No robarás a menos que sea necesario

I agree with the reviewer who said that George Segal and Jane Fonda are an unlikely couple to star in this movie. But, oh, does it work! This is one of my top ten all-time favorite movies. The humor is a bit more subtle than the Jim Carey remake and I happen to prefer that kind of humor.

The premise of the movie would be hard to beat at any rate. It really works as a comedy situation. Some of the scenes in this movie will absolutely make you roar with laughter.

If you want a good laugh on a Friday night...rent this one. :) Or better yet, buy yourself a copy so you can watch it again and again. It really is that funny.

This is certainly my favorite show for both George Segal and Jane Fonda. They are marvelous as folks trying to make ends meet (by hook OR crook) in the face of unemployment. Their hijinks are marvelous, as they exhaust ALL the possibilities for humor in the search for employment.

Especially memorable are the fashion show, the celebratory dinner, and the performance of Carmen. But good spots in this film are too frequent to even cite!

Consistently funny spoof of America's caste system from bottom to top. The Harpers (Fonda &Segal) are yuppies trying to hang on to middle-class status after Dick is fired from well-paying aerospace job. Increasingly desperate as creditors close in, they eventually turn to robbery, a clumsy Bonny and Clyde with country club credentials. Their early lame stickup efforts are particularly humorous.

There's no mistaking the subtext that takes a shot at about every rung on our economic ladder, from minority welfare cheaters to middle-class status seekers to upper-class hypocrisy. And throw in a shot at televangelist hucksters guarding their own loot. A couple points are easily overlooked. Note how Jane's wealthy dad refuses to help, lecturing them on the virtues of rugged individualism. Tellingly, this is the one scene without a humorous overlay. Note also that Dick's thanks for helping get a man on the moon is to get fired. Thus, it's declining profits, the logic of capitalist efficiency, that prevails over all else. Essentially, what storybook Dick and Jane find out is what it's like to survive on the margins, and since their tastes are elevated, it's an inflated margin.

Don't get me wrong. Thanks to both an excellent script and ace performances,the movie manages its many serious points in consistently humorous fashion. After all, we never expect Dick to actually use his stickup gun. He's too humorously inept, though he does get more skilled as time goes on. And catch how the now destitute Dick and Jane live in a rambling home with a bombed-out lawn and a pit for a pool. Now what will the neighbors say.

Big kudos to Segal who handles his difficult role in expert fashion, and also to Fonda who makes a perfect bickering soul mate and for being maybe the first woman to take a discreet leak on screen. McMahon too shines as the slick company president who smiles even while stabbing a guy's back. As an actor, he certainly proves he's more than Johnny's affable TV sidekick.

Anyway, in my little book, the 90-minutes succeeds on a number of levels, making it both really watchable and still relevant.

George Segal and Jane Fonda are not he kind of actors you would expect to find in this movie with low brow humour that is a delightfully guilty addiction. Dirty jokes, a rancid social commentary and the glib life of bad mid to late 1970's economics drive 'Fun With Dick and Jane' to a level of crime that makes you root for them. Three scenes stand out. Watch for them! One has Segal practicing his stick up routine in the mirror dressed totally in black with a nylon wrapped over his head. Another one has Fonda visiting her conservative parents to ask for financial help and her father turning her down with an evangelical sermon and Dick and Jane's first stick up at a cheap motel. This movie has some slapstick that is hard to resist.

In these trying times, when American's financial world is going down the drain, and the dreams, aspirations and livelihood of millions of Americans are evaporating, a film like this one is just what a despairing audience needs. The story of the American Middle Class in jeopardy and is aptly personified in this movie, called 'Fun With Dick and Jane.' There have been several other films based on this theme, but for my money, the stars of George Segal and Jane Fonda are solidly entrenched and not easily replaced by later film couples. Segal stars' as Mr. Richard Harper a Aero-space executive who as his boss (Ed McMahon) states is the very best at his job, but like so many other corporate executives is no longer needed. His position is one which promised security, but has fallen on hard times. Thus he soon learns he is unemployed. The fun begins when Harper and his wife try to adjust to the downward spiral of economic descent. They like so many Americans take what they can get and object poverty is not attractive at all. Thus, when the bottom is ready to engulf them, they turn to a life of crime. Can they do any worse? Not being prepared, they soon realize, they are not cut out to be white collar criminals and decide to quit. That's when opportunity beckons once again. A great movie and one fitted to our time. ****