Secret Army

The 1970s was undoubtedly the golden age of British television . There were so many great shows , everything from the Jon Pertwee and early Tom Baker episodes of DOCTOR WHO , THE SWEENEY , THE PROFFESIONALS , FALWTY TOWERS and a dozen other shows that I could list off the top of my head . Perhaps that's why I'd forgotten all about SECRET ARMY a show that I've just been watching again on one of the history channels on freeview and I'm instantly reminded as to how great it was and left me me wondering slightly as to how I'd forgotten it . Actually I think I know why it's unfairly forgotten but I'll explain in a moment

What's so striking is how much thought has gone in to the series . Producer and series creator Gerald Glaister spent the second world war as a bomber pilot and this brings a personal dimension to a series like this . Imagine for a second how much inferior this drama would have been if it'd been produced today by someone from an academic media studies background . It'd almost be a parody wouldn't it ? Take notice too that each and every episode was inspired by actual events that took place during the war and how much research went in to every script . It's sad that today we rarely see if ever such thought go in to a drama

SECRET ARMY is drama ith a capital D . Even if you've little interest in the second world war you can't fail to notice the rich characterisation and intelligent writing . This greatly helps the cast and draws the audience in to on screen events as the Belgian " Lifeline " resistance try to help downed allied bomber crews escape to a neutral country where they'll eventually be repatriated to Britain . It's interesting to note that there's so much moral ambiguity involved . Series hero Albert for instance isn't only painted as a Belgian freedom loving patriot , he's also someone who accepts sums of money from the Brirtish government which helps him run an exclusive restaurant and he hates communists , not as much as his right hand man and confessed thief Max Brocard , but still someone who's not got a selfless motive for helping the allies . There's also doubt in his mind after a main character is written out of the first series in a cruelly ironic way but the money sure comes handy . Likewise the series " Good German " Major Erwin Brandt almost beats an RAF airman to death , a bomb aimer who is only saved by the intervention of gestapo chief Ludwig Kessler

Ludwig Kessler deserves his own paragraph because he is quite simply one of the greatest characters created for British television . Again imagine if he was a character created today he'd be portrayed as one of those " Ve have vays of making you talk Englander " goose stepping stereotypes . He is a three dimensional character who is obviously capable of great cruelty but who is also very intelligent and is driven by a desire to bring order to the world . He is someone who never fails to point out to the other characters " That every hour of the day and night German women and children are being murdered in large numbers by American and British terror raids " . You're not going to like him but you can understand what's motivating him . Praise too for the acting of Clifford Rose who gives a restrained and very subtle performance . Look closely and you'll notice one of Kessler's personal flaws is that he seems very lonely . You could almost feel sorry for him if he wasn't a gestapo head

So why is this show forgotten ? One reason only and that's 'ALLO 'ALLO is directly based upon it . A comedy show that ran for ten years based upon a spoof premise and endless repetitive lines like " Good moaning ... " you stupid woman " and " the madonna with the flashing boobies " YAWN . You quickly become so bored with that comedy show that you quickly forget what inspired it . Perhaps when I say you'll forget all about Renee and the camp Nazis when you watch the repeats of SECRET ARMY you will realise what a genuinely great drama it is

I have recently seen this series about WW2 escape lines again. It hardly dates at all. The stories are hard hitting,realistic as are the characters. I hope all these will become available on DVD soon.

After seeing Secret Army recently for the first time on UK Drama, I was blown away by it's brilliance. I had read lots about it, but never realised that the show was as impressive as it is.

The characters are all very well drawn and the series views World War II from many angles. We don't only get to see the heroic and valiant efforts of the allies and resistance - the Germans, the Belgian police and ordinary citizens of the Low Countries are all represented, and more than anything else the series shows that the war affected different people in vastly differing ways. Nothing is black and white. Albert, our hero in the series, is a flawed hero: he can be greedy, dominating and possessive (Albert is a far cry from Hepton's role as a Nazi Commandant in Colditz, some years earlier). Major Brandt of the Luftwaffe is a German but not like Kessler, a Nazi. Brandt is simply a member of the armed forces who is only doing his job. Secret Army can be commended for not presenting the heroes and "villains" as mere stereotypes. Special mention must also go to Clifford Rose who play the head of the Gestapo in Belgium, Ludwig Kessler - the inspiration for Herr Flick in the spoof series Allo Allo. Rose is magnificent as Kessler and the character is written as a man who is completely and utterly devoted to the Fatherland and the Fuhrer.

Secret Army, along with other greats like Colditz and I, Claudius is an example of the great drama serials that the BBC no longer produce. These days we seem to be stuck in a never-ending cycle of police and hospital drama serials. Secret Army was transmitted at prime-time on BBC1 when it was first shown: how many period dramas do we ever see on our screens these days? At very best we get a Jane Austin type adaptation, and that would only ever be broadcast on a Sunday night.

Why don't the BBC take the chance to make something as daring as Secret Army? I'm sure that a viewing public tired of the same old shows would thank them for it.

I hope that UK Drama will show the spin-off series Kessler now!

I wasn't even born when this series was first made. It was my mother who introduced me to the series on uk drama. She insisted that I 'give it a chance.'I am glad that I did!

During the first series the show showed little potential, the characters were stereotypical and shallow, such as Kessler, with his robotic like ways and constant determination to get one over on life line. The melodramatic content was so bad you could almost hear him shouting: 'I'll get you next time!' at the end of every episode. However somebody waved their magic wand at the start of the second series, because the show changed it's angle completely. With the dramatic exit of Yvette, (one of my favourite scenes in television)and the introduction of the Candide. We saw alot of changes for the characters. Kessler gained a love interest, and at last we could see his human side.Life line too showed it had some weak human traits, more often then not Albert's greed resulted in him ordering command just so that he could keep his precious restaurant. And when Monique was left in charge at the end of series two she turned into a bit of a boozer! More importantly, as the storylines developed and conspiracies got more complicated, life line didn't always end up on top, usually at the expense of poor Natalie or Monique.

The show came to prove that it was more about humans fight for survival. And less about the adventurous action man enthusiasm sometimes given to war in american films. What a shame that somebody made a spoof in the form of 'allo, 'allo. This became more famous than the original classic and now shadows it's brilliance. As my Mother insisted to me, I would insist to you: 'give it a chance, please!'

This programme is a true masterpiece; possibly the best television series ever made by the BBC.

When I watched it as a young teenager, it was totally memorable and gripping. It is probably the only TV series of its kind from which I could recall every character and many of the plots some 25 or 30 years later. Some of the episodes toward the end of the final series were utterly gripping. The acting was outstanding; the writing fantastic, and the music and intro/credits I recall to this day with total clarity.

UDATE: Having just watched it again on DVD almost 30 years later, my view hasn't changed at all. No sense of disappointment here - this really is classic television at its very best. A clever, nuanced and absorbing series in every respect.