Haunts

"Haunts" follows Ingrid, a young Swedish woman living with her American uncle in northern California. Their small town is suddenly plagued by several scissor-murders and rapes; meanwhile, Ingrid finds herself recurrently assailed by a lecherous butcher in town. Are the attacks connected? Does a newcomer to Ingrid's church choir have something to do with it? Or could it be someone else?

This little-seen psychological horror film is very much in the vein of other "mad women" films of the 1970s such as "Let's Scare Jessica to Death" or Robert Altman's "Images," packed with dreamlike energy, haunting cinematography of dreary rural abodes, and a thin demarcation between hallucination and reality that cuts through it all. "Haunts" is a bit more of a slipshod production than the aforementioned two films, but it exists in the same universe.

There are definitely effective moments here, particularly the attack sequences that intersperse the melodrama of Ingrid as a character. The film does grow tedious in its last act and loses momentum to a degree, while the last ten or fifteen minutes err into baffling quasi-supernatural territory that feels underdeveloped and there simply to shock the audience (or leave them scratching their heads). May Britt is believable here as a naive and devoutly religious Swedish expat, while Cameron Mitchell turns in an odd performance as her possibly-lecherous uncle . Aldo Ray is also present as the town's sheriff investigating the crimes.

In the end, I found "Haunts" to be quite captivating in many ways, mainly due to it being rich in atmosphere. It's a very dreary and dour-looking film, and possesses the same kind of sensibility of its contemporaries that I enjoy very much. The screenplay is admittedly sloppy as the film attempts to resolve itself, and the last act throws concepts into the mix that don't really gel, but I ultimately think the film works as a mood piece more than a straightforward thriller. It is an oddity for sure, and it's somewhat surprising that it has not found an audience over all these years. 7/10.

Haunts is perplexing and flawed, but still offbeat enough to maintain interest. Swedish May Britt gives a very good performance as a repressed, tormented, fanatically religious farm girl in a town plagued by a brutal sex murderer. Despite the potentially lurid subject matter, it's all handled with a very subtle approach (even in the uncut R-rated version). Well-cast (though Aldo Ray deserved better and Cameron Mitchell doesn't have much to do) and graced with a lush Pino Donaggio score and beautiful but unpolished photography, it has some standout moments; one unforgettable scene has Britt driving, with the scenic reflections in the windshield melding into a montage of flashbacks. What hurts it are too many routine passages, klutzy red herrings, a lack of momentum, and extraneous material. Sometimes it becomes quite frustrating, but patience is ultimately rewarded by a very original twist at the end. Most certainly not for everybody, but worth seeing if you're an art fan looking for a change of pace.

Trivia note: Copyrighted 1975, Haunts was shelved until 1976 when Intercontinental released it to theaters of confused moviegoers.

This film has only one downside for me and that is being very slow in spots, particularly towards the end. About 15 minutes of this flick could, honestly, have been sacrificed to the cutting room floor with no real loss. Other than that its really pretty good. Cameron Mitchell plays his part very well. Aldo ray does his job as sheriff and lends quality to a well developed character. William Gray Espy does very well in his role, and both Kendal Jackson and Susan Nohr deserve recognition. But the real star is, fittingly enough, the lead, May Britt. She does a wonderful job in portraying a very troubled woman with deep seated emotional problems. The part I liked the best? It was so easy to figure out, until I figured out that I was wrong. Three times in a row. And then? SURPRISE!

Haunts was a random pick n mix movie for me, I had no idea what I was getting myself into and movies like this make me regret ever doing that.

It tells the story of lady who believes her uncle is responsible for a series of killings in the area with a pair of scissors, but there is more to the story.

I say "Story" very loosely, as though there is one it's an unstructured abyssmal abomination of an attempt at one.

The movie is horrifically boring, totally lifeless and at no point did I feel engaged or even remotely begin to care about a character or outcome of the movie.

Certainly one of the worst films I've seen lately, this is not a clever psychological thriller as it seems to refer to itself. It is instead a 90 minute sleeping pill (Side effects may include boredom and a severe migraine).

The Good:

Not a sausage

The Bad:

Incredibly unengaging

Muddled plot

Things I Learnt From This Movie:

The lord giveth and the lord taketh away

A cross around the neck has yet to save anyone

Ingrid (May Britt) lives on a farm with her uncle Carl (Cameron Mitchell), where she spends her days milking her goat and having flashbacks of her childhood traumas.

Meanwhile, a scissor-wielding maniac is busy mutilating women around town. There are several suspects for the sheriff (Aldo Ray) to consider, including Frankie (William Gray Espy), the Romeo who works at the butcher shop. There's also the stranger who just arrived in town. Old Uncle Carl seems a bit suspicious as well!

In addition, Ingrid herself seems to unravel as the story progresses. Was she really attacked by the scissor killer? Twice? And, what about her bloody hallucinations?

HAUNTS is an average thriller / chiller with above average aspirations. The characters are endearing in a Mayberry sort of way. Alas, a lot of what is meant to be mysterious and frightening comes off as half-baked and rather dull.

Still, it's enjoyable enough in a 1970's way...