El temerario Ives

I've been a big Bronson-fan for as long as I can remember, and I saw "St. Ives" on TV some years back and was always left with the impression that it was sorta dull, all though offering a nice change of pace for old Charlie. Now out on DVD I still had to order it though, as I pride myself on having *every* Bronson-film available in my collection. I am really happy to say that watching it again was a really wonderful surprise! I'll blame my stupid youth for not appreciating this movie as much back in my late teens because "St. Ives" isn't dull. Sure, it doesn't include all the normal action scenes one has come to expect from a Bronson picture, but it includes just about everything else lacking in his later action movies: great wit, humor, style and unexpected plot-twists and turns right up until the very end! To top it all off it is one of the best scored Bronson-films, with a wonderful soundtrack by Lalo Schifrin. Oh and just so you know; despite the low amount of action scenes, the body count DOES get alarmingly high before the end credits.

It also has a truly excellent cast supporting Bronson. To mention a few: Academy Award winning veteran John Houseman, one of the sexiest stars of the 1970's Jacqueline Bisset, Dana Elcar (Pete Thornton in "MacGyver"), Academy Award winner Maximilian Schell, the lovable Elisha Cook Jr, Michael Lerner, Dick O'Neill (Sharon Gless' memorable dad Charlie in "Cagney & Lacey"), Daniel J. Travanti (the star of "Hill St. Blues") and my favorite supports, the wonderful character actors Harry Guardino and Harris Yulin as police detectives. On top of this you get young versions of Robert Englund and Jeff Goldblum as hoods fighting it out with Charlie!

I also found myself laughing more than I normally do watching Bronson-movies, as "St. Ives" has several funny moments. My favorite one probably being the dinner/confrontation scene with Val Bisoglio.

If you are a *true* Bronson-fan you'll really enjoy old Charlie in this one!

Charles Bronson plays the title character, an adventurer of sorts and crime writer. Oddly, he's hired by a rich thief (John Houseman) to retrieve some stolen documents...and so St. Ives plays private dick.

As St. Ives proceeds through the case, he keeps arriving when people are dying...but he is innocent. It just seems that a LOT of dishonest people keep killing each other to get the documents. What are they and what really is going on? Well, see the film...or not.

This is an odd Charles Bronson flick. While he is involved in a few action sequences, much of the film seems to happen all around him instead of with him. In addition, the plot is hard to believe and a bit convoluted...making this one of Bronson's lesser efforts. Decent and watchable but not much more.

By the way, if you do watch, pay attention to Hood #1 and 3 who try to kill St. Ives early in the film. They are Robert Englund and Jeff Goldblum before they became famous actors.

Cloak and dagger story , poorly acted , that finishes into strange and surprising goings-on . Abner Procane (John Houseman) , top L.A. burglar , finds that somebody stole his plans for next ambitious heist . He hires Raymond St. Ives (Charles Bronson acting is wooden just like being habitual in his roles as an investigator who finds out about dark motives) to resolve the simple theft , but it escalates into a large-scale robbery and killings . Here Charles plays a reporter who carries out an investigation , a former police journalist who agrees to recover the stolen ledges . But Ives (Bronson was about fifty-four years of age when here appeared) finds himself dealing with treason , killings and a twisted intrigue . There are also some policemen (Harris Yulin , Harry Guardino , all the cops who show up in the movie but one are corrupt) pursuit him . At the end it takes place a confusing caper about the stealing of an American electronics firm's huge bribe to an Arab oil sheik .

This light entertainment and standard Bronson movie is full of clichés , thrills , betrayal and murder . Confusing and heavy-handled screenplay from a novel by Ross Thomas titled 'The Procane Chronicle' , being slickly paced but dumb . This is a "detective 'film noir' homage" which "features a dense detective plot in the manner of classic 1940s 'film noir' private eye stories" . Taking and snatching dialog here and there from the 40s , such as : ¨Everytime we find a stiff , you're around¨ . Neither Bronson's presence , nor Lucien Ballard cinematography can rescue this routine thriller movie for implausibilities from a complex and silly screenplay . It starts off well enough as tough thriller , but long before the final you've left wondering just what's going on . This Charles Bronson movie was theatrically released between his pictures From noon till three (1976) and The White Buffalo (1977) , both of them starred by Bronson . This is one of the first films Charles Bronson made for producer Pancho Kohner and being ¨Messenger of the death¨ the final of ten teamings between producer Pancho Kohner and star actor Bronson . Regular acting by Bronson as a crime books writer , to negotiate the return of some engaging documents ; however , he seems tired and bored from the start . Nice and wide support cast , such as : John Houseman as the criminal mastermind , Maximilian Schell , Harry Guardino , Harris Yulin , Dana Elcar , Michael Lerner , Dick O'Neill , Burr DeBenning , Elisha Cook Jr. , Daniel J. Travanti , later of TV's ¨Hill Street Blues¨ and Jacqueline Bisset as the gorgeous , glamorous , mysterious Femme fatal . Furthermore , cameos by Robert Englund as henchman and Jeff Goldblum as Hood #3 , he also appeared in a bit cameo as a thug in Charles Bronson's earlier movie Death Wish (1974). Besides , atmospheric score by the usual Lalo Schifrin , composed in the seventies's style . And crisp and glimmer photography by Luicen Ballard .

The fare was regularly directed by J. Lee Thompson , shot in up and downs , the movie consistently skirts the issues it raises . It's narrated understanding as well as hardly . This movie represented the first of nine teaming of director 'J Lee Thompson' with star actor Charles Bronson . Thompson previously had a nice track record in the English cinema from 1950 until 1961 , directing good Western (McKenna's gold , White Buffalo) and all kinds of genres , as Sci-Fi (Conquest and Battle of planet of apes), terror (reincarnation of Peter Proud , Eye of the devil) , adventures (Flame over India , Kings of the sun , Taras Bulba , Tiger Bay) and Warlike ( Guns of Navarone, Von Braun , Chairman , The passage). His two biggest successes turned out to be ¨Guns of Navarone¨and ¨Cape Fear¨. Thereafter , the filmmaker's career subsided in a morass of slickly realized but middling films . He moved into the field of international spectaculars , at which point his filmmaking seemed to lose its individuality . J. Lee Thomson working from the 50s in England, finished his career making Chuck Norris (Firewalker) and Charles Bronson vehicles (Caboblanco , Evil that men do , Messenger of death , Death Wish 4 : Crackdown, Caboblanco, St Ives). St. Ives rating : Mediocre but passable 5.5/10 , but it will appeal to Charles Bronson fans . Marks this down as for hardened Charles buffs only .

This movie essentially begins with a criminal mastermind by the name of "Abner Procane" (John Houseman) being blackmailed for $100,000 to recover his secret journals which detail all of his illegal activities. Desperately needing them back, he chooses a former criminal reporter known for his honesty and discretion named "Raymond St. Ives" (Charles Bronson) to act as his go-between. Unfortunately, with so much money on the line, other interested persons begin to get involved and things go downhill for everyone after that. Now rather than reveal any more I will just say that I really liked this film when it first came out and-other than showing its age here and there-it still remains one of my favorite Charles Bronson films to this day. Admittedly, the plot meanders quite a bit which can cause some confusion here and there. However, I enjoyed the chemistry between the John Houseman, Charles Bronson and Jacqueline Bisset (as "Janet Whistler") along with the way in which St. Ives kept one step ahead of everybody else-at least for the most part. That being said, I liked the in-depth plot and the good acting performances of all involved, and for those reasons I have rated film accordingly. Above average.

Cool Raymond St. Ives (Charles Bronson), an ex-police writer and unpublished author, is hired by Arthur Procane (John Housman) to recapture some journals stolen from his safe. Procane, of dubious legality, likes to spend free time watching silent movies like "The Big Parade." He has a lovely "assistant," Janet Whistler (Jaqueline Bisset).

In return for the stolen ledgers, St. Ives' assignment is to give $100,000 ransom from Procane to a crook in a laundromat at night. When St. Ives arrives, he finds the crook dead, spinning inside a clothes dryer. St. Ives continues his quest around the streets of Los Angeles. Along the way he is assaulted and the bodies pile up. There certainly are not too many honest people around.

Although parts of the movie appear muddled, the denouement ties up loose ends. Positive elements of the film include a respectable cast, suitable LA locales, and several scenes of interest. The film is not too violent, and is interesting. The movie is based upon Ross Thomas' 1972 book, "The Procane Chronicles."