Heroes

I'm glad I'm not the only person who remembers the closing scene of this movie as having the song "Carry on Wayward Son" as the music, instead of whatever dreck the edited-for-TV version used. That scene, and this movie, sticks in my mind now almost 30 years later. This movie which starts as a simple comedy gradually transforms into something that offers genuine pathos and commentary about life. You have to see this movie. This movie also features a young Harrison Ford in a small but compelling role.

This movie was, sadly, heavily edited for broadcast and it changed the feeling of the movie in substantial ways. Seek it out in the original movie format and soundtrack and it's quite special.

Just give it a chance and watch it until the end, no fast forwarding. I guarantee you will never listen to that song again without choking up.

"Heroes" is not as much about Vietnam vets as it is friendship, the human spirit, loss and dreams.

Winkler plays the vet whose simple dream of starting a worm farm sends him off to find four other vets (including Ford). Fields is the girl he meets on a bus trip and who goes along with him on his journey.

I can't say too much about the movie; this is one film best left to experience on one's own. But if you can find it, watch it till the very end - and if you can honestly not watch the final scene then hear Kansas' "Carry On My Wayward Son" and be moved, something is definitely wrong.

The message may not be earth-moving and the way it reaches it may not be original but "Heroes" still stands by one simple truth - nothing is stronger than the human spirit, nor more fragile.

Nine stars. Watch "Heroes" - be moved.

Disturbed Vietnam veteran escapes from an East Coast institution and travels by bus to Northern California to meet up with his war buddy to start a worm farm; an attractive young woman--and runaway bride!--takes a liking to him after the two share a few calamitous run-ins. Henry Winkler and Sally Field (and Harrison Ford in a small but telling role) excel in one of the odder star-vehicles of the 1970s, more interesting as a serious character piece than as the comedy it often tries to be. Director Jeremy Paul Kagan (who had earlier directed Winkler in the TV movie "Katherine") and screenwriter James Carabatsos (with uncredited help from David Freeman) aren't afraid to pace their film carefully by allowing the characters to talk things out and find each other emotionally (they set the movie's rhythm, not the plot situations). As such, the finale is remarkably sensitive and brave. *** from ****

This film is a sincere portrayal of a Vietnam Vet's struggle to regain some innocence and happiness after the war. It also shows that Winkler, and to a lesser extent Ford, have more than one dimension to their acting, which pleasantly surprised me. Ford shows a vulnerability which is not apparent in any other of his films I have seen.

I remember seeing this movie when it came out in the theater. Tonight I got to see it at home on TV after all these years. The big surprise is the ending song of the movie was changed! "Carry On My Wayward Son" by Kansas was changed for some trivial song about Heroes. I don't understand why. That was one of best parts of the movie. Sally Field is one of the best dramatic actresses I have seen. She is right up there with Katherine Hepburn and Anne Baxter. Henry Winkler did OK but I think other actors could of done just as well. Harrison Ford was underused. The plot was very thin. What a shame not to use the talent they had available to a better use. They really could of developed the characters more and got rid of the fight scenes and racing cars.

Sad