El expreso de Chicago

Silver Streak is directed by Arthur Hiller and written by Colin Higgins. It stars Gene Wilder, Jill Clayburgh, Patrick McGoohan, Ned Beatty and Richard Pryor. Music is by Henry Mancini and cinematography by David M. Walsh. It is the first of four films that Wilder and Pryor would make together. Story finds Wilder as book editor George Caldwell, who upon boarding the Los Angeles to Chicago train finds himself mixed up with art forgers who are only too happy to commit murder to keep their dealings quiet. Fun, frolics and high speed danger will follow.

Amiable film that just about manages to blend Hitchcockian thriller values with silly comedy shenanigans; even throwing in a good old rousing disaster movie staple for the last quarter. Even though Pryor doesn't feature until the halfway point in the piece, this is very much a film that succeeds due to the chemistry between himself and Wilder. Sure the action is well handled, and the other major players are performing well (McGoohan sinister/ Clayburgh sweet/Beatty ebullient), but it's noticeable that the film considerably picks up on comedy value once Pryor enters the fray. With that in mind, picture feels too long at just under 2 hours, but it's never less than entertaining and was popular enough with cinema audiences to ensure Wilder and Pryor would go on to make the wonderful Stir Crazy 4 years later. 7/10

I saw this film in the cinema as a teenager when it came out. It was sold, I think, as a Hitchcock parody and I thought parodies were great. Gene Wilder was the star, that was one more reason for me to see it, as I had greatly enjoyed his performance in Mel Brooks' Young Frankenstein. Stuff like that attracted me much more than movies with Robert Redford or Charles Bronson who then were the big male heroes of the screen.

Now, a good 30 years later, I watched Silver Streak a second time. It is an unusual mixture of comedy, action thriller and disaster movie. Characters like the ones played by Wilder, Clayburgh or Pryor seem to have become extinct – in the movies, I mean. They just seem to be so ... ordinary and normal and also kind hearted. Everything about Silver Streak is so unpretentious, seeing it today that really was a kind of a revelation to me.

A lot of the movie deals with masculinity and the assertion of it. It all happens in a very relaxed manner. Nothing and nobody is taken too seriously, conquests are made without effort, failure is accepted with grace. In a strange way, this movie really represents a better, unattainable world. I doubt if someone like Gene Wilder wold make it as a movie star today – the public, it seems, needs the grimaces of Jim Carrey to be amused. Pity.

Come to think of it, in France they had a movie comedian who looked very similar to Wilder. His name was Pierre Richard and his fame reached its zenith at about the same time as Wilder's before fizzling out somewhere in the eighties, when the Stallones and Schwarzeneggers took over.

Silver Streak is an entertaining and – in a positive way - forgettable movie. It has a pleasant musical score by Henry Mancini, this great eclecticist of the 20th century. The older I'm getting the more I enjoy his music and respect his enormous body of work.

I see Silver Streak as a mild Hitchcock parody that is a nice little blend of comedy and mystery.Gene Wilder,while not at his absolute best,impresses nonetheless here.Jill Clayburgh is credible as the love interest.Yes it is the first film in which Wilder teamed with Richard Pryor,yet Wilder and Pryor are only together for a small percentage of the overall film.The film,though,has a strong enough foundation in terms of story and performances to where Pryor and Wilder do not really need to be together throughout.In fact,this is their best teaming ever despite that fact.To top it all off,the ending is a rather exciting one.A definite worthwhile watch.

When I began watching "Silver Streak", I assumed it was a zany comedy. After all, it re-teams Gene Wilder and Richard Pryor. So, imagine my surprise when I found that no comedy at all occurred until Pryor appeared in the film...and this wasn't until over an hour into the movie! Even then, it was still basically a drama with a few comedic scenes. This is NOT a complaint....just trying to adjust your expectations for the film.

George (Wilder) is going cross country by train. Soon after the train leaves, he meets a nice lady, Hilly (Jill Clayburgh) and they REALLY hit it off well....so well they spend the night together in her compartment. But during the night, George thinks he sees a dead man being tossed off the train...but she convinces him he must have imagined it. The next day, it becomes obvious he DID see what he thought....and there's a gang aboard the train that likely will kill him if he keeps digging. At first, they just throw him off the train...and yet again and again George manages to make his way back aboard the train. Along the journey on and off the train, George meets Grover (Pryor) and together they try to solve the crime...a crime now that includes multiple murders!

In many ways, the film plays like a reworking of the plot to "North By Northwest", as an ordinary man gets sucked into all sorts of crazy and life threatening criminal behavior. But as I said above, it's NOT a comedy...at least overall. There are some funny bits (such as the far from politically correct blackface scene...that is pretty funny)....but the film is much more drama than anything else. Overall, a nice and unique film that I do recommend even if it's NOT mostly comedy.

Gene Wilder is the ordinary man caught up in murder and mayhem on the train "Silver Streak" in this 1976 comedy starring Richard Pryor, Jill Clayburgh, Ned Beatty, Ray Walston, and Patrick McGoohan. In a quasi-homage to Hitchcock, Wilder plays George Caldwell, who falls for the lovely Hilly (Jill Clayburgh) and finds himself mixed up in art fraud, missing letters of Rembrandt, and murder. Not only that, he keeps getting thrown off of the train. One of those times, he meets up with a criminal, Grover Muldoon (Pryor) who happens to be in the police car he steals. In the funniest scene in the film, Grover has George buy the cap, shoe polish, sunglasses and radio from a shoe polisher at the train station and makes George a black jiver so he can get by the feds.

There are lots of funny scenes in this film, but the best part of it is the chemistry between Wilder and Pryor, who became a successful screen team. This, however, is their best teaming. The bad guys are great. McGoohan and Walston act as if they're in a heavy duty suspense film, which makes them real and threatening. It works perfectly against the comic aspects of the film.

Hitchcock fans will see this as a mild takeoff on "North by Northwest." It is, but it stands on its own as well.