La niña siniestra

Despite an interesting premise, this film doesn't deliver. Attempted as a period piece(probably because someone was able to get a-hold of some vintage 1930's cars)set in the 30s/40s, this flick involves a young housekeeper hired by a farmer to care for his house and young daughter after his wife's death. The daughter, Rosalie, apparently shares a penchance for telekenesis with her departed mother, and uses her unusual mental powers to reanimate putrid corpses and use them to hack apart people she doesn't like. The naive young housekeeper gradually becomes aware of Rosalie's strange abilities and eventually runs afoul of the little girl's graveyard friends!

This film doesn't really succeed in the period detail department, primarily because the housekeeper spends nine-tenths of the movie in peasant dresses, not exactly the going fashion in 1939 or whenever this movie was supposed to be set. A quibble to be sure, but come on, the wardrobe people could have tried more. The flick does have some nice atmosphere, with dark woods, brooding sunsets, and lots of dark interior shots. And there is a half-baked attempt to establish a romance between the housekeeper and the farmer's adult son. Nothing in the way of camp or bad acting to recommend it, but probably not a bad way to kill ninety minutes

Alicianne is hired to look after creepy 11-year-old Rosalie in her family's remote and gloomy house.It soon becomes clear that Rosalie has psychic powers and can make things move just by thinking about it-and she can also use those same powers to raise the dead,reanimating corpses in a nearby cemetery to take revenge after her mentally ill mother dies...A spooky and atmospheric opening scene gives way to a sluggish and wholly predictable zombie movie that has little new to add to an already over-crowded sub-genre.Technically,it's a mess and the acting is as dire as you'd expect,yet it does occasionally manage to display flashes of that creepiness that informed the opening scene."The Child" was released by exploitation king Harry Novak("Axe"),so fans of low-budget 70's horror should be pleased.This film has its share of flaws,but give it a chance.7 out of 10.

In spite of its ultra-low budget, clunky, overdubbed dialogue, and not-so convincing "acting", THE CHILD still manages to cultivate a cold atmosphere of constant dread. There are also some fairly gory set pieces.

As for the titular terror tot, Rosalie Nordon (Rosalie Cole), she's not a bad representative of the "killer kid" sub-genre. How can you go wrong with an eeevil girl who can create a murderous scarecrow AND raise the dead to form a mob of undead ghouls?

Add this to your horror roster...

`A powerful combination of the evil-child subgenre and the Zombie Movie' Aurum Encyclopaedia of Horror

`Zombie Child has it all: Murderous kids, cannibal zombies and lashings of gore. Another unbelievably ghoulish offering from the legendary Harry Novak.' David Flint. Divinity

To sum up Zombie Child in two words, cheap and weird. What do you expect from producer Harry Novak? For those who are familiar with the ‘Sultan of sexploitation's work, you may remember his other horror productions, Axe, Mantis in Lace and The Mad Butcher. Don't let this put you off. Zombie Child does have the occasionally atmospheric scene or effective sets to redeem it.

Alicianne Del Mar (played by the lovely Laurel Barnett) arrives in the heart of the forestry to look after the difficult child, Rosalie. Her has broken down and she is now stranded. What are those creatures wandering around the grounds at night? Why does everybody act so strangely? It transpires that Rosalie's mother has recently died and ever since her departure, her only daughter has found comfort visiting the nearby graveyard at night. She admits that the ‘things' in the woods don't scare her because they are her ‘friends'. Alicianne soon realises that these ‘friends' are the murderous zombies who have killed everyone that have, in some way, annoyed the spoilt little girl. The climax involves the old favourite boarding up every possible entry as the horde of ghouls gather around an old mill to get at Alicianne.

Zombie Child is so peculiar, not to mention obscure and hard to find, you end up liking the film. The eerie misty cemetery scenes and some of the murders are quite well executed for a film whose low budget is obvious in every shot. You even begin to appreciate the silly looking zombies who appear like they've wondered in off the set of the terribly cheesy Astro-Zombies (Ted V. Mikels, 1969).

If you manage to find this old gem, I recommend you check it out. Just wait until you see the acting of the nosy neighbour. Especially in the scene preceding her death. I wonder what was her motivation...

Rosilan (Rosalie Cole) is a girl with some problems-like her psychic abilities that allow her to talk to her dead mother, levitate objects, and raise the dead.

From producer Harry ("Axe","Rituals", "Hitch-Hike To Hell" and plenty of soft core flicks) Novak comes "The Child", an uneven but still watchable take on the Zombie movie. The movie itself takes a while to get going, and like many movies of this type, the acting is terrible (especially Rosalie Cole, whose character is too much of a brat to be interesting or threatening), and the electronic score by Rob Wallace is grating.

Still, when the final 20 minutes kick in, the movie kicks up. There's some nice moments, and the zombies themselves, while not Romero or Fulci levels, are still pretty creepy. The make up effects are also pretty good, especially considering the movie's budget.

"The Child" is an alright Bad Seed movie, only with the supernatural and the living dead instead of a killer kid. Don't go into it expecting much, and you might sort of enjoy it. It would make a nice double bill movie with "Children Shouldn't Play With Dead Things", I'll tell you that.