CALIFICACIÓN DE IMDb
6.9/10
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TU CALIFICACIÓN
En el pequeño reino de Euphrania, el rey y su corte están ansiosos por casar al príncipe Eduardo. Pero Eduardo quiere casarse por amor.En el pequeño reino de Euphrania, el rey y su corte están ansiosos por casar al príncipe Eduardo. Pero Eduardo quiere casarse por amor.En el pequeño reino de Euphrania, el rey y su corte están ansiosos por casar al príncipe Eduardo. Pero Eduardo quiere casarse por amor.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 1 premio ganado y 11 nominaciones en total
Opiniones destacadas
My parents taped this movie from TV for me when I was young, and it has always remained one of my favorites. I've worn the tape out over the years, because even now that I'm a (supposed) grown up, I still get the urge to go back and watch again and again.
The film is beautiful, filmed on location in Europe (Austria, I think?) with a whimsical and richly romantic air. What I love most about this movie is that it makes the effort to flesh out the characters into three dimensional figures and to set against an (at least plausible) historical backdrop, while still maintaining a tiny bit of tongue-in-cheek self-awareness--a live-action period piece that enjoys the fact that it's really a fairytale and a musical. I've always thought that gave it just a hint of sophistication. The movie also explores more of the complexities of the stories and the characters' motivations. It carries us past the classic "slipper" moment and allows for a more complete ending, which I found more fulfilling.
As for the characters themselves, I loved Cinderella, neither the modernized girl-power of "Ever After" (which I loved, by the way) nor the blank goody-goody-ness of the Disney classic, but a very human and lovely blend of the two--with a gorgeous voice thrown in for good measure. Prince Edward, played flawlessly by Richard Chamberlain, gives us a hero to root for, in addition to our traditional heroine. You don't just wait for her to be found, you cheer for each of them to find the other. The rest of the cast is filled in with real people that the viewer comes to care for and value in the story almost as much as the main pair. You are not left with the typical stock characters that you see so often in fairy tales. I especially loved the Fairy Godmother, the Prince's Companion, the Chamberlain, the senile King, the Dowager queen...okay, I really love them all. Even the dog. :)
I despaired of every finding a "real" copy on VHS until recently. The VHS retained a few scenes that were edited from the TV version (I assume) for time, and I have to say I think that I liked the short version better. I thought that the it flowed more smoothly, and I found that I did not miss the musical numbers they cut. I was especially disappointed with "Find a Mate" (yes, they're serious) and the scene in the Fairy Godmother's house...very contrived and corny. They really don't equal the rest of the film. Although the Prince's prayer at the end is wonderful, and was cut from the TV version.
All in all, I just have to say that I love this movie, and always will.
The film is beautiful, filmed on location in Europe (Austria, I think?) with a whimsical and richly romantic air. What I love most about this movie is that it makes the effort to flesh out the characters into three dimensional figures and to set against an (at least plausible) historical backdrop, while still maintaining a tiny bit of tongue-in-cheek self-awareness--a live-action period piece that enjoys the fact that it's really a fairytale and a musical. I've always thought that gave it just a hint of sophistication. The movie also explores more of the complexities of the stories and the characters' motivations. It carries us past the classic "slipper" moment and allows for a more complete ending, which I found more fulfilling.
As for the characters themselves, I loved Cinderella, neither the modernized girl-power of "Ever After" (which I loved, by the way) nor the blank goody-goody-ness of the Disney classic, but a very human and lovely blend of the two--with a gorgeous voice thrown in for good measure. Prince Edward, played flawlessly by Richard Chamberlain, gives us a hero to root for, in addition to our traditional heroine. You don't just wait for her to be found, you cheer for each of them to find the other. The rest of the cast is filled in with real people that the viewer comes to care for and value in the story almost as much as the main pair. You are not left with the typical stock characters that you see so often in fairy tales. I especially loved the Fairy Godmother, the Prince's Companion, the Chamberlain, the senile King, the Dowager queen...okay, I really love them all. Even the dog. :)
I despaired of every finding a "real" copy on VHS until recently. The VHS retained a few scenes that were edited from the TV version (I assume) for time, and I have to say I think that I liked the short version better. I thought that the it flowed more smoothly, and I found that I did not miss the musical numbers they cut. I was especially disappointed with "Find a Mate" (yes, they're serious) and the scene in the Fairy Godmother's house...very contrived and corny. They really don't equal the rest of the film. Although the Prince's prayer at the end is wonderful, and was cut from the TV version.
All in all, I just have to say that I love this movie, and always will.
I, too, have been longing forever (since VCRs appeared) for this musical to become available on video. The Sherman & Sherman (& Morley) songs are perfectly good, and the choreography is super, but what I remember best is the great, iconoclastically non-chalant Fairy Godmother character (Annette Crosbie). I put her among the greatest steal-the-show supporting characters of all time, right along with Nicol Williamson's Merlin in "Excalibur."
This is one of my favorite 'comfort films'--I associate it with being home from college at Christmas, when I first saw it on late-night TV. I now own it on DVD and watch it almost every Christmas. The 18th-century costumes are absolutely superb (love that moment when Margaret Lockwood as the Stepmother removes her black widow's cloak to reveal her scarlet gown), the script witty (especially when Julian Orchard as the prince's camp cousin shows up), and the performances delivered with a light touch (Annette Crosbie and Kenneth More are the best at this). Richard Chamberlain never looked so dashing--the way he gazes adoringly at Cinderella!!--and Cinderella herself, Gemma Craven, is sweet and lovely, with an excellent voice.
A couple of the songs clunk a bit (you decide which ones), but the dancing is great, especially in the ball scene and the 'Position and Positioning.' The dancers come from the Royal Ballet (the dancing mice, too), so the dancing is a delight. And Richard Chamberlain has a dance number with Christopher Gable of the Royal Ballet, and he certainly doesn't suffer by comparison!
And oh, the costumes! I first saw a rather faded copy of this movie, and I loved the frosty pastels of the ballgowns (in fact, I thought Cinderella's dress was white); I was slightly disappointed by the brighter colors on the DVD. But not too disappointed--this is a beautifully-dressed film.
My favorite scene is Cinderella's flight from the ball; she runs down a series of staircases as the clock tolls midnight, rose-petals fluttering down all the time, and her pale-pink gown and frothy white wig gradually darken into her ragged blue dress and chestnut hair. It's a stunning effect.
A couple of the songs clunk a bit (you decide which ones), but the dancing is great, especially in the ball scene and the 'Position and Positioning.' The dancers come from the Royal Ballet (the dancing mice, too), so the dancing is a delight. And Richard Chamberlain has a dance number with Christopher Gable of the Royal Ballet, and he certainly doesn't suffer by comparison!
And oh, the costumes! I first saw a rather faded copy of this movie, and I loved the frosty pastels of the ballgowns (in fact, I thought Cinderella's dress was white); I was slightly disappointed by the brighter colors on the DVD. But not too disappointed--this is a beautifully-dressed film.
My favorite scene is Cinderella's flight from the ball; she runs down a series of staircases as the clock tolls midnight, rose-petals fluttering down all the time, and her pale-pink gown and frothy white wig gradually darken into her ragged blue dress and chestnut hair. It's a stunning effect.
The first time I saw this movie, I couldn't believe it had Richard Chamberlain singing! I really was impressed by the production though some of the singing and dancing sequences seemed a bit long, it was, overall, a well made version of the classic Cinderella story. I thought it told the fairy tale 'to perfection'. I had just recently bought the video and was pleasantly surprised by all the extra footage it included. My daughters all enjoy it and like watching it over and over. The sets and costumes and the lovely landscapes were exceptionally beautiful. I thought Gemma Craven was the perfect Cinderella including a beautiful singing voice. But the one I thought stole the movie was the fairy godmother, played by Annette Crosbie. Her grumpy affection towards Cinderella made her a more interesting character. A must-see for anyone who wants to escape for a couple of hours with an entertaining tale.
This is one of my favorite movies of all time. I just wish they'd make a soundtrack so I could listen to the songs in my car. This isn't your average Cinderella story; it's so much better! And this version has added scenes and songs that were omitted in the television and first release versions. I would very much recommend this film if you like fairy tales and humor.
¿Sabías que…?
- TriviaThe scene where Cinderella (Gemma Craven) is seen swinging on a chair surrounded by climbing flowers while she is in exile is a direct reference to the well-known painting "The Swing" by Jean-Honore Fragonard, a famous French artist who was praised for his use of color. Details of Cinderella's costume and setting are similar to Fragonard's painting, right down to the color of her dress and the style of her hat.
- ErroresDuring the dance sequence in "Protocoligorically Correct," the men dance on the large table in the library, leaving footprints all over its surface. Moments later the footprints have completely disappeared.
- Citas
Fairy Godmother: No one will recognize you for what you are. People seldom do.
- Créditos curiososAt the climactic ball scene, the main characters approach the camera in pairs, bow (as their names appear onscreen) and then join the dance, starting with featured players and working up the cast list to Gemma Craven and Richard Chamberlain.
- Versiones alternativasNBC edited 16 minutes from this film for its 1981 network television premiere.
- ConexionesFeatured in Stairs (1986)
- Bandas sonorasWhy Can't I Be Two People?
Composed by Robert B. Sherman and Richard M. Sherman
Performed by Richard Chamberlain
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- How long is The Slipper and the Rose: The Story of Cinderella?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Cinderellas silberner Schuh
- Locaciones de filmación
- Anif Castle, Anif, Salzburgo, Austria(on location)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución2 horas 26 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was The Slipper and the Rose: The Story of Cinderella (1976) officially released in India in English?
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