Greta - Haus ohne Männer

You have Jess Franco directing and Lina Romay starring, is there a more sure guarantee of a high sleaze content? You just can't ask for much more.

However, this movie doesn't approach the pure, unadulterated, in your face sleaze of other Franco/Romay movies, although it tries. It tries hard.

You have Ilsa, the wicked warden, torturing and tormenting the poor female inmates, although to be sure the torture and torment wasn't very convincing. You get the feeling the actresses might have looked a bit more tormented if Franco had told them they had to take a pay cut. So it goes.

You have Lina Romay, hot as molten steel, running around naked as the day she was born and enjoying it as usual. I have to admire a girl who is so completely dedicated to being naked all the time, in every situation. She is just an unabashed exhibitionist, not even requiring the flimsiest of excuses to remove her clothing. She insists on it! She demands it! It's probably in her contract somewhere that she gets to spend at least ninety percent of the runtime of any movie naked.

The plot line is the standard Ilsa fare, a wicked woman giving everyone a hard time until she gets her just deserts. Yawn. If you even thought about watching this for the plot then you are in line for a sanity check. This is, as has been said, Class A Euro-Sleaze.

Too bad they don't make them like this any more.

ILSA--THE WICKED WARDEN (aka any one of the dozen other titles it goes under) is not the most disturbing, brutal or violent of the infamous series, but it is by far the sleaziest.

Dependably twisted schlockmeister Jess Franco dishes up enough nastiness, violence, sex, nudity and sleaze for a dozen average exploitation pictures. A female journalist infiltrates a women's prison to expose the corruption within. Once inside (posing as a prisoner), she is exposed to the grim, vile world that is a women's prison.

Ilsa (Greta? Wanda?), played by Diane Thorne, is the vicious warden, who puts her prisoners through all sorts of physical and psychological abuse, although the prisoners manage some pretty outrageous behavior on their own. There's a nice, long, voyeuristic catfight in the showers, as well as an unspeakably tacky scene in which self-appointed lead prisoner Lina Romay forces the reporter to lick her ass clean after a bout of diarrhea. That pretty much sets the standard for taste in this movie.

Franco shows an odd Tinto Brass-like fetish for female buttocks in this movie, as every prisoner's standard uniform is knee high boots and a prison shirt--no pants or underwear--thus giving the viewer plenty of glimpses of bare bottoms.

Overall, THE WICKED WARDEN is about as sick and twisted a movie as the average viewer is ever likely to find. There are nastier movies out there, even nastier women in prison movies, but this will more than acquaint you with the subgenre.

Strange, depraved vision of Jess Franco's concerning Ilsa, that wicked, blouse-popping sadist of the famous/infamous series starring statuesque/bosomy Dyanne Thorne. This time around a young girl gets into a hospital run for women who suffer from sex-related diseases such as lesbianism and nymphomania. It seems she had a sister admitted a year ago and wants to find out what has happened to her even though she knows no patient has ever left. The film takes place somewhere in South America where a government is fighting rebels. Well, you get what you might expect from a series like this: lots of nude girls, lots of perversion, lots of sadism, lots of sleaze, and generally a sick/guilty feeling having seen it. There are many scenes which are downright disgusting such as one dealing with the use of a plastic bag, another with pins and a human pin cushion, shock therapy, a night with the boys from the local prison, and the grand finale where Greta(Thorne) is out to lunch with the girls. Franco is a decent director in terms of piecing a film together(despite what the subject matter might be). He can draw scenes out for suspense. He can also shock which he does well too. The acting was decent overall. Thorne is way over-the-top, but hey who cares once they see her? She is the personification of voluptuousness wearing her strained military blouse and high boots with red hair this time round. Ilsa, the Wicked Warden is a unique look at what film can do...and perhaps should not do.

Today, I watched another 2 Jess Franco titles from the Anchor Bay UK 8-Disc Set (which I rented from my local DVD outlet): ILSA, THE WICKED WARDEN (1977) and JACK THE RIPPER*** (1976).

Though I wouldn't say that ILSA is exactly a good film, I was still quite surprised by how it managed to hold my interest throughout. Not that it made particularly inspired use of the various subtexts suggested in the script (the snuff movie angle, for instance, is not dealt with in any depth) – apart from its over-the-top, and undeniably horrific, conclusion – but it was certainly above-average for an Erwin C. Dietrich production with adequate scenery, an evocative if repetitive score and competent performances. The dialogue of the German-language version, however, was pretty hilarious (the various odes to Greta/Ilsa recited by the inmates, the sanitation officials who arrive for a surprise inspection complaining that the rumors of the supposedly corrupt management inside the prison are unfounded – for obvious reasons, they may not have been taken to see the dungeons where the female convicts are tortured, but did they even question themselves why these were forbidden the use of underwear while serving their sentence?!); still, the English dubbing (heard during the interview section of the supplements) makes it sound even worse!

I haven't seen the 'original' Ilsa films but, while Dyanne Thorne seemed to be relatively at ease inhabiting the Jess Franco movieworld, I also feel that her character was pretty one-dimensional and not really the main focus of the film; Lina Romay, on the other hand, has a lot of fun with one of her better roles; even Tania Busselier (in her third and last film for Franco) seems to have matured somewhat and here makes for a creditable heroine (for whom Franco boldly reserves an unexpected tragic fate, though this was perhaps done so as not to involve her in the film's cannibalistic climax).

Unfortunately, this edition was cut by more than 2 minutes by the BBFC: the death-by-asphyxiation of Rosa Philips was evidently trimmed as it now occurs in a split-second; I may be wrong but I reckon that the remainder of the censored footage involved the lobotomy performed on the Tania Busselier character (did they even show this?) as her sudden appearance as a 'vegetable' is most jarring…

Anyway, I look forward now to renting and watching another of Franco's notorious 'Women-In-Prison' films for Dietrich, namely BARBED WIRE DOLLS (1975).

I have seen all of the Ilsa movies several times and this one is by far the best. First, a warning: if you are easily shocked, offended, or disturbed, you won't make it through this (or any other Ilsa)movie. It takes a lot to disturb me, but this movie did the trick. If you love campy women's prison movies, this is also a must-see, though it is darker than most of them.Yes, this is an exploitation flick and does not try to hide this fact, but it has a plot, and characters you care about. A woman's sister is being held in a women's prison, so she goes 'undercover' to try to rescue her. The b*tch in charge of the prison is the most twisted, sick, evil, sadistic warden you will ever find in any women's prison movie--Ilsa, (or Wanda, depending on which version you see) the Wicked Warden. Her idea of a nice relaxing evening is using one of the female inmates for a pincushion, and I am describing the scene tactfully. Others she lobotomizes when they get out of line. The woman's plan to infiltrate the prison and her sister goes horribly awry when she realizes things in there are much, much worse than she could have dreamed of and there is no escape. The movie's ending is a total show-stopper, when Ilsa comes to one of the most fitting, vividly grisly, ugly endings that you will ever see. Not the most pleasant movie to watch--the first time I saw it, I felt sick for not turning it off and continuing to watch the horrible acts being committed. However, I've seen a lot of really bad horror/shock/exploitation films, and this one really stands out amongst the rest, with realistic characters, the courage to have a very downbeat ending, and no glamourization of the violence. The images in this movie will stay with you for a long, long time. For some people, that's a warning, for others, a strong recommendation. You think you've seen it all? You haven't, till you've seen this.