The Witch Who Came from the Sea

Millie Perkins is a disturbed young woman plagued by disturbing visions.She hates men and castrates them because she was the victim of incest during her childhood."The Witch Who Came from the Sea" is a strange and moody exploitation flick with dream-like atmosphere and strong symbolism.Millie castrates two popular football players in fantastically oneiric sequence of sexual violence.The film is slow-moving and deeply unpleasant character study of woman's torment.The central performance of Millie Perkins is fantastic as is the supporting cast.If you are into beautiful and highly subversive 70's US horror you can't miss this oddity.8 mermaids out of 10.

This is a strange one, that just misses the mark because the script is somewhat scatter shot. If things regarding the delusional and irrational behavior of incest victim Millie Perkins had been more focused, the film would have benefited. As it is, the acting by Ms Perkins is convincing, and for a horror / psychological drama most of the acting is above average. The horror crowd will be disappointed, but those looking for the offbeat, will have found gold, with this twisted tale of hallucinations and mutilations. Special mention must be made of the poster art, which is outstanding. "The Witch Who Came From the Sea" is a bizarre oddity that has a limited, but devoted cult following. - MERK

This may be a spurious comparison, but this reminded me of the bigger-budgeted movie "The Sailor who Fell from Grace with the Sea" which was released about the same time. Sure the latter is a serious drama while this is a low-budget (Italian?)exploitation movie, but they both share an eerily haunting seaside location and have a truly shocking ending. I can't say I enjoyed this movie in the sense that I would like to see it again anytime soon (most men will find it pretty, uh, painful), but I can't help respecting it. It's not your usual exploitation film. It is somewhat similar to the rape-revenge films that were big in the 70's (the epitome of which was the truly execrable "I Spit on Your Grave"). Unlike that movie and its ilk, however, this film does not relish in the rape and humiliation of its barmaid female protagonist (played by Millie Perkins). And her character is portrayed as a disturbed but always believable human being as opposed to a murdering/castrating automaton. And rather than portraying all men as jerks or potential rapists, it has a likable male character in her older bartender boyfriend, "Long John".

It takes a brave film to contain the extreme, potentially off-putting elements this one does, but also not take the easy, well-trodden exploitation route (one of the most ridiculous criticisms leveled at this film, for instance, is that there is not literally a witch in it). This movie certainly does wallow in grubby exploitation scenes, but at times it transcends all that and becomes something more haunting and lyrical that will stay with you long after you watch it.

Like many films on the BBFC's "Video Nasty" list back in the eighties; The Witch Who Came from the Sea baffles the viewer because there really isn't anything in the film that should have lead to its banning. Sure, there's a little bit of blood and the suggestive child abuse scenes are a bit shocking, but this film is never going to corrupt or deprave. Anyway, while the shocks are disappointing, and I can understand why this isn't a widely liked cult classic; I've got to say that I really enjoyed it...and I should also mention that I'm not really sure why. The film features the age-old storyline of someone going insane and turning to murder, but it's surprisingly more relaxed in pace and content that many other similar movies. This one is also different because, rather than seeing a man butcher women; we've got a woman exacting violence against men. Molly is a young lady corrupted by memories of her seafaring father. She turns to drink, and soon becomes a killer after spending the night with two footballers. We then follow her on her dissent into alcoholism and insanity.

The film has that classic, gritty low budget look about it, which bodes well with the atmosphere presented. One of the main reasons why I liked this film is because it seems that writer Robert Thom and director Matt Cimber actually care about the plot and characters, and this is shown by the fact that a lot of the movie is spent building up the situation around the lead character. The movie remains interesting throughout because certain facts about the lead's past are fed to the audience bit by bit, and these help us to see why the character acts as she does. The lead role is taken by Millie Perkins, who actually does a really good job with it. It's easy to believe that she is the character we are seeing on screen, and her performance is above the average for this sort of film. The scenes of gore aren't all that shocking, and only the one that sees a man butchered with his razor is likely to provoke any kind of reaction from the audience. The castration sequences and the child abuse are what this film became notorious for, but I don't know why as they both are put forward in a very casual manner. Overall, however, I feel that The Witch Who Came from the Sea has been unfairly treated and should be remembered with a bit more respect.

This one's a real weirdie. It's unique, surreal and genuinely disturbing, and Millie Perkins gives a memorably intense and bizarre performance as Molly. It goes out of its way to shock the viewer, and largely succeeds. It also features the single most upsetting childhood trauma flashback I've ever seen.

It's probably too much for most people's tastes, but if you enjoy flawed one-of-a-kind low budget '70s horror, it's worth a look if you can find it. I am a bit dubious about the exploitative way it uses the subject of child abuse device to shock and disturb the viewer, so be warned.