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4.9/10
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Una tormenta hace que algunos cables eléctricos se rompan y toquen el suelo, sacando de la tierra a millones de gusanos devoradores de hombres, que llegan a la ciudad donde rápidamente empie... Leer todoUna tormenta hace que algunos cables eléctricos se rompan y toquen el suelo, sacando de la tierra a millones de gusanos devoradores de hombres, que llegan a la ciudad donde rápidamente empiezan a devorar a los lugareños.Una tormenta hace que algunos cables eléctricos se rompan y toquen el suelo, sacando de la tierra a millones de gusanos devoradores de hombres, que llegan a la ciudad donde rápidamente empiezan a devorar a los lugareños.
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- 1 nominación en total
Peter MacLean
- Sheriff Jim Reston
- (as Peter Mac Lean)
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Opiniones destacadas
In Fly Creek, a storm knocks down the power lines, transforming worms in mutant creatures. Mick (Don Scardino) travels from New York to meet his girlfriend Geri Sanders (Patricia Pearcy) and stays at her home with her mother Naomi Sanders (Jean Sullivan) and her sister Alma Sanders (Fran Higgins). On the arrival, Mick has a friction with Sheriff Jim Reston (Peter MacLean) and with Geri's neighbor Roger Grimes (R.A. Dow) that woos her. Soon they find that Fly Creek is infested of carnivorous worms that are devouring the inhabitants, but Sheriff Reston believes it is a prank of Mick.
"Squirm" is a lame and laughable trash movie about carnivorous worms. The silly story associated to the poor performances and annoying accent makes this film terrible to see and hear; however it is cult for many viewers. But the gorgeous Patricia Pearcy makes it worthwhile watching. My vote is four.
Title (Brazil): "A Noite do Terror Rastejante" ("The Night of the Terror Crawly")
"Squirm" is a lame and laughable trash movie about carnivorous worms. The silly story associated to the poor performances and annoying accent makes this film terrible to see and hear; however it is cult for many viewers. But the gorgeous Patricia Pearcy makes it worthwhile watching. My vote is four.
Title (Brazil): "A Noite do Terror Rastejante" ("The Night of the Terror Crawly")
Against FOOD OF THE GODS, DOGS, KINGDOM OF THE SPIDERS, the irrepressible SLUGS and other nature-gone-berserk flicks, SQUIRM stands tall.
The worms are the thing here, but their existence does not short-change the film's acting, storyline and characterizations. Director Jeff Lieberman, a fellow of immense cinematic intelligence (BLUE SUNSHINE, JUST BEFORE DAWN), has crafted a smart, stylish little thriller that delivers on its promise.
Rick Baker's worms are very impressive and Lieberman knows when to reveal them and when to keep them -- literally -- in the dark.
The set-up is simple. Following a filthy, dirty storm, downed powerlines send bolts of electricity into the earth. Shocked worms turn rabid and begin to menace "us".
The film is exceptionally well photographed and acted, the rural setting works beautifully, and the climax packs a punch.
Solid filmmaking all 'round.
The worms are the thing here, but their existence does not short-change the film's acting, storyline and characterizations. Director Jeff Lieberman, a fellow of immense cinematic intelligence (BLUE SUNSHINE, JUST BEFORE DAWN), has crafted a smart, stylish little thriller that delivers on its promise.
Rick Baker's worms are very impressive and Lieberman knows when to reveal them and when to keep them -- literally -- in the dark.
The set-up is simple. Following a filthy, dirty storm, downed powerlines send bolts of electricity into the earth. Shocked worms turn rabid and begin to menace "us".
The film is exceptionally well photographed and acted, the rural setting works beautifully, and the climax packs a punch.
Solid filmmaking all 'round.
Fly Creek is a small southern town best known for it's "antiques" and the Grimes Worm Farm. During one particularly hot summer, while Mick (Don Scardino) is on his way on a bus to meet new girlfriend Geri Sanders (Patricia Pearcy), they're hit by a whopper of a thunderstorm. Fly Creek's roads are flooded and they've lost power due to a downed power line that is still sparking. And that leads to a big problem. Because when the film's worms are stimulated by electricity, they come out of the ground, ready to bite, and there are millions of them!
As is obvious from the premise, Squirm is a nature-gone-wild film, a subgenre of horror that was particularly active in the 70s. It's a pretty good example of the genre, and the film is successful more often than not, as long as you don't start to question the plot too much. Overall, it's a 7 out of 10 for me. I almost gave it an 8, but the ending is a bit too clichéd, so I knocked off a point. I've only seen one of director/writer Jeff Lieberman's other films so far--Blue Sunshine (1976)--and that also had points taken off for a less-than-satisfying ending.
Squirm is at its best when it's wallowing in small redneck town weirdness. The Sheriff (Peter MacLean) is frighteningly unresponsive, a bit pleasantly campy, and he's also a paranoid troublemaker. The Grimes family, Willie (Carl Dagenhart) and Roger (R.A. Dow), are demented and creepy. The Sanders family seems oddly dysfunctional, and Geri's sister, Alma (Fran Higgins), demonstrates that Juliette Lewis wasn't the first Juliette Lewis. When all of this stuff is combined with Squirm's initial slow-burning horror aspects--including a relatively subtle amount of worms and a well-placed (both literally and in terms of the script) skeleton--it is good, almost sublimely so.
But things begin to go slightly awry when we get to the big extravaganza near the end. The characters have either died off or Lieberman simply abandons them. Having a lot of characters die off by the end is understandable and even laudable in a film like this, but it's too bad we couldn't have seen them longer and had more emotional investment in them. Simply abandoning characters isn't as excusable. Of course the attacking worm quotient increases as the film continues, and this is handled well physically (I can't imagine having to be a worm wrangler), but plot points surrounding the worms become sketchier and almost contradictory at times. That saps too much tension out of the ending, and instead we're primarily engaged by physical effects for their own sake, plus a wonderfully campy change in personality from Roger.
Squirm is definitely worth seeing for anyone with a taste for lower-budget 1970s horror, and at times is quite a gem. Just don't set your expectations too high (but really, who would for a film like this?)
As is obvious from the premise, Squirm is a nature-gone-wild film, a subgenre of horror that was particularly active in the 70s. It's a pretty good example of the genre, and the film is successful more often than not, as long as you don't start to question the plot too much. Overall, it's a 7 out of 10 for me. I almost gave it an 8, but the ending is a bit too clichéd, so I knocked off a point. I've only seen one of director/writer Jeff Lieberman's other films so far--Blue Sunshine (1976)--and that also had points taken off for a less-than-satisfying ending.
Squirm is at its best when it's wallowing in small redneck town weirdness. The Sheriff (Peter MacLean) is frighteningly unresponsive, a bit pleasantly campy, and he's also a paranoid troublemaker. The Grimes family, Willie (Carl Dagenhart) and Roger (R.A. Dow), are demented and creepy. The Sanders family seems oddly dysfunctional, and Geri's sister, Alma (Fran Higgins), demonstrates that Juliette Lewis wasn't the first Juliette Lewis. When all of this stuff is combined with Squirm's initial slow-burning horror aspects--including a relatively subtle amount of worms and a well-placed (both literally and in terms of the script) skeleton--it is good, almost sublimely so.
But things begin to go slightly awry when we get to the big extravaganza near the end. The characters have either died off or Lieberman simply abandons them. Having a lot of characters die off by the end is understandable and even laudable in a film like this, but it's too bad we couldn't have seen them longer and had more emotional investment in them. Simply abandoning characters isn't as excusable. Of course the attacking worm quotient increases as the film continues, and this is handled well physically (I can't imagine having to be a worm wrangler), but plot points surrounding the worms become sketchier and almost contradictory at times. That saps too much tension out of the ending, and instead we're primarily engaged by physical effects for their own sake, plus a wonderfully campy change in personality from Roger.
Squirm is definitely worth seeing for anyone with a taste for lower-budget 1970s horror, and at times is quite a gem. Just don't set your expectations too high (but really, who would for a film like this?)
A vicious storm downs a power line near a very small Georgia town. It (somehow) drives all the worms crazy and turns them into vicious man-eaters! The town is cut off from civilization and the worms attack...
The plot is just silly (flesh-eating WORMS? Come on!) but the film never takes itself TOO seriously. A lot of the dialogue is very tongue in cheek, and there are LOTS of close-ups of screaming worms (news to me--I didn't know worms could scream). So it's really hard to take any of this seriously.
The acting is all pretty bad (even Jean Sullivan the one "name" in the cast) and the plot moves in fits and starts. And it does take a while to really get going. But when the attacks happen things really get going. There are some pretty good, if disgusting, special effects (one VERY disturbing scene shows worms burrowing into a guys FACE) and seeing literally MOUNTAINS of worms squirming around is kind of queasy.
It you take this film literally you're gonna hate it. But if you accept it for the low-budget, slightly campy film it is you'll probably have a fairly good time. Worth seeing at least once for the gruesome special effects.
I saw the PG rated one on cable which (I heard) is one minute shorter than the R rated one. Purportedly all that's missing is some minor nudity (some of which was in the PG one) and some swearing. All the gore is still there.
The plot is just silly (flesh-eating WORMS? Come on!) but the film never takes itself TOO seriously. A lot of the dialogue is very tongue in cheek, and there are LOTS of close-ups of screaming worms (news to me--I didn't know worms could scream). So it's really hard to take any of this seriously.
The acting is all pretty bad (even Jean Sullivan the one "name" in the cast) and the plot moves in fits and starts. And it does take a while to really get going. But when the attacks happen things really get going. There are some pretty good, if disgusting, special effects (one VERY disturbing scene shows worms burrowing into a guys FACE) and seeing literally MOUNTAINS of worms squirming around is kind of queasy.
It you take this film literally you're gonna hate it. But if you accept it for the low-budget, slightly campy film it is you'll probably have a fairly good time. Worth seeing at least once for the gruesome special effects.
I saw the PG rated one on cable which (I heard) is one minute shorter than the R rated one. Purportedly all that's missing is some minor nudity (some of which was in the PG one) and some swearing. All the gore is still there.
You wouldn't know it from the description, but SQUIRM manages to be scary, fun, gross, and engaging all at once. Scare shots are timed to a tee and both the conflict of the film and the characters involved in it are executed with as much style and excellent timing as could be expected for a film about killer worms. The scene where worms burrow into Roger's face, and the one where the bathtub is quickly filling up with worms are really effective. Your local video store probably sold off this one years ago along with other slow-renting titles to make room for hundreds of copies of "Sleepless in Seattle," though, so if you see a copy and are looking for a good scare, pick it up.
¿Sabías que…?
- TriviaThe amount of sea worms used in the film was countless, as the production would order shipments of 250,000 Glycera worms at a time. The production would end up wiping out the New England fishing industry's supply of Glycera worms that year.
- ErroresWhen Roger is attacking Mick for the last time (biting his thigh) and Mick begins hitting him with a flashlight, he is obviously hitting his own hand rather than Roger's head.
- Citas
Roger Grimes: You gonna be da' worm face!
- Versiones alternativasSquirm was heavily edited for its appearance on Mystery Science Theater 3000 in 1999. Among the many scenes cut from the film was the scene of Mick trudging through the swamp, the conversation between Mick and Alma, the worms graphic attack on Roger, the gruesome fate of Mrs. Sanders, and the climax where Roger crawls after Mick and attempts to bite him.
- ConexionesEdited from 11 a la media noche (1960)
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- How long is Squirm?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 470,000 (estimado)
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