Adventures of a Private Eye

Adventures of a Private Eye introduces us to a number of dense, almost unsolvable mysteries: has Britain ever produced a worse director than Stanley A. Long? why does Long not know, despite spending over 15 years in the film business prior to making this film, how to pace a sequence or end one on a proper punchline? why does he hire enormously talented actors like Harry H. Corbett, Irene Handl, Diana Dors, Jon Pertwee, Anna Quayle and Julien Orchard and give them absolutely nothing to do? why did 70s English audiences flock to see absolute rubbish like this in their droves? It can't be the sex, as compared to the likes of the then-contemporary Swedish and French cinema, there's hardly any flesh on display here, and none of it is even remotely erotic; nor can it be the comedy, which is a lot of things (incompetent, mean spirited, offensive, banal, ignorant, half-hearted, old hat) but not even remotely funny; it can't be the story, which makes British comedy capers of the period which were less successful at the Box Office (House in Nightmare Park for example) look like Chinatown.

To be fair, Private Dick is a smidgeon better than the first entry into the series, purely because it actually has some kind of story as opposed to being a merely string of idiot vignettes. And the film does look good, especially on the new Region 2 Dvds, where the gorgeous lighting of the interiors and night time scenes is genuinely impressive (catch the shot of photographer Scott walking towards the mansion after dark, the screen awash with breathtaking colours). And Adrienne Posta does a mean Liza Minelli impression, supported would you believe by the boy from the Tomorrow People playing a Bugsy Malone-type Italian gangster, all school play amateurism and elbows.

"Bloody amateurs" is a phrase a police inspector in the film uses about private eyes, and it's apt given the star of the movie can't act: Christopher Neil is a nullity into oblivion as the title character, taking over from Barry Evans (who instead chose to appear in the flop sex comedy Under the Doctor). Yet another document on the sexual, spiritual and social dereliction of the UK in the 1970s. It does bear the distinction of having a cameo by Shaw Taylor, tipping the wink to TV's then current Police 5, which just goes to show how narrowly culturally specific an audience of TV morons the producer was aiming at with this.

Young and randy private eye Bob West investigates a case in which a beautiful young woman called Laura is being blackmailed over some sex photographs of her. This is the second entry in the British "Adventures of.." sex-comedy series (and I use the word "comedy" loosely). Bob is a new lead character and Christopher Neil is fine in the role but how they got the gorgeous and talented Suzy Kendall (as Laura) to appear in this crap surprises me, I will always know her for appearing in some classic Italian Giallo movies. For British viewers of a certain age there are many familiar faces among the cast - John Pertwee, Diana Dors, Harry H Corbett and Willie Rushton, etc - but the one that I liked most of all was a very young Peter Moran, who went on to play Pogo Patterson in the fantastic BBC school drama "Grange Hill". For a film that was marketed as a sex-comedy there is in fact very little sex, not enough quite frankly. Likewise, there is nudity but it is all very brief. And in terms of comedy, bar a few scenes, it fails miserably at being funny. Bob stays at the home of Laura, a Gothic looking English mansion, the residents of which include a creepy butler, an eccentric female medium and a buxom blonde housemaid. There are secret passages and one good jump scare, as a horror fan I liked this. One of the few laugh out loud moments has Bob use shoe polish to go in disguise as an Arab, snowflakes might be shocked by this blackface gag but I laughed. At 96 minutes (Blu-ray) the film felt way too long. These "Adventures" are obviously a knock-off of the better known "Confessions of.." sex-comedy series but having now watched two out of the trilogy so far I am not impressed.

The second of the "Adventures" series, this one features Chris Neil as Bob, an assistant to a P.I. who tries to crack a case when his boss is on vacation. The whole ordeal is done in a slow, boring, unfunny, contrived sort of way.

However, the film perks up when Adrienne Posta comes in. Posta delivers a superb impersonation of Oscar-winning actress Liza Minelli (named Lisa Moroni here) who gives him shelter when the bad guys attempt to eliminate him when he's starting to get a bead on solving the case. Posta portrays Minelli from her role in Bob Fosse's "Cabaret" and looks and sounds like her as well. It's a darkhorse candidate in my book for the best mimic job in the history of cinema. Otherwise, there's not much here to like.

This is just dreadful for a comedy attempt...the bumbling idiot was pathetic doing his best to create laughs out of terrible situations...if it wasn't for some fairly decent looking women in the cast i likely would have quit viewing after the first five minutes of this disaster...well, i've seen enough to know this is a turkey that should be avoided

British pop singer Christopher Neil stars in this Carry On film Adventures Of A Private Eye. It has the look of a Carry On movie without the cast of Carry On regulars.

Cinema fans will also recognize the plot premise from Bob Hope's comedy from the 40s My Favorite Brunette. That's the one where Hope is asked by Alan Ladd to watch his office and take messages. Of course Hope decides he'd rather survey Dorothy Lamour.

Neil has the same situation as Jon Pertwee just asks him to mind the store, but Neil wants a chance to soar and Suzy Kendall certainly makes him soar.

In fact this film has the look and feel and general raunchiness of a Carry On film. But it would have been so much better with Carry On regulars.