CALIFICACIÓN DE IMDb
6.6/10
1.6 k
TU CALIFICACIÓN
Durante la Segunda Guerra Mundial en el norte de África, un grupo de comandos británicos disfrazados de soldados italianos deben viajar tras las líneas enemigas y destruir un depósito de pet... Leer todoDurante la Segunda Guerra Mundial en el norte de África, un grupo de comandos británicos disfrazados de soldados italianos deben viajar tras las líneas enemigas y destruir un depósito de petróleo vital nazi.Durante la Segunda Guerra Mundial en el norte de África, un grupo de comandos británicos disfrazados de soldados italianos deben viajar tras las líneas enemigas y destruir un depósito de petróleo vital nazi.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 1 nominación en total
Opiniones destacadas
Joan Micklin Silver's ensemble masterpiece is watchable again and again! This is one of those rare films for which we can name 10 cast members. It captures the fading press counterculture of the late 60's and 70's in a memorable way. If you see it more than a few times, you will enjoy blurting out lines of dialog right before they are spoken... i.e. "some say 'whither rock 'n roll?...not at my house--I don't have the room" from Jeff Goldblum.
I'll wait a year or two, then watch it again. It's a 'cult' movie--at least with some friends I know-- along the lines of "Head Over Heels" a.k.a. "Chilly Scenes of Winter" another gem from Joan Micklin Silver.
I'll wait a year or two, then watch it again. It's a 'cult' movie--at least with some friends I know-- along the lines of "Head Over Heels" a.k.a. "Chilly Scenes of Winter" another gem from Joan Micklin Silver.
I had never heard of this movie until about two months ago when I was looking up actor John Heard. I had just watched 'Cutter's Way (1981)' and was extremely impressed by his performance having previously only recognized him as the dad in 'Home Alone.' Not only does 'Between the Lines' have John Heard delivering another excellent performance but it also has a terrific ensemble cast of some great actors before they gained popularity; notably Jeff Goldblum, Linsay Crouse, and Marilu Henner. 'Between the Lines' is set up very much the same way as Robert Altman's 'Nashville' with the plot (what little there is) taking a backseat to a picturesque look at a time period and delightful characters. In a nutshell the film is about an independent newspaper group who is about to be bought out by a large company; but more so it's about the relationships between all these people. An absolute breeze to watch because the actors are having so much fun. There are many random funny moments; including an absurd scene where an abstract artist comes into the office and starts wrecking the place referring to each action as art, but the movie also has a great deal to say. A charming time capsule for the late 70's and also for the displaying the talents of the young actors.
***1/2 out of ****
***1/2 out of ****
Between the Lines, and it's pleasant. BtL is one of those ensemble, renegade, rage-against-the-machine flicks that have always been with us, but were completely at home in Post-Watergate Land.
All I remember is that I enjoyed the actors (and if you look at the cast, it's an A-Team of talent), that Lindsey Crouse was really cute, and Jeff Goldblum insults some corporate suit or sell-out or whatever with "You pernicious eel-sh**!"
You can tell that Between the Lines didn't make much of a splash because--not counting mine--when I wrote this review, there were nine others.
I saw the movie, I think, on HBO in something like 1978 or 1979, right about the time FM came out. FM was another ensemble, renegade ratm flick, but with great music, and it was really dumb.
I don't remember Between the Lines being stupid. Unfortunately, I just watched it again on TUBI, and, although the movie isn't dumb, it's bland and predictable, an WKRP in Cinncinati kind of mish-mash of actors who have gotten old and, for the guys, bald.
I looked up Lindsey Crouse, and she has aged well. I think the last time I saw her on anything was Law and Order: SVU back in 2000. Jeff Goldblum looks like Jeff Goldblum, only with a shock of white hair. Steven Elliot did something somewhere that got him "canceled." If I'm wrong, I apologize.
John Heard died. The Venus Flytrap character was Joe Morton, and you'll remember him as the black scientist/voice of reason in Eureka. Michael J. Pollard? Passed away? Bruno Kirby? Don't know. Gwen Welles?
As you can see, Between the Lines was oozing with talent, the sort of movie that puts some oomph in an actor's resume.
I still like the movie. It's on TUBI. TUBI's free. You can afford to blow 100 minutes on a snapshot of what raging against the machine looked like in 1977.
All I remember is that I enjoyed the actors (and if you look at the cast, it's an A-Team of talent), that Lindsey Crouse was really cute, and Jeff Goldblum insults some corporate suit or sell-out or whatever with "You pernicious eel-sh**!"
You can tell that Between the Lines didn't make much of a splash because--not counting mine--when I wrote this review, there were nine others.
I saw the movie, I think, on HBO in something like 1978 or 1979, right about the time FM came out. FM was another ensemble, renegade ratm flick, but with great music, and it was really dumb.
I don't remember Between the Lines being stupid. Unfortunately, I just watched it again on TUBI, and, although the movie isn't dumb, it's bland and predictable, an WKRP in Cinncinati kind of mish-mash of actors who have gotten old and, for the guys, bald.
I looked up Lindsey Crouse, and she has aged well. I think the last time I saw her on anything was Law and Order: SVU back in 2000. Jeff Goldblum looks like Jeff Goldblum, only with a shock of white hair. Steven Elliot did something somewhere that got him "canceled." If I'm wrong, I apologize.
John Heard died. The Venus Flytrap character was Joe Morton, and you'll remember him as the black scientist/voice of reason in Eureka. Michael J. Pollard? Passed away? Bruno Kirby? Don't know. Gwen Welles?
As you can see, Between the Lines was oozing with talent, the sort of movie that puts some oomph in an actor's resume.
I still like the movie. It's on TUBI. TUBI's free. You can afford to blow 100 minutes on a snapshot of what raging against the machine looked like in 1977.
The twenty-something staff of the erstwhile quite radical newspaper "Mainline" are struggling to keep their work relevant as the 1970s give way to the 1980s. I don't know if anyone remembers a television drama called the "Paper Chase" (1973) but a lot of the style and characterisations of that film are reminiscent here. Young people trying to make their own way, defiantly trying to hold on to values and commitments that may be largely on the wain. The thing with this, for me anyway, was I found them all rather shallow and selfish. The combination of their working and social lives are presented in a fashion that is very, very, verbose. Why use one word when you can use eight? As the story drifts along, I felt less and less interested in the characters and their semi-comic antics and started to notice silly continuity errors - that wouldn't ordinarily matter - and to focus more on the tangential aspects of the film - the big collars, bell-bottom jeans - all the things I used to remember from "Starsky and Hutch". Maybe the fact that I'm not an American means that this Bostonian story of intellectual maturity and liberating camaraderie doesn't resonate in the same way - because I found this all rather dull. Will their newspaper be subsumed into a bigger, commercial, enterprise? Well at the start I hoped not, but by the middle I was indifferent.
This is a movie very much of it's time. The hippie underground newspaper is in financial trouble and might be bought by a big time publisher. The in-fighting, bickering, jealousies and bed hopping by the young, idealistic staff make up the main, simple plot of the film but the cast and the sharp script make it a pleasure to watch. The film is CHOCK FULL of some of the best, young American actors doing some of their earliest film work: Jeff Goldblum is hystercial as the constantly stoned music critic who is always dead broke, Bruno Kirby (pre-Godfather II, When Harry Met Sally) is almost unrecognizable, pre- L.A. Law Jill Eikenberry, Lindsay Crouse, Joe Morton (Terminator II, Lone Star, City of Hope), a very young pre-TAXI Marilu Henner as a stripper and TV's 7th Heaven, Stephen Collins who plays a real jerk in the film. In fact, there is a scene on a park bench between John Heard and Stephen Collins as two rival writers that is one of the best things I have ever seen about petty jealousy between scribes. Terrific fun.
¿Sabías que…?
- TriviaFeature film debut of John Heard.
- ErroresAt the staff lunch, after Sarah's last line, her mouth can be seen to continue to move, but without voice, just before the cut.
- Citas
The Hawker: All the news behind the news... and some hippie smut.
- Créditos curiososMax and Doug's conversation continues into the early end credits.
- ConexionesFeatured in For the Love of Movies: The Story of American Film Criticism (2009)
- Bandas sonorasI Don't Want To Go Home
Written by Steven Van Zandt (as Steve Van Zandt)
Performed by Southside Johnny & The Asbury Jukes
© Blue Midnight Music
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Zwischen den Zeilen
- Locaciones de filmación
- Harvard Square, Cambridge, Massachusetts, Estados Unidos(David follows Max east on Brattle street heading to the record store - Harvard Square Subway Kiosk is visible)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 15,383
- Total a nivel mundial
- USD 15,383
- Tiempo de ejecución
- 1h 41min(101 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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