Agrega una trama en tu idiomaA crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend.A crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend.A crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend.
Jack Starrett
- Buford Tyler
- (as Claude Ennis Starrett Jr.)
John Starrett Berry
- Cooter
- (as Starrett Berry)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
In the 1970s there were a lot of these grade-B, drive-in type movies set in rural Southern locations. Typically, there was a sheriff, a youngish protagonist, lots of car chase action, and some kind of conflict involving the sheriff and protagonist. "A Small Town In Texas" clicks all these boxes. And so the underlying idea here isn't original.
Yet, the down-home rural atmosphere seems fairly realistic, as the movie was filmed in and around small towns near Austin. Male characters are generally good ole boys with minimal education; and the women are fairly inconspicuous. The main character is Poke (Timothy Bottoms), a local hick just out of prison who has a score to settle with Sheriff Duke (Bo Hopkins). The corn pone dialogue is about what you would expect for local yokels. There's some fairly good suspense in the second half. And part of the plot involves corruption surrounding a political event.
The script has several major problems, apart from being unoriginal. First, the inciting incident is postponed too long, so that the plot's first thirty minutes meanders. Second, the scriptwriter overuses the car chase cliché; here there are three, complete with inept cops and screeching tires. Third, the script leaves dangling the subplot involving character C.J. Crane.
Casting is less than ideal. Bo Hopkins seems to have become typecast. Timothy Bottoms looks too young to play a hardened criminal, though his performance here is acceptable. Secondary characters seem more like two-dimensional stick figures. I really like that mournful score, played at the beginning and at the end. Cinematography and production design are okay, but the film's color seems highly muted.
Life in a small, rural town in the American South, combined with some contrived drama sums up the premise of this film. "Macon County Line" is much better. But "A Small Town In Texas" is acceptable if other similar movies are unavailable.
Yet, the down-home rural atmosphere seems fairly realistic, as the movie was filmed in and around small towns near Austin. Male characters are generally good ole boys with minimal education; and the women are fairly inconspicuous. The main character is Poke (Timothy Bottoms), a local hick just out of prison who has a score to settle with Sheriff Duke (Bo Hopkins). The corn pone dialogue is about what you would expect for local yokels. There's some fairly good suspense in the second half. And part of the plot involves corruption surrounding a political event.
The script has several major problems, apart from being unoriginal. First, the inciting incident is postponed too long, so that the plot's first thirty minutes meanders. Second, the scriptwriter overuses the car chase cliché; here there are three, complete with inept cops and screeching tires. Third, the script leaves dangling the subplot involving character C.J. Crane.
Casting is less than ideal. Bo Hopkins seems to have become typecast. Timothy Bottoms looks too young to play a hardened criminal, though his performance here is acceptable. Secondary characters seem more like two-dimensional stick figures. I really like that mournful score, played at the beginning and at the end. Cinematography and production design are okay, but the film's color seems highly muted.
Life in a small, rural town in the American South, combined with some contrived drama sums up the premise of this film. "Macon County Line" is much better. But "A Small Town In Texas" is acceptable if other similar movies are unavailable.
Haven't seen this movie for well over 20 years, when I was only about 12. Even at such a young age, I picked up on the fact that the realism of the town depicted is extremely far-fetched; the police department in a town of this size (remember, this is a "Small" Town in Texas) would have a fleet of 6 or 8 vehicles at the most, yet in the big chase scene there are local police cars by the score, probably a hundred plus. That is my #1 memory of the film. A much better flick is "The Night the Lights Went Out in Georgia" with Dennis Quaid. Although the protagonist in "Georgia" is not a native of the town in which the story takes place, the basic plot of "bad-guy lawman tries to bully damsel away from our hero" is very similar to "Small Town in Texas." I recall the Dennis Quaid movie as the better of the two, and that doesn't say much!*!
This movie was a cross between BILLY JACK, DUKES OF HAZZARD and that's it. It was a fun movie. Tim Bottoms is always a good person to watch act. The ending was sudden and typical of that decade of movies.
If it's on, see it.
If it's on, see it.
Folks who dig car chases and car crashes will find a fair bit to enjoy here; "A Small Town in Texas" is particularly enjoyable when it gets down to the vehicular stunt aspect. As for the rest, well, it's definitely a formula script (by William W. Norton), with engaging but familiar types of characters. Actor / director Jack Starrett ("Slaughter", "Cleopatra Jones") guides it with his customary efficiency, and does the expectedly solid job of capturing life in the South. Our hero is likable enough (although, after a while, you wish he'd shut up about going to California) and our villain is very much a heel.
Timothy Bottoms stars as Poke Jackson, who tangles with his sheriff nemesis Duke Calley (Bo Hopkins), the man who set him up (resulting in Poke spending five years in jail) and stole Pokes' girl Mary Lee (Susan George) in the process. Poke, who reconnects with Mary Lee and the son (Mark Silva) that they had together, ends up witnessing a crime in which the crooked Duke is involved. So now Poke is obliged to take it on the lam and evade Duke (who now wants Poke dead) and his deputies.
Nicely shot in Panavision by Robert C. Jessup, this features a wonderful score by Charles Bernstein, is sufficiently rousing when it gets to its more action oriented scenes, and has some poignant moments as well as some humorous ones. The capable supporting cast includes Morgan Woodward as local fat cat C.J. Crane, John Karlen and Clay Tanner as deputies, Art Hindle and Hank Rolike as Pokes' good friends Boogie and Cleotus, and the always very amusing George 'Buck' Flower (who doesn't appear until late into the movie) as Pokes' ornery old uncle. Bottoms and Hopkins make for fun adversaries, and George is of course lovely to look at. Director Starrett has a cameo as the drunken Buford Tyler.
Nothing special but still a good example of this type of "hicksploitation" entertainment.
Seven out of 10.
Timothy Bottoms stars as Poke Jackson, who tangles with his sheriff nemesis Duke Calley (Bo Hopkins), the man who set him up (resulting in Poke spending five years in jail) and stole Pokes' girl Mary Lee (Susan George) in the process. Poke, who reconnects with Mary Lee and the son (Mark Silva) that they had together, ends up witnessing a crime in which the crooked Duke is involved. So now Poke is obliged to take it on the lam and evade Duke (who now wants Poke dead) and his deputies.
Nicely shot in Panavision by Robert C. Jessup, this features a wonderful score by Charles Bernstein, is sufficiently rousing when it gets to its more action oriented scenes, and has some poignant moments as well as some humorous ones. The capable supporting cast includes Morgan Woodward as local fat cat C.J. Crane, John Karlen and Clay Tanner as deputies, Art Hindle and Hank Rolike as Pokes' good friends Boogie and Cleotus, and the always very amusing George 'Buck' Flower (who doesn't appear until late into the movie) as Pokes' ornery old uncle. Bottoms and Hopkins make for fun adversaries, and George is of course lovely to look at. Director Starrett has a cameo as the drunken Buford Tyler.
Nothing special but still a good example of this type of "hicksploitation" entertainment.
Seven out of 10.
This obscure (to me anyway) film has a lot of problems. All the characters are either one dimensional, annoying, or cliched. It's overlong, boring, and has a script that spends the first half meandering around endlessly, then gets hopelessly predictable.
In its defence I will say that it is less dated than many films from the 1970s, and is occasionally entertaining or amusing (mainly me laughing at the dolts who populate this film). And its handful of action scenes are decent...though I suspect they may seem better than they really are because even the most inept stunts would seem exciting compared to the generally mundane tone of the film.
You could do worse, but you could do much better too.
In its defence I will say that it is less dated than many films from the 1970s, and is occasionally entertaining or amusing (mainly me laughing at the dolts who populate this film). And its handful of action scenes are decent...though I suspect they may seem better than they really are because even the most inept stunts would seem exciting compared to the generally mundane tone of the film.
You could do worse, but you could do much better too.
¿Sabías que…?
- TriviaCast members Susan George and Bo Hopkins replaced original cast members Susan Blakely and John Beck in the roles of Mary Lee Carter and Sheriff Duke respectively. The casting of the originals had been announced in the 8th December 1975 edition of show-business trade-paper 'The Hollywood Reporter'. Reportedly, they did not stay with the project and bowed out of the production for reasons which are publicly undetermined.
- ErroresDuring most of the chase scenes, the police cars change alternately from Plymouth Satellites to Plymouth Furys and one changes to an AMC Matador in the final chase scene.
- Citas
Buford Tyler: [Buford looks at Poke] You just get outta the state pen?
Poke Jackson: How'd ya know that?
Buford Tyler: I recognize your tailor.
- ConexionesFeatured in Trailer Trauma V: 70s Action Attack! (2020)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is A Small Town in Texas?Con tecnología de Alexa
Detalles
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was A Small Town in Texas (1976) officially released in India in English?
Responda