Won Ton Ton: The Dog Who Saved Hollywood

What can you say about a film that feels like a graduation exercise by the B-grade film students out of UCLA? "A, for effort." Now, not to get too side tracked here, but if SF State Students had done this film, it would have been all artsy and existential, but I digress.

"Won Ton Ton" is a nod to old Hollywood, and sends up the old classic system before the Golden Age of Hollywood. This was the period when visual gags and formulations that we see in today's films were forged and put on the screen for the first time for all to see. Pretty starlets in chorus lines, stage hands pretending to be big shots to take advantage of pretty young ladies, double dealing and creative bookeeping tinsel-town style, movie moguls and classic vaudeville actors are all showcased here.

One is hard pressed to malign the film, but let's face it, it's got charm but also some issues. The thing that somewhat torpedoes this film is the post production. The sound is raw. It's all scratch track (or mostly), and it gives the film a kind of amateurish family film feel, which makes it hard to accept the visual cues and other gags the movie trying to convey. There's some looped sounds, but one wonders why the post isn't a bit more refined.

For all that it's actually quite an endearing film. Certainly not the best, but definitely a charmer. A lot of classic faces from the 50s and 60s make cameos, and the lines they deliver are good, but the film is somewhat misdirected, and Bruce Dern (as good an actor as he is) seems somewhat odd for the role.

The film, as much work was put into this thing, seems a little on the low budget side. Still, after having viewing it after 30+ years later, I can still warm up to it some. It's really a film for industry insiders with as flare for their own history..

Then, there's the dog (or series of dogs used for the lead). This film and a few other shows popularized the German Shepard, and we see here the showcasing and capitalization of the Bavarian hound. Well, they say never work with children or animals, but Won Ton Ton holds its own in a low budget off-beat homage sort of way.

If you're a real Hollywood aficionado, then this film might satisfy. Otherwise maybe see it once, and then pass it off to a friend. :-)

I'm not surprised that someone who was in high school when this came out didn't appreciate it. It is of course as much a farce as Mad Mad Mad Mad World, but it has become a cult film for old movie buffs, because it has the most impressive cast of old movie stars, supporting actors, bit players and celebrities of any movie ever made. Movie buffs and clubs have had parties where they show the film and have people list as many players as they can identify. Don't believe it? Mouse up the whole supporting cast and feast your eyes!

I saw this movie years ago, and really liked it. It got bad reviews and disappeared from view. I have not seen it on TV or video stores. Kahn was great and so were the many cameos. Give it a try if you can find it.

My friend knew I was a fan of Michael Winner, as previously I lent him a copy of "SCREAM FOR HELP". So he returned the favor with the polar opposite "WON TON TON THE DOG WHO SAVED HOLLYWOOD". This was one of those films I heard of, but never went out of my way to see. Watching it was eye-boggling, as I couldn't believe what I was seeing. It's the "Where's Wally" of Hollywood filmmaking, as star after star after star of golden age cinema show up in small and at times, unimportant roles. Just looking at that cast listing, is a curiosity, but what a waste. Still all of this does become a distraction, with it simply being a hyperbolic hodgepodge of situational humor done at a frenetic pace. It's obviously trying for that charming old-school slapstick comedy of errors and mischief, yet the scatterbrain energy, comic interplay and running gags begin to wear out its welcome. When you think it can't get any more ridiculous, it does, but that's when it kind shows up the shortcomings and lack of variety. It's very shallow, but I could be possibly missing something? A social commentary of the infatuating highs and devastating lows that makes Hollywood what it is? Nah, it's just an aspiring showbiz tale of a gal (Madeline Kahn), a guy (Bruce Dern) and a dog in twenties Hollywood consisting of numerous in-jokes and animated performances. The amusingly gleeful Madeline Kahn and an exaggerated Ron Leibman do steal most of the scenes. Well that's when Won Ton Ton is not doing his thing. It might be a train wreck, but it had its moments. Or you'll be pondering what were they thinking?

I never saw Won Ton Ton when it was released (although I was certainly old enough). The reviews were so damning that, in spite of a chance to see some of my favorites (The Ritz Brothers, Joan Blondell, Fritz Feld, Terri Garr and a host of former stars), I put it off until I bought the DVD and played it tonight. Perhaps the direction could have been better; certainly the camera-work wasn't consistent, but we thought it far funnier and more clever than many other 1970s movies that were better-received. The dog (or series of dogs) in the title role was (were) brilliant, even in extended shots. Harry & Jimmy Ritz (who, contrary to the IMDb cast list, WERE billed) showed, 40 years after their prime, why they were comedians' comedians. Art Carney didn't disappoint. I like Madeline Kahn but am not the fan that many are, and rather wish Terri Garr had the opportunity to play the lead. Rob Liebman and Fritz Feld gave topnotch comic performances. And Bruce Dern brought energy and comic sense to his lead role. It was a delight to watch the many former stars who, in a few moments of screen time, still knew how to nail a character and a scene. I wish Joan Blondell, now recognized as one of the finest and freshest actors of Hollywood's studio era, had been given a larger role. Won Ton Ton, the Dog Who Saved Hollywood isn't a comic masterpiece, but it is far better than its reputation. More important: it is fun!