colegiala y seis de sus compañeros viajan a la casa de campo de su tía, que resulta estar encantada.Una colegiala y seis de sus compañeros viajan a la casa de campo de su tía, que resulta estar encantada.Una colegiala y seis de sus compañeros viajan a la casa de campo de su tía, que resulta estar encantada.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Kumiko Ôba
- Fantasy
- (as Kumiko Ohba)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
There is a serious erotic component to this that no one seems to want to touch in the user reviews, and most of the actresses were 16 at the time. It's bizarre and entertaining, using lots of war metaphors with themes of innocence and teenage trauma.
The Summer holidays have arrived, and a young schoolgirl known as Gorgeous can't wait to spend time with her film composer father in their palatial villa. It's always been just the two of them, as her mother died when she was young. However, upon returning from a trip to Italy, her father states his intentions to remarry; and Gorgeous immediately changes her vacation plans. Leaving her father and taking six friends along, Gorgeous travels to her reclusive aunt's decrepit mansion in the countryside. At first, everything seems fine, until signs start showing that the house is haunted and that Gorgeous's aunt may not be the kindly old lady she initially seemed to be.
Directed by Nobuhiko Obayashi, 'House' is a comedy-horror of the surrealist variety shot with a distinct, original visual style. The images in the film are bizarre and comedic, not to mention rather dark- particularly in the latter half. Making effective use of odd angles and irregular composition, Yoshitaka Sakamoto's cinematography- as well as the overall look of the film- is occasionally reminiscent of Terry Gilliam's early work with 'Monty Python,' or perhaps a comic-book.
The use of color is also very effective, as well as the juxtaposition of the banal with the grotesque. Sakamoto's work under Obayashi's assured direction results in some unforgettable, incredibly strange sequences and shots. The soundtrack- composed by Asei Kobayashi and the band Godiego- is eerily light and breezy, which is made all the more off-putting when put together with the dark images the film contains.
Unpredictable and macabre, Chiho Katsura's screenplay is a trip into the absurd. From the characters' names to the narrative structure, nothing about this film is ordinary or very serious. You're never really sure what'll happen next, nor where the next joke will come from; watching 'House' can be a deeply rewarding, funny experience (if you appreciate the dark and the strange, that is). Abstract, oddly humorous and thoroughly original; the story is anything but what you'd find in your routine haunted house film.
The set design is fantastically rich, with the main location of the aunt's mansion being especially complex and highly detailed. Combined with the striking cinematography and Nobuo Ogawa's frenetic editing, the film quickly establishes an uneasy atmosphere that makes the oddness and intricacy of the sets even more evident. Add to this the oftentimes kaleidoscopic color design and efficacious use of special effects and you've got a particularly off-beat, distinctive and memorable movie.
It's surprising to learn that many of the cast weren't professional actors at the time, as every performance in the film is strong. Miki Jinbo and Kumiko Oba are particularly good, as two of Gorgeous's pals who accompany her on the holiday, named Kung Fu and Fantasy respectively (as one knows martial arts and the other has an active imagination). They are unselfconscious performers who give their roles their all, both impressing with their tenacity and acting depth. Jinbo also gets to show off her fighting skills throughout the film, leaving an indelible impression on the viewer.
The late Yoko Minamida also stands out as the sinister aunt, obviously reveling in the chance to play such a weird, creepy character. Kimiko Ikegami's star turn as Gorgeous must also be mentioned, as she brings an unsettling, subtle intensity to the role that is very interesting to watch. She's sympathetic, as well as being- especially later in the film- rather frightening: a very fine piece of acting overall.
Well-acted, strange as can be and arcanely dark, 'House' is a unique experience at the cinema that is both unforgettable and unfathomable. Full of abstractions, this horror is made with an artistic sensibility as well as a pitch-black sense of humor (that occasionally borders on parody). If you want to watch something different- something outside of the ordinary realm of filmmaking- you can't go wrong with 'House.' It's bloody, unpredictable and a whole lot of fun.
Directed by Nobuhiko Obayashi, 'House' is a comedy-horror of the surrealist variety shot with a distinct, original visual style. The images in the film are bizarre and comedic, not to mention rather dark- particularly in the latter half. Making effective use of odd angles and irregular composition, Yoshitaka Sakamoto's cinematography- as well as the overall look of the film- is occasionally reminiscent of Terry Gilliam's early work with 'Monty Python,' or perhaps a comic-book.
The use of color is also very effective, as well as the juxtaposition of the banal with the grotesque. Sakamoto's work under Obayashi's assured direction results in some unforgettable, incredibly strange sequences and shots. The soundtrack- composed by Asei Kobayashi and the band Godiego- is eerily light and breezy, which is made all the more off-putting when put together with the dark images the film contains.
Unpredictable and macabre, Chiho Katsura's screenplay is a trip into the absurd. From the characters' names to the narrative structure, nothing about this film is ordinary or very serious. You're never really sure what'll happen next, nor where the next joke will come from; watching 'House' can be a deeply rewarding, funny experience (if you appreciate the dark and the strange, that is). Abstract, oddly humorous and thoroughly original; the story is anything but what you'd find in your routine haunted house film.
The set design is fantastically rich, with the main location of the aunt's mansion being especially complex and highly detailed. Combined with the striking cinematography and Nobuo Ogawa's frenetic editing, the film quickly establishes an uneasy atmosphere that makes the oddness and intricacy of the sets even more evident. Add to this the oftentimes kaleidoscopic color design and efficacious use of special effects and you've got a particularly off-beat, distinctive and memorable movie.
It's surprising to learn that many of the cast weren't professional actors at the time, as every performance in the film is strong. Miki Jinbo and Kumiko Oba are particularly good, as two of Gorgeous's pals who accompany her on the holiday, named Kung Fu and Fantasy respectively (as one knows martial arts and the other has an active imagination). They are unselfconscious performers who give their roles their all, both impressing with their tenacity and acting depth. Jinbo also gets to show off her fighting skills throughout the film, leaving an indelible impression on the viewer.
The late Yoko Minamida also stands out as the sinister aunt, obviously reveling in the chance to play such a weird, creepy character. Kimiko Ikegami's star turn as Gorgeous must also be mentioned, as she brings an unsettling, subtle intensity to the role that is very interesting to watch. She's sympathetic, as well as being- especially later in the film- rather frightening: a very fine piece of acting overall.
Well-acted, strange as can be and arcanely dark, 'House' is a unique experience at the cinema that is both unforgettable and unfathomable. Full of abstractions, this horror is made with an artistic sensibility as well as a pitch-black sense of humor (that occasionally borders on parody). If you want to watch something different- something outside of the ordinary realm of filmmaking- you can't go wrong with 'House.' It's bloody, unpredictable and a whole lot of fun.
In the realm of WTF there are some movies that mess with your mind and make you ask what the hell that was. Movies like Eraserhead, Tetsuo the Bullet Man and The Holy Mountain are brought up as examples of this. But none of them hold a candle to the serious mind screw that is "House" or "Hausu" depending on your preference.
A bunch of schoolgirls head to a creepy house in the countryside owned by an aunt of one of the girls. Each one is named after a skill, ability or character trait. Gorgeous is pretty, Kung Fu likes to fight and Mac likes to eat. And once they get there things get weird.
To try to even describe this movie is a challenge. Things happen. Really weird things happen. It's got a charming 70's vibe to it. The effects, although amateurish by today's standards, are well done for the era. And while the actors do a decent job, it's full of theater acting. The difference is that their actions tend to be a little over the top and not natural. This is of course a hallmark of Japanese cinema where a more stylized take is preferred over something more natural that we expect over here. That's not a bad thing though as it lends an air of other worldliness to what would otherwise be a rather tepid story.
In short, it works. If you're a fan of the bizarre you really ought to take a look at this.
A bunch of schoolgirls head to a creepy house in the countryside owned by an aunt of one of the girls. Each one is named after a skill, ability or character trait. Gorgeous is pretty, Kung Fu likes to fight and Mac likes to eat. And once they get there things get weird.
To try to even describe this movie is a challenge. Things happen. Really weird things happen. It's got a charming 70's vibe to it. The effects, although amateurish by today's standards, are well done for the era. And while the actors do a decent job, it's full of theater acting. The difference is that their actions tend to be a little over the top and not natural. This is of course a hallmark of Japanese cinema where a more stylized take is preferred over something more natural that we expect over here. That's not a bad thing though as it lends an air of other worldliness to what would otherwise be a rather tepid story.
In short, it works. If you're a fan of the bizarre you really ought to take a look at this.
House (Hausu) is a film directed by Nobuhiko Ôbayashi and stars a variety of young girls as they go on a chaperoned trip to one of the groups Aunt's. This aunt, however, seems to be more than she appears, as the group is slowly torn asunder (sometimes literally) by the house in a variety of ways.
This film is an embodiment of avant-garde when that was still a new thing. This film reminds me a lot of Jean Luc-Godards "The Weekend" in its experimental and non-linear cinematography. This film is wacky, with each shot almost bending ones mind. Film gradients, props, music, effects and so on are bombarding the viewer constantly, and make even the mundane seem incredible. The story here is mundane. A group of students go to a house and are accosted by the possessed abode, as the aunt turns out to be a witch. The creative part here is what happens visually. The characters were fun. Each one is a literal representation of a specific idea or thing. Nicknames like Gorgeous, Fantasy, Kung-Fu and so on abound, with each nickname being a representation of the person in question. These traits come back to bite them (sometimes literally). Piano's chow down on fingers, mattresses attack, mirrors possess, and much more. At one point, a man is turned into a pile of banana's!
This film is wacky in many ways. It possesses a wonderful style, contagious charm, and many fun and interesting elements. It is not pure horror, certainly coming through as a comedy. I had a brilliant time with this film, and look forward to watching this film again soon. What a ride! Highly recommended for those looking for something interesting and weird.
This film is an embodiment of avant-garde when that was still a new thing. This film reminds me a lot of Jean Luc-Godards "The Weekend" in its experimental and non-linear cinematography. This film is wacky, with each shot almost bending ones mind. Film gradients, props, music, effects and so on are bombarding the viewer constantly, and make even the mundane seem incredible. The story here is mundane. A group of students go to a house and are accosted by the possessed abode, as the aunt turns out to be a witch. The creative part here is what happens visually. The characters were fun. Each one is a literal representation of a specific idea or thing. Nicknames like Gorgeous, Fantasy, Kung-Fu and so on abound, with each nickname being a representation of the person in question. These traits come back to bite them (sometimes literally). Piano's chow down on fingers, mattresses attack, mirrors possess, and much more. At one point, a man is turned into a pile of banana's!
This film is wacky in many ways. It possesses a wonderful style, contagious charm, and many fun and interesting elements. It is not pure horror, certainly coming through as a comedy. I had a brilliant time with this film, and look forward to watching this film again soon. What a ride! Highly recommended for those looking for something interesting and weird.
Hausu is basically the most bizarre Haunted House movie I've ever seen. The story follows a group of girlfriends who head to the country for vacation. They go to one of the girl's Aunt's house to spend their time. But beknownst to all of them the Aunt isn't really who she says she is. And there's a cat named Snowflake that obviously has some issues. Girls begin experiencing the supernatural and things don't seem to be slowing up. Reading back what I just wrote kinda makes the movie seem not so interesting. Seems like just another haunted house flick. But if you pop in this flick, almost immediately you will realize you've never seen a film like this. Filmed in a lively, colorful way mixed with a fantastic soundtrack, the flick exceeds on all levels of production. Combine the production values with a children's movie feel, then combine that with some blood, violence and nudity, you get a very different hybrid genre of a flick. Hausu is a flick that all fans of unique horror or cinema for that matter should check out.
¿Sabías que…?
- TriviaAccording to director Nobuhiko Ôbayashi, this is the first Japanese film to use video effects, which he applied in a scene to make one of the girls "dissolve" underwater through low fidelity video and a simple chroma key effect.
- ErroresWhen Mac's head floats and spins around in the air, the wires supporting the severed head are visible for a split second.
- Citas
Farmer selling watermelons: Do you like watermelons?
Keisuke Tougou-sensei: No! I like bananas!
Farmer selling watermelons: BANANAS?
[he turns into a skeleton, which then falls apart]
- Créditos curiososThe first half of the ending credits runs over candid footage of the actresses. During the second half, the credits appear over the poster illustration (similar to the Masters of Cinema cover, but with more color), scrolling up the ''tongue'' of the house. The main characters also show up on the sides of the screen.
- ConexionesEdited from Yo bombardeé Pearl Harbor (1960)
- Bandas sonorasMain Theme
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- How long is House?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 209,765
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,032
- 17 ene 2010
- Total a nivel mundial
- USD 218,872
- Tiempo de ejecución
- 1h 28min(88 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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