La banda del gobbo

Tomas Milian returns in a pseudo-sequel / return to the universes of both FREE HAND FOR A TOUGH COP and ROME ARMED TO THE TEETH by reprising BOTH his roles from those films (albeit with the edges rounded out and the violence watered down in favor of comedy). This Eurocrime-iverse combination predates Marvel universe movies by at least three decades, though I wish I could say with more entertaining results.

Long before we got double the Van Damage in no less than five films, Tomas Milian handled a dual role accomplished largely through editing in this silly polizio-turkey. I have to point to one surprisingly effective VFX splitscreen shot where Milian talks to himself, just as I have to point out the tremendously terrible and distracting wigs Milian wears throughout the duration. Isa Danieli as Hunchback-Milian's stripper girlfriend puts in a heartfelt performance, and Italian voice actor Pino Colizzi puts in decent work as the requisite police inspector though he does feel like a cheap substitution for Maurizio Merli.

As it is, BANDA DEL GOBBO is a goofy and oddly nonviolent film you have to be in the right mood for. It's interesting to see Lenzi's usual cast of henchmen and character actors a little out of part, with this film bouncing back and forth between comedy and crime with varying degrees of success, but by and large it just feels embarrassing for both Milian and Lenzi, especially when considering their previous teamings. This would be their final film together.

Watch for: Francesco D'Adda (the "Where's Waldo" of Eurocrime movies") as Nurse Ratchet in a scene that spoofs ONE FLEW OVER THE CUCKOO'S NEST. This scene also includes a cameo by Jimmy il Fenomino, Italy's irritating answer to Andy Kaufman. Pierangelo Civera gets one of the better parts of his career as an undercover looney in the bin trying to make friends with Garbage Can-Milian in order to track down where Hunchback-Milian is, and suffers tremendous indignity as a result.

When it comes to Italian crime films, Umberto Lenzi is undoubtedly the king of the Italian Polizi sub-genre, and while this film doesn't quite live up to the ones that went before it; Brothers Till We Die is still an interesting and entertaining little film that is sure to please fans of this sort of stuff. This was the last of Lenzi's crime collaborations with the great Tomas Milian, and it's also the most ambitious use of the actor. Here, Milian is given the task of playing two brothers, but since this is a cheapo Italian effort where special effects weren't really affordable, the effect is generated entirely through editing, and it has to be said that Lenzi does a good job. The plot is somewhat routine and simply follows a familiar revenge curve. Francesco and Vincenzo are brothers; Francesco is a bum better known as "Pigsty" and Vincenzo is a hunchback who gets called "Humpo" (you gotta love Italians!). The plot focuses more on Vincenzo, a wanted man who "rears his hump" in order to commit another robbery. However, things don't go to plan as his accomplices decide to shoot him (he's too noticeable, and therefore runs a risk of getting them all caught). Vincenzo manages to drag himself into a sewer, and then proceeds to get revenge...

The film doesn't feature the greatest script ever written (not even the greatest script ever written for a trashy Italian film!), but the silly dialogue is often very funny and the film's absolute disregard for political correctness when it comes to the lead character's disfigurement is just great. Obviously, a lot of this film's success (or lack of) rests on the shoulders of Tomas Milian, and despite being given a rather heavy role; he doesn't manage to turn a great performance. His "Pigsty" character is a messy imitation of the "Garbage Can" character from Free Hand for a Tough Cop, while the hunchback character is a lot more like Milian's forte; but the make-up intrudes on the performance, and neither one comes off particularly well. However, I'd much rather have Tomas Milian in the role than anyone else, and he does always make the film worth watching in spite of its shortcomings. The plot flows nicely enough throughout and it's usually entertaining. Lenzi has also seen fit to throw in a sub-plot revolving around the hunchback's attitude towards his disability, which feels a bit odd but works fairly well nonetheless. Overall, this is a decent enough slice of Italian police action and I'm sure most people that see it will enjoy it.

This movie is a masterpiece (of course considering the genre and the historical period of the film). Tomas Milian, that plays both the parts of the two brothers, proves again to be a really great actor. The Italian slang (from Rome) is an essential part of the movie as well the vulgar jokes typical of many Tomas Milian Italian characters. Soundtrack also is great. Some of the scenes are memorable and the characters of the two brothers are very charismatic. Also the the movie has a more dramatic and serious tone compared to other Tomas Milian movies of that genre but at the same time doesn't lack of very funny moments. For me (considering that is an Italian 70's police movies) it deserves a 10/10 vote.

The bullet-blasted Italian classic,'Banda Del Gobbo' aka 'Brothers Till We Die' (1978) is another eminently watchable, explosively exhilarating, Lenzi/Milian poliziotteschi collaboration supercharged with an especially demonstrative performance by the legendary, Tomas Milian, this time zestfully portraying a disparate duo of misfit, street tough siblings, 'Il Gobbo' & 'Monnezza'. Happily, the scenery masticating, Milian jauntily dons the same pimptastic fright wig from, Stelvio Massi's 'Destruction Force', thus allowing any confused viewer to swiftly differentiate the aesthetic, moral, and tonsorial subtleties betwixt the two titular characters! Clearly, Tomas Milian fans, and avid Euro-crime addicts will find this riotously rumbustious entry in maestro, Lenzi's extensive poliziotteschi pantheon to be a supremely worthy addition to their collection! Alongside, Milian's enviable screen magnetism, the driving crime funk brilliance of, Franco Micalizzi's grittily effective, infectiously funky soundtrack provides an additional lustre to, Umberto Lenzi's truly outstanding poliziottesco. This stunning 88 Films Blu-ray restoration is a thing of lurid beauty!

Tomas Milian stars in this poliziottesco and he plays a dual role as scumbag twin brothers!; given that I too have a twin brother, I could totally relate to their love/hate relationship!

The lead character is a creepy-looking hunchbacked gangster (sort of a cross between Richard III and John Barrymore's Hyde in the 1920 version of DR. JEKYLL AND MR. HYDE!) - who, actually, had already featured in Lenzi's ROME ARMED TO THE TEETH (1976); his brother is the dim-witted and more overtly comical "Monnezza", decked out in bum's clothing and sporting a particularly ridiculous Afro-wig (for him, this was the third and last appearance)! This is the first film I've watched for either of them and all I can say is that I was a lot more intrigued by the antics of The Hunchback...

The action scenes (often involving The Hunchback alone as "Monnezza" is useless in such situations - though he gets the last laugh!) deliver the goods but, even if the latter's low brand of comedy never really takes centre-stage, the film is still unbalanced by these scenes (though one in particular is quite inspired - when he's brought in for questioning at a police station and, in his feverish state of mind, mistakes a bearded hippie who's been arrested for Christ and thinks that he has died and gone to Heaven)! With respect to The Hunchback, the disco scene where he's ridiculed by the establishment's habitual bourgeois customers - to their eventual regret - introduces an unexpected poignancy into the fray (especially with the impassioned speech he delivers to them at gunpoint!), which suggests that the film-makers' intention was perhaps more serious than the end result would indicate...

As a matter of fact, star and director allegedly fell out during the making of this film (their sixth 'collaboration' in 4 years!) and, indeed, rather than sticking to a script Milian virtually improvised all his dialogue as he went along!! Besides, The Hunchback's nemesis here - Commissioner Sarti - is mostly ineffective (making a poor substitute for Maurizio Merli or even Luc Merenda) while the finale shamelessly rips off THE WAGES OF FEAR (1953)...but, at least, it does feature a typically bouncy score by Franco Micalizzi!