Siete notas en negro

... Actually it is not exactly an horror movie, but rather more a thriller (or, better, a giallo). Visionary, tense, well acted (& dubbed), nice locations (villas, interiors, landscapes, cars, etc.), care to costumes and details, a nice 7 notes tune... it is a truly enjoyable little gem from the (not enough) celebrated Italian gore maestro. The plot itself, assuming it is possible to have such supernatural powers, develops convincingly and without too many disgusting bloody scenes . In some points (the visions, particularly the reversed statue) I had the feeling that Kubrick in Shining (1980) might have stolen something (MURDER...). Will it be possible? Oh, I was forgetting, the actress (O neill) is wonderful, and Ferzetti (Once upon in the West, On Her Majesty's Secret Service) is playing as well. 8.5/10 Well done Lucio!

It's nice when the main character of the giallo you're watching receives all their clues in one huge psychic download five minutes into the film.

Psychic lady, who has already remotely viewed her mother's suicide when she was a child (the only truly gory bit of the film), gets her vision when driving away from the airport after dropping off her new hubby (the always great and glary Gianni Garko of I Am Sartana, I will Kick Your Arse fame).

From then on out it's up to psychic lady to figure out all the clues. Who has she witnessed being murdered and walled up? Why doesn't her vision add up to police evidence? Who done it? It's difficult to review gialli without ruining them so I'll stop there.

I've seen this reviewed as Fulci's best film and his best Giallo, but personally I'd rate Lizard In A Woman's Skin higher (it's more surreal for starters). I would put in on a par with Don't Torture A Duckling though - I was glued to the screen. This man had talent at this point in his career.

Next up: Ghosts of Sodom. I'm thinking the next review won't be so glowing.

This is a scary and intriguing film with a twisted plot , plenty of grisly killings , relentles suspense , ghastly mystery , astonishing images , gory events and well staged murders. A psychic woman (Jennifer O'Neil) discovers a skeleton in a wall in her husband's house , and seeks to find the truth about what occurred to the victim . Along with her psychiatrist friend (Marc Porel) , she seeks to find out the truth about who the person was and who put her there . Meanwhile her suspect husband (Gianni Garco) is imprisoned accused for killing . Early rare deeds begin to happen to them , as she along with husband's sister (Evelyn Stewart) start investigating , discovering weird characters (Gabriele Ferzetti) and tragic murders . Soon enough, she begins realizing the possibility that she may share the victim's fate . Suddenly she could see into the future...and saw her own murder...Suddenly and without warning it's tomorrow... and you're dead.

Chilling Italian terror flick full of screams , chills, thrills , twists and turns .This is an alright Giallo where intrigue , tension , suspense appear threatening and lurking in grim mansions , in every room , corridors and luxurious houses , as well as exteriors , and with numerous suspicious people . The main premise results to be to guess who's the killer among a lot of suspect people . A properly creepy Giallo movie fully of thrills , chills , suspense and frightening happenings , particularly when our starring -who attempts to alter the killing prediction- is mercilessly chased by a mysterious murderer . These Giallo movies are characterized by overblown use of color with shining red blood , usual zooms , originally staged crimes with seemingly fascination by razors and knifes , use of images-shock and a lot of plot twists . Being the principal representatives of this sub-genre : Riccardo Freda , Mario Bava , Dario Argento and Lucio Fulci . Stars the beautiful Jennifer O'Neil , recent her successful Summer 42 , here plays well a psychic who inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it . Gorgeous Jennifer O'Neil is well accompanied by a fine support cast, such as : Gabriele Ferzetti , Marc Porel , Gianni Garko who acted in a lot of Spahetti westerns as well as Bruno Corazzari , Jenny Tamburi who performed various Sex Comedy and Evelyn Stewart who starred several Giallos.

Colorful and adequate cinematography by cameraman Sergio Salvati who photographed splendidly interior and outdoors . This photographer to get the best sightseeing by adequate filming , using nice cameras to capture the flavor of urban . Eerie musical score composed and conducted by Walter Rizzati, as Frizzi, Fulci's regular , and composing in Goblin style . The motion picture was compellingly directed by Luccio Fulci who makes of it pretty eerie and chilly . The motion picture was made by one of the most controversial filmmakers of terror movies , here Lucio Fulci shoots in his usual style with flaws and gaps but being professionally made because he was a skilled craftsman . Reviewers are divided over booth the morals and talents of Fulci (1927-1996) who sometimes directed under the alias ¨Louis Fuller¨. For some critics many of his movies are cruel and shockingly violent, yet their gory surface often conceals religious, social commentaries or intelligent issues. Whether he should be viewed as a cheap sensationalist or just a genius Fulci has a loyal fan base and undeniably has an important and unique influence on the terror genre , creating great works on a medium/low budget such as proved in ¨The black cat¨, ¨Demonia¨, ¨Voices from beyond¨, ¨Manhattan baby¨, ¨Gates of Hell¨, ¨The Beyond¨, ¨Island of the living dead¨, ¨Zombie 3¨ , ¨New York ripper¨ , ¨Don't torture a duckling¨ , among them . This Giallo that tried to disguised itself under many other titles will appeal to Lucio Fulci aficionados , being essential and indispensable watching for their fans . Rating : 7/10 . Better than average Giallo from Fulci .

Lucio Fulci is best known for his surreal and graphically gory horror movies of the early 80s {i.e.Zombie,The Beyond} but some of his most interesting work was made before. This film,which deserves to be far better known,is a case in point. It's an extremely suspenseful thriller with borderline horror elements,a bit reminiscent of Don't Look Now and quite possibly an influence on several films since such as The Vanishing. Fans of Kill Bill will recognise one of the pieces of music used.

Opening with a graphic but very unconvincing scene of a suicide off a cliff,the head bashing on the rocks,the film does not continue that way,but becomes a slow but intriguing supernatural mystery,with the suspense gradually building and Fulci showing himself quite capable of handling a relatively complex plot. Camera work,music and Jennifer O'Neill's stunning performance are all so good that the relative lack of actual action does not matter too much. Nevertheless, Fulci really proves himself with a really exciting and suspenseful scene near the end where O'Neill is pursued by the killer,and there is clever and evocative use of props throughout.

Interestingly,where most Italian films like this are dubbed by different actors,this one looks like it was dubbed by most of the actual cast,and unfortunately a couple of major plot revelations are hard to make out! However,this is a solid little thriller that ,while not quite on the level of,say Fulci's A Lizard In A Woman's Skin,really deserves to be seen if you think Fulci can only do gore.

Murder to the Tune of Seven Black Notes is the last of Fulci's pre-gore flick Giallo's, and it has to be said that it's the lowest quality of the bunch. That, however, is more down to the fact that the others are such brilliant films rather a shortfall with this one. Having already done straight murderers with A Lizard in Woman's Skin and Don't Torture a Duckling, Fulci has resorted to a supernatural plot line for his fourth Giallo feature and the plot draws its mystery and intrigue from it. Fulci has taken influence from the more psychological Giallo films made before this one, as well as a plentiful helping of Edgar Allen Poe's "The Black Cat". The plot kicks off properly with the uncovering of a skeleton inside the walls of a villa belonging to the husband of our young lady protagonist. Clairvoyance is the reason for finding the skeleton, and naturally it isn't long before the husband is put under suspicion for the murder given that the body was uncovered inside his house; and he finds himself on the inside when it turns out that the body belonged to one of his ex-lovers...

Despite the fact that this film serves as something of a prelude to the latter half of Fulci's career, there is a surprising lack of blood and guts, and this film isn't even as gory as the earlier Don't Torture a Duckling. Fulci presents his plot with a surprising amount of restraint, and doesn't even take the opportunity to show a heavily decomposed corpse as he did in the largely gore-less One on Top of the Other over a decade earlier. While the plot itself does serve up intrigue, it has to be said that it's a little too bare to cover the running time properly. The suspense is there throughout, but Fulci's script certainly could have benefited from adhering a little more to the common convoluted Giallo plot. The technical side of the film makes up for this shortfall, however, as Fulci's use of the camera is excellent and he continually presents a morbid and foreboding atmosphere, particularly inside the central villa location. The tension mounts as we approach the ending, and Murder to the Tune of Seven Black Notes boils down to a satisfyingly macabre - if a little abrupt - conclusion. This film may not be Fulci's best Giallo attempt, and it is liable to disappoint fans of his later, bloodier films; but if you like your atmospheres grim and your plots suspenseful; Fulci's fourth Giallo comes recommended.