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IMDbPro

El hombre que amaba a las mujeres

Título original: L'homme qui aimait les femmes
  • 1977
  • Not Rated
  • 2h
CALIFICACIÓN DE IMDb
7.4/10
7.8 k
TU CALIFICACIÓN
El hombre que amaba a las mujeres (1977)
ComedyDramaRomance

Agrega una trama en tu idiomaBertrand Morane, a 40-year-old engineer, dies. At his funeral, his past lovers gather, revealing his life and affairs as he narrates while writing his autobiography.Bertrand Morane, a 40-year-old engineer, dies. At his funeral, his past lovers gather, revealing his life and affairs as he narrates while writing his autobiography.Bertrand Morane, a 40-year-old engineer, dies. At his funeral, his past lovers gather, revealing his life and affairs as he narrates while writing his autobiography.

  • Dirección
    • François Truffaut
  • Guionistas
    • Michel Fermaud
    • Suzanne Schiffman
    • François Truffaut
  • Elenco
    • Charles Denner
    • Brigitte Fossey
    • Nelly Borgeaud
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    7.8 k
    TU CALIFICACIÓN
    • Dirección
      • François Truffaut
    • Guionistas
      • Michel Fermaud
      • Suzanne Schiffman
      • François Truffaut
    • Elenco
      • Charles Denner
      • Brigitte Fossey
      • Nelly Borgeaud
    • 30Opiniones de los usuarios
    • 21Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 4 nominaciones en total

    Fotos53

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    Elenco principal52

    Editar
    Charles Denner
    Charles Denner
    • Bertrand Morane
    Brigitte Fossey
    Brigitte Fossey
    • Geneviève Bigey
    Nelly Borgeaud
    Nelly Borgeaud
    • Delphine Grezel
    Geneviève Fontanel
    Geneviève Fontanel
    • Hélène
    • (as Genevieve Fontanel)
    Leslie Caron
    Leslie Caron
    • Véra
    Nathalie Baye
    Nathalie Baye
    • Martine Desdoits
    Valérie Bonnier
    • Fabienne
    • (as Valerie Bonnier)
    Jean Dasté
    Jean Dasté
    • Docteur Bicard
    Sabine Glaser
    Sabine Glaser
    • Bernadette
    Henri Agel
    • Lecteur
    Chantal Balussou
    Nella Barbier
    • Liliane, la Karateka
    Anne Bataille
    • La jeune femme à la robe frangée
    Martine Chassaing
    • Denise
    Ghylaine Dumas
    • La seconde employée 'Midi-Car'
    Monique Dury
    • Monique
    Michele Gonsalvez
    Sabine Guilleminot
    • Dirección
      • François Truffaut
    • Guionistas
      • Michel Fermaud
      • Suzanne Schiffman
      • François Truffaut
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios30

    7.47.8K
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    Opiniones destacadas

    8dromasca

    this film could not have been made today

    It would be impossible to make today a movie like 'L'homme qui aimait les femmes' (the English title is 'The Man Who Loved Women') directed in 1977 by François Truffaut. Not the way the French filmmaker wrote and directed it, in any case. The main hero is a serial womanizer, a man who usually looks at women from the legs up, who accumulates conquests inevitably followed by separations, who has no intention of establishing a stable relationship and who collects his trophy memories in drawers full of letters and photos before starting to write a book in which he describes his series of love adventures. Such a male hero could be in our times only a negative character and the fact that Truffaut describes him as an eternal lover whose fascination for women finds its justification in the way they are also attracted and fall under his charms would be hard to explain today. And yet, Don Juan and his disciples traverse the history of literature, opera, and cinema.

    If someone still dares to write the script for a remake, he should change almost everything. There is a lot of on-screen smoking - at work, at the table, in bed. People send letters and use dial phones that ring threatening. Manuscripts of books are brought by the writers in envelopes and entrusted to the typists. Not only are there no mobile phones, but the engineer Bertrand Morane, the hero of the film, works for a company where telephone calls are accepted in a switchboard operated manually by a telephone operator. In the morning he is awakened by the voice of another telephone operator from a wake-up service. Any attractive woman who crosses his way becomes the object of his attention and fascination, regardless of her social or family status. The film is asymmetrical, in the sense that Truffaut is less interested in the psychology of his female heroines. Charles Denner, the actor who plays the main hero of the film is far from having the physical charm of an Alain Delon or the charisma of Belmondo, looks like a banal guy. What is the secret of his success with women? Maybe it's his fascination with the opposite sex that he reveals quite directly, without ostentation or traces of violence. If he misses a conquest, our hero shrugs and goes to the next woman he meets on the way. Truffaut conveyed to the film's hero his own fascination with women, embodied in his admiration for the actresses who starred in his films (and in a few alleged love stories).

    A few cinematic elements attract attention. The scenes that open and close the film are borrowed from the film noir genre, although what happens between them is completely different. Attentive viewers will identify in the first frame the director's cameo appearing, as in Hitchcock's film. The off-screen voice is used intensively, which is not a rarity in Truffaut's films, being inserted under the pretext of the hero's attempt to turn his adventures into a memoir book, like those of Casanova or Don Juan. As I am mentioning - again - Don Juan, this film lacks any kind of moralising judgment. Even in the libretto of Mozart's opera the great seducer is punished. Here it is hazard that is put at work. To substantiate psychologically the behaviour of his hero, Truffaut inserts some flashback scenes from his adolescence and introduces the figure of his mother, a kind of mirror replica of what would become his son. In 'L'homme qui aimait les femmes' two of the main themes of his films meet, the fascination for women and the sometimes painful coming to age. Plausible? Spectators are left to judge. The film deserves, in any case, a viewing or a re-viewing.
    staycoolguy

    A really good movie about a man who was just crazy about women.

    This movie is just wonderful, a kind of masterpiece as for its construction, its dialogues and the actors' performances. The first image sets the scene very clearly : Bertrand Morane's burial attended only by women. No guys in the funeral procession. Twenty or so lovely middle-aged females are following their (former) lover's last trip. One of them, Brigitte Fossey, Bertrand's last girlfriend, comments, from backstage, on this unusual situation and explains, incidentally, what the film 's gonna be : a flashback to Bertrand's life. How does she happen to know about it ? Thanks to Bertrand's book she has recently edited for him and called "The man who loved women" (passed tense works here as a premonition). The author describes his passion for women and focuses on some of them. Inspired directly from the Bertrand's life (and from the director's life as well), his narrative is informal, genuine, sometimes contradictory but never pedantic nor rude. He remembers his love affairs, his bad and good times, and, most of all, tries to express his feelings to such an extent that is story must be seen as an auto-analysis, the writer's personal attempt to understand his personality rather than a woman chaser's curriculum vitae. Come to that, Charles Denner, the lead, shows us very well that his character's everything short of a sexist and self-confident womanizer. He fell in love once, but this experience turned out to be a real disappointment. Now, he feels as if he were unable to love anymore. So, he's `collecting'. He may have shortcomings, he may have fun picking up beautiful girls wherever and whenever he can, he may not be the kind of faithful and steady guy a good many girls usually like, his behavior might be considered as outrageous by some, the thing is he's a sensitive, affectionate, simple and nice person who knows how to make women happy and comfortable. Each mistress's chosen for a particular reason, a physical standard (behavior, way of walking, voice..) but all share one thing : they have long, smooth and attractive legs. All in all, `The man who loved women' is a mighty good film, worth watching it.
    8tonymiguel_fa

    From it's title to it's ending a great movie by Francois Truffaut

    From it's title to it's ending The Man Who loved women is a great movie. Francois Truffaut displays all his mastery of the cinematographic language.

    The editing, performances and dialogues all contribute to the film's subtle but engaging rhythm. The movie revolves around Bertrand Morane, a gifted womanizer who starts evaluating his life by remembering past love affairs.

    Bertrand's love life is a comical and insightful story, that combined with Truffaut's brilliant direction and a perfect script make "L'homme qui aimait les femmes" a very entertaining and original movie.

    Beautiful french women, great cinematography and Charles Denner's acting. There are no mistakes in this film, very recommended.
    8Portis_Charles

    Beautifully idiosyncratic

    Towards the end of the film, the main character, Bertrand, a singular individual obsessed with women (a lot) and literature (a little), says, in a serious voice-over at night, in a room whose only light comes from a fireplace, the very soul of the film: "Then the desire took me to read the memoirists of the last century. How should you write when you talk about yourself? How had the others done? What were the rules? I realized that there are no rules, that each book is different and expresses the personality of its author. Every page, every sentence of any writer belongs to him. His handwriting is as personal to him as his fingerprints." The film, not very easy to like at first due to its repetitive side (Bertrand remembers different women he has known in his life) and a little bland (not much happens, really), captivates and gradually fascinates by its idiosyncratic nature, by a half-energetic, half-melancholic tone which cannot be anything else than the intimate expression of the work and personality of François Truffaut, by its subtle fade to black shots emphasizing the proud independence of the main character, by its rich literary tone. This is, for me, an inferior film to the magnificent 'The Mississippi Mermaid' which successfully combined this level of inner depth with an exciting film noir storyline, but it is no less a fascinating film due to its intimate authenticity. At one point a doctor says to Bertrand: "Nothing is more beautiful than seeing the publication of a book that you have written, nothing is more beautiful. Except perhaps giving birth to a child that we carried for nine months in our womb. But we are not capable of that, well, not yet." A fade to black shot deliciously placed there underlines the beauty of this profession of faith by François Truffaut on the essential importance of artistic production. He is no longer here, but his work speaks for him...
    7claudio_carvalho

    Memoirs of a Womanizer

    In 1976, in Montpellier, the funeral of the engineer Bertrand Morane (Charles Denner) is attended by several women. The lonely Bertrand works in a laboratory in a ship model basin and wind tunnel for aircraft testing and loves books and women, spending his leisure time seducing women and reading. Along his life, Bertrand makes love to the most different type of women and decides to write a book telling his love affairs.

    "L'Homme qui Aimait les Femmes" discloses the memoirs of a womanizer. This sensual and funny film is a great tribute to the beautiful French women with lovely French actresses. The romances of Bertrand are provoking and charming and his character shows that a man does not need to be handsome to be seductive and conquer women. Last but not the least, Bertrand is a man that follows the poetry of the French Henri de Régnier (1864-1936): "Love is eternal while it lasts". My vote is seven.

    Title (Brazil): "O Homem Que Amava as Mulheres" ("The Man Who Loved the Women")

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      François Truffaut wrote the first draft of this script on the set of Encuentros cercanos del tercer tipo (1977).
    • Errores
      Todas las entradas contienen spoilers
    • Citas

      Bertrand Morane: Women's legs are like compass points, circling the globe

    • Conexiones
      Featured in François Truffaut: Portraits volés (1993)

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    Preguntas Frecuentes15

    • How long is The Man Who Loved Women?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de abril de 1977 (Francia)
    • País de origen
      • Francia
    • Idiomas
      • Francés
      • Inglés
    • También se conoce como
      • The Man Who Loved Women
    • Locaciones de filmación
      • Montpellier, Hérault, Francia
    • Productoras
      • Les Films du Carrosse
      • Les Productions Artistes Associés
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas
    • Color
      • Black and White
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.66 : 1

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