El temerario Ives

This movie essentially begins with a criminal mastermind by the name of "Abner Procane" (John Houseman) being blackmailed for $100,000 to recover his secret journals which detail all of his illegal activities. Desperately needing them back, he chooses a former criminal reporter known for his honesty and discretion named "Raymond St. Ives" (Charles Bronson) to act as his go-between. Unfortunately, with so much money on the line, other interested persons begin to get involved and things go downhill for everyone after that. Now rather than reveal any more I will just say that I really liked this film when it first came out and-other than showing its age here and there-it still remains one of my favorite Charles Bronson films to this day. Admittedly, the plot meanders quite a bit which can cause some confusion here and there. However, I enjoyed the chemistry between the John Houseman, Charles Bronson and Jacqueline Bisset (as "Janet Whistler") along with the way in which St. Ives kept one step ahead of everybody else-at least for the most part. That being said, I liked the in-depth plot and the good acting performances of all involved, and for those reasons I have rated film accordingly. Above average.

An interesting visual side, with some well composed shots by J. Lee Thompson and expert cinematographer Lucien Ballard, is by far the best part of the film, and it is almost enough to atone for a rather lame screenplay. The story is at times difficult to follow, but it is not very original or out of the ordinary either, so there is not all that much reason to care. This is one of those films that you watch more so for a good amount of action and thrills. It just does not have the characters and plot that a brilliant film of its type would have. It is not helped out by poor music choices either, nor by wasting veteran film noir actor Elisha Cook Jr. in an insignificant supporting role. Still, it is okay viewing overall. It seems a little silly how Bronson runs into trouble everywhere, but that is the way that the plot of the film is made up, so be it. At least it is not annoying to view, and it is at times reasonably amusing.

(Some Spoilers) Priviat eye-like movie with retired newspaper columnist and now unpublished book author Raymond St. Ives, Charles Bronson, getting hired to be the go between in a switch of $100,000.00 for a number of personal ledgers of eccentric multi-millionaire and criminal master-mind Abner Procane, John Houseman. At first the job that the down and out St. Ives has seems to be a lead pipe cinch. The $10,000.00 that he'll get for it will come in handy for the compulsive gambling habit that he has and he thinks nothing of it.

Going to an all night laundromat in L.A to pick up the ledgers and hand over the cash for them St. Ives finds the person that he's supposed to do the switch with stone cold dead,Jack Boykins ,Jerrid Brutsche, is found spinning in a washer-dryer with his neck broker. What was to be a simple delivery and exchange for St. Ives turns out to be a string of murders. All that leads to a $4,000,000.00 pay-off, for a number of pages from Procane's ledgers that has information of his dealing with the president of International Electric George McDuff, Norman Palmer. McDuff is involved in setting up an under the table deal with a member of the Saudie royal family that would net him at least a one hundred million dollar contract.

Classy and well acted "St.Ives" has the beautiful Jackie Bisset, Janet Whistler, as the femme fatal in this film-noir drama set in 1976 L.A. John Houseman seems to be really enjoying the role that he has as criminal master mind Abner Procane who prides himself as never committing any act of violence in his long and successful crime career. The non violent Procane only in uses his smarts and soring intellect to get where he's gotten and not any rough stuff. As if he were playing a number of games of championship chess all which was so accurately recorded by him in the stolen ledgers.

Jackie Bissett is as gorgeous as ever as Porcane's aid, or partner in crime, Janet Whistler who turns out to be playing both sides of the law to get just what she wants. Maximillian Schell pops up in the movie every now and then as Porcane's personal psychiatrist, Dr. John Constable, who has more on his mind that the fantasies and fears of his patient.

The movie has a movie within a movie scene when we see the switch between the valuable information in Procane's ledger between go-between's of the Saudie Sheik and McDuff that leads to a bloody shoot-out outside the drive-in movie where the switch was made. Charles Bronson's St. Ives as usual overcomes the odds to get to the bottom of the case that he's on that for one of those involved ends up at the bottom of Abner Procane's giant swimming pool.

Bronson is pushed around and beaten up a number of times in the film but like in all of his movies he comes out on top in the end, especially with Miss. Bisset. The movie at the drive-in seemed to have a film that had an hour and a half long cattle stampede. This made me wonder if the film-makers of "St.Ives" got that idea from the great bad-movie director Ed Wood and copied it off from the legendary buffalo stampede of the Ed Wood directed film "Glen or Glenda".

Cool Raymond St. Ives (Charles Bronson), an ex-police writer and unpublished author, is hired by Arthur Procane (John Housman) to recapture some journals stolen from his safe. Procane, of dubious legality, likes to spend free time watching silent movies like "The Big Parade." He has a lovely "assistant," Janet Whistler (Jaqueline Bisset).

In return for the stolen ledgers, St. Ives' assignment is to give $100,000 ransom from Procane to a crook in a laundromat at night. When St. Ives arrives, he finds the crook dead, spinning inside a clothes dryer. St. Ives continues his quest around the streets of Los Angeles. Along the way he is assaulted and the bodies pile up. There certainly are not too many honest people around.

Although parts of the movie appear muddled, the denouement ties up loose ends. Positive elements of the film include a respectable cast, suitable LA locales, and several scenes of interest. The film is not too violent, and is interesting. The movie is based upon Ross Thomas' 1972 book, "The Procane Chronicles."

Charles Bronson plays the title character, an adventurer of sorts and crime writer. Oddly, he's hired by a rich thief (John Houseman) to retrieve some stolen documents...and so St. Ives plays private dick.

As St. Ives proceeds through the case, he keeps arriving when people are dying...but he is innocent. It just seems that a LOT of dishonest people keep killing each other to get the documents. What are they and what really is going on? Well, see the film...or not.

This is an odd Charles Bronson flick. While he is involved in a few action sequences, much of the film seems to happen all around him instead of with him. In addition, the plot is hard to believe and a bit convoluted...making this one of Bronson's lesser efforts. Decent and watchable but not much more.

By the way, if you do watch, pay attention to Hood #1 and 3 who try to kill St. Ives early in the film. They are Robert Englund and Jeff Goldblum before they became famous actors.