A gritarle al diablo

Shout at the Devil finds Lee Marvin in sub Sahara Africa in 1914 just before the start of World War I. He's a rollicking, live by your wits character named Flynn, very much similar to Humphrey Bogart's Charlie Allnut in The African Queen. Marvin takes up with an Englishman played by Roger Moore who's been stranded in Africa on his way to Australia.

Marvin has a running rivalry with the local German governor played with Teutonic relish by Reinhard Kolldehoff. He's the Road Runner to Kolldehoff's Wily Coyote. During the first half of the film, it plays just like a road runner cartoon.

When war is declared however, Kolldehoff crosses into British territory where Marvin has operated with sanctuary and exacts a terrible vengeance for being constantly made a fool of. On Marvin, on Moore, and on Barbara Parkins, Marvin's daughter who Moore has now married and had a child with.

This is World War I so the Germans aren't behaving like the Nazis of the second World War. But Kolldehoff you can see a potential recruit for Hitler in the post war years. In fact I don't think it's an accident that Kolldehoff and his character Fleischer look very much like German Field Marshal Ludendorff who was sympathetic to the early Nazi party.

Shout at the Devil is a broad comic adventure for the first half and turns serious in the second half. Moore and Marvin have a nice easy chemistry between them, Marvin is reaching back to his Cat Ballou days and the bag of scene stealing tricks he used to get an Oscar. Moore is hard pressed, but does keep up.

And who doesn't like a live road runner cartoon.

A British action adventure; A story about unlikely partners in the East African ivory trade who join forces to fight occupying German troops in German East Africa. Adapted from the Wilbur Smith novel, it is based on a true story about a raid on the SMS Konigsberg by an ivory hunter in World War I. It is an opulent film, well photographed but pastiche, the sort of actioner that harks back to an older generation of films featuring exploitative, larger-than-life characters put through a cavalcade of action and unlikely situations, out of which humour and thrills naturally arise, with a cartoonish villain to satisfy all tastes. Lee Marvin plays wonderfully, a man on the make, out to plunder the environment, downing copious amounts of hooch in the process, and Roger Moore, as Sebastian Oldsmith, fits his part well, giving contrast as an establishment toff. Both commit and play amiably amidst some slack and silly slapstick comedy. Peter R. Hunt stages scenes with workmanlike efficiency, although some sequences are like longueurs. Overall, it is a treat as a postprandial Sunday matinee. As an aside, the full theatrical release is the version that garnered more credit for the fuller and more rounded characters it portrays, though some extra scenes are stark in portraying the ivory trade.

This rollicking, exotic adventure is one that happens to be inspired by a true story. It gets some mileage out of the teaming of Lee Marvin and Sir Roger Moore, who for a while are at each others' throats. It does go on for an awful long time, and have silly digressions, but that should be no problem for patient viewers who don't mind a film that takes its time telling a story. There is a good portion of the running time with strong comic overtones, until politics and the reality of war rear their ugly head. Then our ne'er-do-well main character must take on a mission for reasons that aren't purely selfish.

Marvin plays rascally American ivory poacher Flynn O'Flynn in the African country of Zanzibar in 1913. He makes the acquaintance of "young" Englishman Sebastian Oldsmith (Moore, who was in his late 40s during filming, but looks good regardless). Oldsmith is stranded in Zanzibar because his property is stolen from a hotel and he is now unable to sail to Australia, which was his plan. He becomes O'Flynns' sidekick, and joins in as the jovial scoundrel makes constant battles with German commissioner Herman Fleischer (Reinhard Kolldehoff). Eventually they will take part in a daring plan to destroy a German vessel docked for repairs in Zanzibar.

The filmmakers, led by director Peter R. Hunt ("Death Hunt"), are quick to remind viewers that they made no move to actually harm animals (there are disclaimers at both the beginning and the end of the film), in case any animal lovers watching get squeamish during some scenes. They deliver a fairly engrossing and rousing action / comedy /drama that really comes to life through the chemistry between Marvin and Sir Roger. Marvin has never been quite this hammy, to the best of this viewers' recollection, and that includes his Oscar winning comedic performance in "Cat Ballou". Still, he's quite watchable, as is the lovely Barbara Parkins ("Valley of the Dolls") as Marvins' daughter and a strong supporting cast also including Karl Michael Vogler, Horst Janson, Maurice Denham, Murray Melvin, and George Coulouris. The real scene stealer for much of the two hour 30 minute run time is Ian Holm, cast as O'Flynns' mute associate Mohammed. The snarling Kolldehoff makes for an effective bad guy.

The music by Maurice Jarre is good, as is the use of eye catching African locations and the expansive widescreen photography. All in all, this is a somewhat predictable but pleasing diversion.

Seven out of 10.

As a World War One naval buff, I enjoy this film on one level. As a film enthusiast, I enjoy it on another, all the more so for it being based on fact.

The actual story of the Koenigsberg is actually far less glamorous than the fate of the Blucher in this film but no less enthralling. After the ship was destroyed, her crew joined the German land forces under Count Paul von Lettow-Vorbeck and, together with their few thousand fiercely loyal African troops, fought 1 million British soldiers to a standstill for 4 years until, after the Armistice, they surrendered to the Portuguese, undefeated and proud. A tale well worth reading, far better than the fiction.

Back to the film. The central character is one Flynn O'Flynn, a thoroughly disreputable character, played by Lee Marvin. Always good value for money, he merely reprises Ben Rumson in Africa - no effort required! Roger Moore, aged 49, plays the 'young' interest! Mind you, he don't look bad for it! He is married to the delectable Barbara Parkins, Flynn's daughter Rosa, really the only female character in the film, a grim role she carries off to perfection. Fleischer, the evil German, the exact opposite of von Lettow-Vorbeck, is brilliantly overplayed by Rene Kolldehoff - he really is unlikeable! Also look out for Ian Holm as the mute Arab servant Mohammed.

The film has great pace, really rolling along, well shot in wonderful scenery. It has been well researched too. The Blucher, an actual German cruiser, has been pretty accurately recreated. The whole film has a very genuine feel.

I can see why it's not popular with female viewers. It's quite bloody, very cruel and Barbara Parkins character has a dreadful time of it. The scene in which the farm is burned is quite harrowing.

There are plenty of laughs too. Flynn O'Flynn has all of Ben Rumson's comic characteristics. The big fight between Marvin and Moore is very funny. And then there's Roger Moore blacked up as an African porter - he's about as convincing as I would be - and I'm blond!

If you're a fan of Ripping Yarns, then this one is for you. If not, then I wouldn't bother.

I liked Shout at the Devil" it is a big, dumb, sill y movie that's impossible to dislike. It's so cheerfully corny, so willing to involve its heroes in every possible predicament, that after awhile we relax: This is the kind of movie they used to make, back when audiences were supposed to have the mentality of a 12-year-old. It's great to be 12 again. The movie involves the exploits of an Irish-American drunk and a proper Britisher who find themselves in German East Africa just before World War I. The boozer (Lee Marvin) has promised to bring a load of ivory out of the interior. He needs help to get it past the German occupying forces, led by a comic Teuton named Fleischer. So he arranges that the Englishman (played by Roger Moore,) will have his money and passport stolen. Since Moore has to stay in Africa, Marvin suggests, why don't they team up?