El expreso de Chicago

I saw this film in the cinema as a teenager when it came out. It was sold, I think, as a Hitchcock parody and I thought parodies were great. Gene Wilder was the star, that was one more reason for me to see it, as I had greatly enjoyed his performance in Mel Brooks' Young Frankenstein. Stuff like that attracted me much more than movies with Robert Redford or Charles Bronson who then were the big male heroes of the screen.

Now, a good 30 years later, I watched Silver Streak a second time. It is an unusual mixture of comedy, action thriller and disaster movie. Characters like the ones played by Wilder, Clayburgh or Pryor seem to have become extinct – in the movies, I mean. They just seem to be so ... ordinary and normal and also kind hearted. Everything about Silver Streak is so unpretentious, seeing it today that really was a kind of a revelation to me.

A lot of the movie deals with masculinity and the assertion of it. It all happens in a very relaxed manner. Nothing and nobody is taken too seriously, conquests are made without effort, failure is accepted with grace. In a strange way, this movie really represents a better, unattainable world. I doubt if someone like Gene Wilder wold make it as a movie star today – the public, it seems, needs the grimaces of Jim Carrey to be amused. Pity.

Come to think of it, in France they had a movie comedian who looked very similar to Wilder. His name was Pierre Richard and his fame reached its zenith at about the same time as Wilder's before fizzling out somewhere in the eighties, when the Stallones and Schwarzeneggers took over.

Silver Streak is an entertaining and – in a positive way - forgettable movie. It has a pleasant musical score by Henry Mancini, this great eclecticist of the 20th century. The older I'm getting the more I enjoy his music and respect his enormous body of work.

I see Silver Streak as a mild Hitchcock parody that is a nice little blend of comedy and mystery.Gene Wilder,while not at his absolute best,impresses nonetheless here.Jill Clayburgh is credible as the love interest.Yes it is the first film in which Wilder teamed with Richard Pryor,yet Wilder and Pryor are only together for a small percentage of the overall film.The film,though,has a strong enough foundation in terms of story and performances to where Pryor and Wilder do not really need to be together throughout.In fact,this is their best teaming ever despite that fact.To top it all off,the ending is a rather exciting one.A definite worthwhile watch.

I first saw this movie in 1976 when I was all but about 13 years of age, with some friends in my home town (Dryden, Ontario) at the local "Royal" theatre, as it was known then. I just finished watching my VHS copy of it, which brings my total number of viewings up to 30-something...

Why do I like this film so much? It was the first movie I've seen that had it all: action, suspense, romance, a lot of laughs, but most of all - adventure. All of this helped manufacture a great storyline. In short, one of the most memorable movies I've ever seen, and I enjoy myself greatly with each repeated viewing. It made me a big fan of the Wilder/Pryor combination. It made me a huge fan of train travel. It made me a "road movie" fanatic.

A classic in my book. 9/10

The first film to team legendary funny men Gene Wilder and Richard Pryor, "Silver Streak" is a respectful Hitchcock homage done with much style and humour. It's got thrills, spills, gags, intrigue, and romance. Wittily written by Colin Higgins ("Harold and Maude") and efficiently directed by Arthur Hiller ("Love Story"), it runs pretty long at an hour and 54 minutes but is breezy enough to never *feel* that long. It's got a hell of a good cast to make it all go down very easy.

The ever likable Wilder plays George Caldwell, an ordinary guy book publisher travelling cross country by train. He chances to meet secretary Hilly Burns (an appealing and radiant Jill Clayburgh) and they quickly enter into a steamy liaison. Unfortunately, by doing so, George makes himself vulnerable to the machinations of a smooth villain, Roger Devereau (Patrick McGoohan); soon George is accused of murder. As the story plays out, George is forever getting on and off the train as he works overtime to prove himself innocent and hopefully save Hillys' life.

"Silver Streak" is one of those great films that successfully balances comedic and serious elements. It really comes to life when Pryor shows up (later in the film than you'd expect) as an amiable thief who becomes a willing and helpful sidekick. The comedic highlight comes when he tries to pass Wilder off as a black man. The two stars really shine throughout this whole sequence. They prove to be such a good team that they subsequently got reunited in "Stir Crazy", "See No Evil, Hear No Evil", and "Another You". Wilder makes for an unlikely romantic lead but he and Clayburgh do get some chemistry going.

The supporting cast is full of familiar faces: Ray Walston, Stefan Gierasch, and Richard Kiel (in what is very much a "Jaws" type role, complete with dental work) are McGoohans' henchmen, Ned Beatty is a hearty passenger on the train, Scatman Crothers is the easygoing Ralston, Clifton James plays another one of his patented redneck lawmen, Lucille Benson is the dotty old Rita Babtree, and Fred Willard appears late in the film as the flustered Jerry Jarvis.

Wonderful photography, lovely Canadian locations, and a great old-fashioned kind of score by Henry Mancini are all credits in this superior bit of entertainment, which delivers one hell of an action-packed and destructive finale.

Eight out of 10.

If you can get through the meandering first 15 minutes, you should enjoy the rest of this adventure comedy. Wilder is heading from LA to Chicago by train when he falls into a fling with Clayburgh. During foreplay he sees her boss outside the window, falling off the train. She doesn't believe him, and when he tries to look into it further, he's chucked off the train as well...but alive. He finds his way back to the train with the help of crack-up wacko farm lady Benson. More problems ensue when he catches up with Clayburgh as the killers reveal themselves. Pryor is later thrown into the mix as a good-hearted thief who helps Wilder in his quest. For 1976, this was pretty well advanced in terms of racey dialogue and stunts, and still holds up nicely today. The most memorable thing is Wilder's classic line when falling off the train. Sadly, you're reminded of the age of the film because of so many of the cast members that have died, and how it makes you think that others probably aren't far off. But it also makes you think of how great they all were as an ensemble that provided a good amount of laughs and suspense.