Una dramatización del linaje familiar del autor Alex Haley, desde la esclavitud de su antepasado Kunta Kinte hasta la liberación de sus descendientes.Una dramatización del linaje familiar del autor Alex Haley, desde la esclavitud de su antepasado Kunta Kinte hasta la liberación de sus descendientes.Una dramatización del linaje familiar del autor Alex Haley, desde la esclavitud de su antepasado Kunta Kinte hasta la liberación de sus descendientes.
- Ganó 9 premios Primetime Emmy
- 17 premios ganados y 35 nominaciones en total
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In 1977 I was 10 years old, and all I remember is the majority of the city where I live was watching Roots each day for a week. I recently bought the video and watched it with my now 10 year old son, who is Black and I show him the importance of getting an education because our ancestors weren't allowed such luxuries. At his age everything is rosy just like it was when I was 10, but hopefully he can reflect back on this movie to motivate him in the future.
Great cast of characters-even though I didn't realize that O.J. Simpson was in it! John Amos was the best and the funniest especially when he kept losing his character's African accent and sounding more like "James" on Good Times! Overall the movie is very touching and will have you experiencing mixed emotions if you're of the Black race, and have compassion if you're of other races that haven't experienced such things. I highly recommend this film and a book called the Miseducation of the Negro as Black family heirlooms-or for anyone who wants to be enlightened concerning a portion of Black history.
Great cast of characters-even though I didn't realize that O.J. Simpson was in it! John Amos was the best and the funniest especially when he kept losing his character's African accent and sounding more like "James" on Good Times! Overall the movie is very touching and will have you experiencing mixed emotions if you're of the Black race, and have compassion if you're of other races that haven't experienced such things. I highly recommend this film and a book called the Miseducation of the Negro as Black family heirlooms-or for anyone who wants to be enlightened concerning a portion of Black history.
I first became interested in Roots when I heard about it on the Disney Channel movie "The Color of Friendship" in 2001. The next time it resurfaced was in Jan. 2002, when Hallmark was going to reair it. Rather than wait (and waste tape) for every night, I bought it on DVD. It is amazing how the crew acheived the dream of Alex Haley's ancestors horrid past, from slave capture to auction, to escape to crippling, to being sold and death. The one thing that shocked me the most was how the KKK was involved in that family's life. When there were funny moments, I laughed and when there were sad moments, I wept. To sum it up: Roots is a masterful miniseries that no family should be without.
The concept of your beginning or the beginning that led up to you is Universal and applies to everyone. Who wouldn't find their own ancestry fascinating? That's why this was a ground-breaking event never before scene and why it captured vast audiences for decades. Even today, it continues to beckon to anyone who watches the show to ask your personal questions of your own start-up. I remember at the time this came out on TV, the black people were in desperate need of something to hope for of which Martin Luther King had supplied and had done so successfully before his death. Right after these episodes were aired, a discovery of something greater than your hopeless daily day to day existence was introduced and people started believing in themselves and that they mattered. That's how powerful this series was. Of course today, the worth of a human being doesn't require prompting or remembering as we all have discovered that we matter. Kudos to all those that were able to be a part of this life-changing event. Sorry to say but necessary to be told is the shameful part of history where one race thought them selves superior to another and used degradation, pride, and perversion to assert this. Slavery had been going on since mankind matured and traveled the globe respecting no one. The strong preyed upon the weak. What makes it so unacceptable is that it took place in America proving that there is no perfect place to live but instead, lots of work to be done first with the self, then with each other and of course unto God the one who started it all up to begin with. Even sadder still, slavery and trade in humans exists to this day. Have a finger snack and a tasty drink ready to go when watching. Also, there are some scenes that just yank on your emotions and teach us if anything NOT to do what was being done on screen besides tugging at your innards with disgust. It is well said by Toby in one episode who after being unduly and harshly punished for causing trouble best..."how can one man do this to another man" How indeed....
Alex Haley really did a great job experimenting his family tree, I'm amazed he was able to do that much research, and just make a great mini-series out of it. The one thing this series does is just shock you, it teaches you how cruel slavery was, and how much you really didn't know that they were supposed to teach you in school.
One thing I love about this series is how touching it all really is. The marriages of the slaves, the jobs of the slaves, and the story about Chicken George is just very cool. I know to some this series is just very depicting, and to some whites, they feel it's making them responsible for slavery. But what the series is teaching you, is that we should all learn about our mistakes in history, and accept what we are, and try to change for the better without finger pointing.
This series shocked alot of people, and sparked alot of controversy, but it's worth seeing, for any race, for any generation, in any country. Alex Haley, I take my hat off to you.
One thing I love about this series is how touching it all really is. The marriages of the slaves, the jobs of the slaves, and the story about Chicken George is just very cool. I know to some this series is just very depicting, and to some whites, they feel it's making them responsible for slavery. But what the series is teaching you, is that we should all learn about our mistakes in history, and accept what we are, and try to change for the better without finger pointing.
This series shocked alot of people, and sparked alot of controversy, but it's worth seeing, for any race, for any generation, in any country. Alex Haley, I take my hat off to you.
Two of the most important American television programs are "The Civil War" by Ken Burns (1989), and the epic narrative miniseries "Roots" (1977) based on the book "Roots: The Saga of an American Family" by Alex Haley. Despite the controversy surrounding the book, and the facts of Haley's ancestry (for example, the slave Toby aka "Kunte Kinte", may never have fathered Kizzy and therefore may not be a direct ancestor of Haley) the series is an important and ground-breaking work in its stunning portrayal of slave life in America from the late 18th century to the mid-19th century.
For decades, the United States has been largely in denial of its treatment of African-Americans both as slaves and later in post-Civil War periods. The south of the 19th century had fabricated the reality of slave conditions and down-played the brutality inflicted on both slaves and anti-slave sympathizers. Racial hatred and brutality continued into the 20th century, largely fueled by white traditions that have (and continue to) concoct misrepresentations of historical reality to younger generations. By the middle of the 20th century, nearly 100 years after the end of the American Civil War, President Johnson signed Civil Rights legislation into law with the White Southern community kicking and screaming all the way. If legislation couldn't change people's hearts and minds, what could?
Americans love movies, story-telling/narrative film depictions of reality. There had never before been a nationally distributed film production that honestly told the story of the African-American slave experience. Fourteen years after Johnson's legislation, "Roots" was broadcast on national television by the American Broadcasting Company (ABC). I regard those network executives that green-lighted the broadcast in great esteem for their willingness to take a chance on this most-important series. I doubt whether US commercial television will ever produce and broadcast such a high-caliber and controversial program again in the near future. And to give credit to the American viewing public, "Roots" was a huge success.
From beginning to end, "Roots" is an absolute triumph of film production, the best-ever miniseries offered by a corporate network prior to the rise of cable television. The acting and the script are top-notch. Almost every notable African-American acting talent of the time was solicited to join the cast, from LeVar Burton and John Amos (Kunte Kinte, Toby) to Lou Gosset Jr (Fiddler) to Ben Vareen (Chicken George) to James Earl Jones (Alex Haley). Even OJ Simpson makes an appearance. A lot of notable white talent appears as well, such as Ed Asner and Sandy Duncan.
Slavery is a tragedy and "Roots" is a tragic story. "Roots" has its light moments, its inspiring moments, although it is its heartbreaking moments that stay with you: The moment the young African Kunte Kinte is shackled, sold as chattel and forced to board the slave ship bound for America. The whipping of the young Kunte Kinte to "break" him into slavery. The selling of Kizzy, Toby's daughter, to another slave master because of her involvement with a scheme to help a runaway. These are the moments that make Roots' larger point. Another aspect that makes Roots effective in its rhetoric is that it never seeps into sentimentality to makes its point. The story relies on an honest narrative and the audience is left to draw their on conclusions. Is it brutal? Yes. Unjust? Definitely. And that is what it was. (If you don't believe "Roots", sell yourself into slavery and see how you like it.)
Two aspects occur to me about what this story means beyond just the plain inhumanity of the institution of slavery. One aspect is that the benefit of slavery is terribly minute when compared to the staggering price paid by the slaves themselves and everyone else. Simultaneously, non-slaves were pressed into service to maintain slavery as an institution. Such titanic sadness, misery, hopelessness brutality, and inhumanity is forced upon people (both slave and non-slave) in return for a more comfortable life for a minuscule segment of the population. And yet the amount of work, effort, and money to maintain the inhumane infrastructure seems more burdensome than if these people were free. The average white southerner could not afford to own slaves, and many worked for slave owners as overseers, slave-catchers, auctioneers, and other positions designed to maintain the institution. In short, misery for thousands with a little comfort for a few.
The other tragedy is the denial of positive contribution to society. Those who were slaves were denied giving their love, their knowledge, their inspiration, and their culture to society. All this beauty sacrificed so a few white aristocrats can laze around on sofas in front of fireplaces in giant mansions. Someone once said that if we don't help foster the gifts in other people, we run the risk of never seeing how our world could be made better. Slavery is a tragedy for the people enacting it as well, although the suffering aspect is less apparent.
"Roots" is a story that needs to be told and retold. Shown and re-shown. I would encourage any teacher trying to convey the reality of slavery in America to consider showing at least a segment or two of "Roots". There is no question that the film is mesmerizing. It saddens me that there are still those in America that want to hang onto southern myths that propagate that slavery wasn't that bad. These are some of the same people that are convinced the holocaust is a fabrication. It is better to forgive than the forget. We have to embrace our roots.
For decades, the United States has been largely in denial of its treatment of African-Americans both as slaves and later in post-Civil War periods. The south of the 19th century had fabricated the reality of slave conditions and down-played the brutality inflicted on both slaves and anti-slave sympathizers. Racial hatred and brutality continued into the 20th century, largely fueled by white traditions that have (and continue to) concoct misrepresentations of historical reality to younger generations. By the middle of the 20th century, nearly 100 years after the end of the American Civil War, President Johnson signed Civil Rights legislation into law with the White Southern community kicking and screaming all the way. If legislation couldn't change people's hearts and minds, what could?
Americans love movies, story-telling/narrative film depictions of reality. There had never before been a nationally distributed film production that honestly told the story of the African-American slave experience. Fourteen years after Johnson's legislation, "Roots" was broadcast on national television by the American Broadcasting Company (ABC). I regard those network executives that green-lighted the broadcast in great esteem for their willingness to take a chance on this most-important series. I doubt whether US commercial television will ever produce and broadcast such a high-caliber and controversial program again in the near future. And to give credit to the American viewing public, "Roots" was a huge success.
From beginning to end, "Roots" is an absolute triumph of film production, the best-ever miniseries offered by a corporate network prior to the rise of cable television. The acting and the script are top-notch. Almost every notable African-American acting talent of the time was solicited to join the cast, from LeVar Burton and John Amos (Kunte Kinte, Toby) to Lou Gosset Jr (Fiddler) to Ben Vareen (Chicken George) to James Earl Jones (Alex Haley). Even OJ Simpson makes an appearance. A lot of notable white talent appears as well, such as Ed Asner and Sandy Duncan.
Slavery is a tragedy and "Roots" is a tragic story. "Roots" has its light moments, its inspiring moments, although it is its heartbreaking moments that stay with you: The moment the young African Kunte Kinte is shackled, sold as chattel and forced to board the slave ship bound for America. The whipping of the young Kunte Kinte to "break" him into slavery. The selling of Kizzy, Toby's daughter, to another slave master because of her involvement with a scheme to help a runaway. These are the moments that make Roots' larger point. Another aspect that makes Roots effective in its rhetoric is that it never seeps into sentimentality to makes its point. The story relies on an honest narrative and the audience is left to draw their on conclusions. Is it brutal? Yes. Unjust? Definitely. And that is what it was. (If you don't believe "Roots", sell yourself into slavery and see how you like it.)
Two aspects occur to me about what this story means beyond just the plain inhumanity of the institution of slavery. One aspect is that the benefit of slavery is terribly minute when compared to the staggering price paid by the slaves themselves and everyone else. Simultaneously, non-slaves were pressed into service to maintain slavery as an institution. Such titanic sadness, misery, hopelessness brutality, and inhumanity is forced upon people (both slave and non-slave) in return for a more comfortable life for a minuscule segment of the population. And yet the amount of work, effort, and money to maintain the inhumane infrastructure seems more burdensome than if these people were free. The average white southerner could not afford to own slaves, and many worked for slave owners as overseers, slave-catchers, auctioneers, and other positions designed to maintain the institution. In short, misery for thousands with a little comfort for a few.
The other tragedy is the denial of positive contribution to society. Those who were slaves were denied giving their love, their knowledge, their inspiration, and their culture to society. All this beauty sacrificed so a few white aristocrats can laze around on sofas in front of fireplaces in giant mansions. Someone once said that if we don't help foster the gifts in other people, we run the risk of never seeing how our world could be made better. Slavery is a tragedy for the people enacting it as well, although the suffering aspect is less apparent.
"Roots" is a story that needs to be told and retold. Shown and re-shown. I would encourage any teacher trying to convey the reality of slavery in America to consider showing at least a segment or two of "Roots". There is no question that the film is mesmerizing. It saddens me that there are still those in America that want to hang onto southern myths that propagate that slavery wasn't that bad. These are some of the same people that are convinced the holocaust is a fabrication. It is better to forgive than the forget. We have to embrace our roots.
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- TriviaAuthor Harold Courlander successfully sued author Alex Haley for plagiarizing parts of his novel "The African" for his 1976 novel "Roots," the book that served as the basis for this miniseries. Haley paid $650,000 in a 1978 out-of-court settlement.
- ErroresKizzy, a slave who works in the fields, has long, beautifully manicured fingernails.
- Citas
Omoro, Kunta's father: [holding his infant son up to starry sky] Kunta Kinte, behold the only thing greater than yourself!
- Versiones alternativasThe original version of Roots on ABC featured slightly different opening titles. The Roots Mural was the same, but when the title Roots was shown on-screen it was over a dark blue background. The cover of the novel rises up from a horizontal to a vertical position. The screen says "AN ABC NOVEL FOR TELEVISION ALEX HALEY'S ROOTS THE SAGA OF AN AMERICAN FAMILY." Current VHS, dvd, and re-broadcasts simply have "Roots" on a black background, without the other information. Also, the end credits have been changed considerably. In the original, there were eight sets of end credits (one for each episode.) When the show was re-edited to six episodes, names were combined for different hours and some of the end credit sequences (with a still from that episode) are missing, including one featuring Kizzy and Missy Anne having a picnic.
- ConexionesFeatured in The 29th Annual Primetime Emmy Awards (1977)
- Bandas sonorasOluwa
by Quincy Jones
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