Billy Jack Goes to Washington

Billy Jack Goes to Washington (1977) was the last film in the Billy Jack

series. Unlike the other films where the political posturing was kept in check, Tom Laughlin goes full tilt boogie into the subject. In this virtual remake of the classic Mr. Smith Goes to Washington, Billy Jack is

appointed the vacant senatorial seat after receiving a full pardon from the

Governor. Why did they give this man a political platform I'll never know. But they did and he tries to do his best to let the whole nation know that

he's the last and only honest man in Washington D.C.

Why do we watch Billy Jack movies. Most of you will answer because he

kicks butt and takes names. But the latter films focus more on his "acting" and the metaphysical being of one's self. If you watch Billy Jack for these

reasons raise your hand. That's what I thought.

For die-hard Billy Jack fans, others beware!

Recommended.

this fourth and final film in the Billy Jack franchise was never released theatrically.i thought it was a better film the the previous one,the T4ial of Billy jack,which i found tedious,bloated and preachy.this one is not as heavy.there is very little action.it/s more drama than anything.basically.billy jack become a senator and quickly realizes how corrupt things are in Washington.i'll leaver the plot at that.on a side note,i noticed that the run time is listed as 155 minutes,which is interesting since the version i watched was about 111 minutes or so.i also noticed on message boards that someone had seen the original cut at a preview some thirty plus years ago,and had noticed that the DVD version was cut to pieces.it would be interesting to see that version.maybe some day,that version will see the light of day.as for this version,it was decent enough.for me,Billy Jack Goes to Washington is a 6/10

As a Washington, D.C. native who saw this film when it was first released (and, contrary to some other comments, it WAS released in DC, playing in several area theaters), I was interested to see how Laughlin would portray the city and its political institutions. Surprisingly, he did so very well. The debt to Jimmy Stewart is obvious throughout but, having said this, his film reflected the political temper of the city in the late 1960's-early 1970's very well indeed. The dialog was not brilliant or sparkling, but there were some good lines: "Pigs get fat, hogs get slaughtered," is one I remember, referring to bribes and corruption. No matter what one's political views are, this is a film that can be viewed as escapist entertainment and, now from a vantage of several decades, with some nostalgia as well. Worth a rental, definitely, and better if seen with someone who lived through the era.

Did I just wake up on some bizarro world?! How else could you explain anyone giving this film a 10 or even scores of 9 and 8? Other than to provide unintended laughs, I just can't see the Billy Jack films as capable of earning anything close to these very respectable scores--even this one, which is probably the best in the series.

This film starts on a very, very poor note. Instead of storytelling, there is a long exposition by Pat O'Brien as he explains much of the setting for the film--and it's way too much! This long diatribe about the evils of nuclear weapons and nuclear power just seemed like sloppy film making-- like a political speech instead of a proper prologue. In addition, why not have the characters talk about this in the film itself? Having this prologue just seemed like they forgot to film these scenes and instead chose to sum it all up this way!

As for the rest of the film, it sure showed a lot of hubris for director/actor Tom Laughlin to consider remaking the Jimmy Stewart-Frank Capra classic film (currently #101 on IMDb's top 250). In this version, however, instead of appointing Jefferson Smith to the Senate (a beloved icon of children across America), the powers that be decide to appoint a man with a long history of manslaughter and possibly justifiable homicides!! I certainly remember Mr. Jack dispensing a lot of mayhem in his previous films THE BORN LOSERS, BILLY JACK and THE TRIAL OF BILLY JACK! Apparently the grafters do not remember nor do they read the newspapers, and so they decided to appoint an ex-con who is famous for fighting "the man". That sure makes sense!! What's next--appointing a member of the Manson family or a rabid dog or a tomato?!

What was likable about this silly film? Well, it was finally nice to see Delores Taylor (Laughlin's wife and co-star in the Jack films) stop being the perennial victim. Finally, after three films, Billy apparently finally taught her martial arts and she, as well as Billy, deliver some well-earned butt-kickings in one scene! This actually was well done and helped the film tremendously. Also, while the film stuck VERY close to the original material (too close if you ask me), the basic story, no matter how bastardized, is still very good--so good that Laughlin couldn't help produce a reasonably entertaining film--provided you turn off your brain and don't think too much about putting Billy Jack in this locale. Plus you gotta admit that Laughlin sure seemed sincere--and infused the film with some nice energy late in the film--and not in the form of butt-kickings (I half expected him to do this on the Senate floor)! This section of the film was, at times, too intense, but at least it was NOT an exact copy of Jimmy Stewart.

However, despite some good intentions, the premise of Billy Jack taking on and winning against the evil special interest groups is silly--and also way too idealistic--and probably will result in a few laughs. While not a terrible film, it pales in comparison to the Capra film and occasionally sinks into ridiculousness. Apparently audiences felt pretty much the way I did, as this film never even made it past preview audiences and so it never received a normal theatrical release--though the film was definitely better than THE TRIAL OF BILLY JACK (which made "The Fifty Worst Movies of All Time" book). Luckily for lovers of the bizarre and bad films (like me), BILLY JACK GOES TO WASHINGTON was finally released on DVD some time back.

By the way, because the film was never released until recently, this might explain the poorly executed edits and choppy transitions. Too often, scenes VERY abruptly change and the cuts just aren't made well. In addition, the sound track was too loud and too often dominated the film. Otherwise, Laughlin's direction actually was a bit better than usual...which still isn't saying all that much.

After a sitting United States senator dies, this rallies corrupt Political Boss James Bailey(Sam Wanamaker) and surviving senator from the same state Joe Paine (E. G. Marshall) to action to find a replacement so they can push through approval of the Willet Creek Nuclear Power Plant project. While the governor can't appoint Taylor's handpicked replacement without committing political suicide, he is soon inspired to choose Billy Jack (Tom Laughlin) believing his popularity will keep him safe politically, while his disinterest in politics will allow the passage of the dam project. As Billy unsteadily enters the halls of political power along with Jean (Delores Taylor) and several members of the Freedom School, he is taught the ins and outs of the process by his jaded secretary Saunders (Lucie Arnaz) who is initially placed their by Paine to keep Billy Jack away from the Nuclear Power Plant in the legislation. As Billy attempts to push through his own legislation for a Youth Camp for impoverished children. Billy soon finds himself face to face with the insidious political machinations that he soon fights against (sometimes literally).

Billy Jack Goes to Washington is the fourth and final film in the Billy Jack series of films written by Tom Laughlin and wife Delores Tayor, and starring and directed by Laughlin. The impetus of the project actually came about from Frank Capra Jr. Who had been trying to get a remake of his father's film Mr. Smith Goes to Washington made, including at one point a musical version with John Denver as Smith, but being met with disinterest. Capra had a meeting with Laughlin sometime after the failure of Laughlin's larger budgeted western The Master Gunfighter with the prospect of remaking the film with the Billy Jack character and Laughlin was receptive believing stepping into mainstream politics was a natural evolution for the character. Laughlin handled both distribution and production of the film independently including with his ill-fated Taylor-Laughlin Distribution, and following production overruns Laughlin was sued by his financial backers which lead to the film missing its intended Christmas 1976 release due to the film being tied up in litigation despite being completed. When the film was released it only made it to a handful of theaters (mostly grindhouses and porn theaters by Laughlin's account) which Laughlin attributed to political pressure by the Nuclear industry. Watching Billy Jack Goes to Washington is a strange experience because it is less rambling than its predecessor, but it's also so heavily built upon the original Capra film that it just keeps reminding you of a better version of the movie.

Billy Jack Goes to Washington despite a name change of who is going to Washington is not really a Billy Jack movie and is instead just the Capra movie with Billy Jack crudely inserted into the proceedings. While I can't say anything of the extended cut which seems to be unavailable (Laughlin cut out 40 minutes of footage for its home video release and redubbed the filibuster to include references to Three Mile Island), the home video cut features the same plot beats and much of the same dialogue from the 1938 film with only very minor adjustments for either inflation or replacing the subject of contention as a Nuclear Power Plant in place of a dam. The way Billy Jack is portrayed in this film he's often playing the line reads the same way Stewart played Smith in the original Capra film, and even overlooking the headscratching logic of why Bailey and Paine thought they could control Billy Jack given the character's history the character so doesn't align with this role that when something more in line with a Billy Jack film comes into play, like a fight sequence halfway through the story, you really get a sense of just how incongruous this two elements feel together especially since they've just lifted wholesale sections of dialogue that weren't designed for this character.

In terms of the actual content in the movie (at least in the abridged version that's the only one available) it is a much easier sit than The Trial of Billy Jack and at least has a central point of focus even if it's only because of a film it copied so heavily. I'll say that while Laughlin and Marshall don't quite capture the level seen by Stewart and Rains in the original, Laughlin is okay during the filibuster scene (not great but I've seen worse) and Marshall isn't a bad choice for this role.

Billy Jack Goes to Washington is an unnecessary remake of one of Frank Capra's most beloved and quoted films that's been crudely retrofitted into a fourthquel for a character who doesn't feel at place in this story. With that said however, I'll at least say it's still aligned more or less with the spirit of the Capra film. For people interested in Billy Jack I still say stick with the first two films and as for this one: completionists only, all others should just rent the classic.