Agrega una trama en tu idiomaA police commissioner forms a secret motorized brigade in order to fight a dangerous terrorist who is depositing bombs throughout the city of Turin.A police commissioner forms a secret motorized brigade in order to fight a dangerous terrorist who is depositing bombs throughout the city of Turin.A police commissioner forms a secret motorized brigade in order to fight a dangerous terrorist who is depositing bombs throughout the city of Turin.
- Dirección
- Guionistas
- Elenco
Dino Emanuelli
- Gianni Luciano
- (as Bernardino Emanuelli)
- …
Umberto Amambrini
- Gangster
- (sin créditos)
Ugo Ballester
- Journalist
- (sin créditos)
Erminio Bianchi Fasani
- Policeman in Interrogation Room
- (sin créditos)
Opiniones destacadas
While not the shiniest star in the euro-crime lineup, this film features lots of tense thrills and the most impressive car stunts you'll see this side of William Friedkin.
Marcel Bozzuffi makes for an interesting hero, not having the classic good looks of, say, Franco Nero, Fabio Testi, or Maurizio Merli. He DOES however know how to carry an emotional performance, playing the role perfectly of a motivated police inspector pushed even further to the edge by the cold-blooded murder of his wife.
Bozzuffi imposes a pretty heavy carbon footprint with his 4-man squad of hotshot stuntman policemen on noxious motorcycles. One of them in particular gets to play dashing playboy and involve himself with TWO women of interest who just happen to have a connection to an ex-con (Antonio Marsina) they're trying to catch before he and Ivan Rassimov succeed in blowing up the city with non-nuclear suitcase bombs. Was this hotshot hero aware of these girls' proximity to villains or just fell into relationships with them as part of a heavily unlikely coincidence? The film doesn't really ever tell you, covering up its many plot holes and contrivances with stylish chase scenes, fist fights, a couple gun battles, explosions, and a surprise gore scene for when a poor criminal tries (unsuccessfully) to grab onto an escape car.
While genre fans may be disappointed to see so few of the regular stock of Euro-henchmen get whacked this time around, we do find solace in having Ivan Rassimov take up so much screen-time in his most demented role yet as a psychopathic anarchist out to collect a heavy ransom at all costs with no qualms about murdering anyone and everyone in his way or on his own side. He becomes so tied to his detonator murder- mobile (complete with ominous and catchy Stelvio Cipriani theme) that you'll never look at a French Citroen the same way again. Between him, Marsina, and a particularly icky-looking Franco Garofalo, the villains of this film all come off as particularly loathsome, giving the audience plenty to celebrate should they be bumped off.
Fans of motorcycle exhaust, dangerous crashes, colt .38 shooting, and hand-held shots of public bomb explosion aftermath will get a kick out of this movie. Dallamano took this genre seriously and thankfully avoids most of the idiocy inherent among other films of the Italian Motorcycle Cop subgenre. Also be sure to check out the spiritual successor to this film, STUNT SQUAD, which came the next year for more of the same. Unfortunately Dallamano didn't return to direct it... 'cuz he died.
Most notable for its very prescient casting of a pre-famous Grace Jones as a nightclub singer (singing a Stelvio Cipriani song no less, only to later pop up in NIGHTMARE CITY) and far worse dubbing than usual from the regular gang of English language voice actors you'll hear in Italian movies. I suppose it was more difficult to read and match actor lip-movements while they're behind reflective glass via projector in a 1970's Roman soundbooth than it is on an HD television in 2017, so Ted Rusoff and the gang get a bit of a pass from me on this one. His stellar voice performance for Bozzuffi on the English track more than makes up for it.
Marcel Bozzuffi makes for an interesting hero, not having the classic good looks of, say, Franco Nero, Fabio Testi, or Maurizio Merli. He DOES however know how to carry an emotional performance, playing the role perfectly of a motivated police inspector pushed even further to the edge by the cold-blooded murder of his wife.
Bozzuffi imposes a pretty heavy carbon footprint with his 4-man squad of hotshot stuntman policemen on noxious motorcycles. One of them in particular gets to play dashing playboy and involve himself with TWO women of interest who just happen to have a connection to an ex-con (Antonio Marsina) they're trying to catch before he and Ivan Rassimov succeed in blowing up the city with non-nuclear suitcase bombs. Was this hotshot hero aware of these girls' proximity to villains or just fell into relationships with them as part of a heavily unlikely coincidence? The film doesn't really ever tell you, covering up its many plot holes and contrivances with stylish chase scenes, fist fights, a couple gun battles, explosions, and a surprise gore scene for when a poor criminal tries (unsuccessfully) to grab onto an escape car.
While genre fans may be disappointed to see so few of the regular stock of Euro-henchmen get whacked this time around, we do find solace in having Ivan Rassimov take up so much screen-time in his most demented role yet as a psychopathic anarchist out to collect a heavy ransom at all costs with no qualms about murdering anyone and everyone in his way or on his own side. He becomes so tied to his detonator murder- mobile (complete with ominous and catchy Stelvio Cipriani theme) that you'll never look at a French Citroen the same way again. Between him, Marsina, and a particularly icky-looking Franco Garofalo, the villains of this film all come off as particularly loathsome, giving the audience plenty to celebrate should they be bumped off.
Fans of motorcycle exhaust, dangerous crashes, colt .38 shooting, and hand-held shots of public bomb explosion aftermath will get a kick out of this movie. Dallamano took this genre seriously and thankfully avoids most of the idiocy inherent among other films of the Italian Motorcycle Cop subgenre. Also be sure to check out the spiritual successor to this film, STUNT SQUAD, which came the next year for more of the same. Unfortunately Dallamano didn't return to direct it... 'cuz he died.
Most notable for its very prescient casting of a pre-famous Grace Jones as a nightclub singer (singing a Stelvio Cipriani song no less, only to later pop up in NIGHTMARE CITY) and far worse dubbing than usual from the regular gang of English language voice actors you'll hear in Italian movies. I suppose it was more difficult to read and match actor lip-movements while they're behind reflective glass via projector in a 1970's Roman soundbooth than it is on an HD television in 2017, so Ted Rusoff and the gang get a bit of a pass from me on this one. His stellar voice performance for Bozzuffi on the English track more than makes up for it.
QUELLI DELLA CALIBRO 38, or COLT 38 SPECIAL SQUAD, provides a superior specimen of the Italian polizioto of the 1970's, with French actor Marcel Bozzuffi as Inspector Vanni, whose wife is shot dead in his early teens son's presence, and is out to wreak revenge come what may. Director Massimo Dallamano seems uninterested in character development: for instance, you do not get to see Vanni's tearful son again, you have no idea whether Vanni handed him over to relatives or to an institution while he chases the culprits, notably crime kingpin Marsigliese, to their deaths.
Basically everyone is cannon fodder, regardless of whether you serve the law or the criminal forces. In between, Vanni is ordered to stay off the hunt, and to go on leave, but he could not give a flip about the boss and his orders - Vanni is obsessive about payback!
Certainly, the viewer does get to watch action pretty much nonstop. Whatever dialogue you hear is quick, often under bated breaths, and the pace is frenetic, with chases in cars and on foot aplenty.
Typical washed out color and basic 1970s cinematography by to me unknown Gabor Pogani, effective editing by Antonio Siciliano, and fitting score by Stelvio Cipriani.
The script could have taken COLT 38 to greater heights with closer attention to character development, cause and effect logic... but it ain't no waste of time! 7/10.
Basically everyone is cannon fodder, regardless of whether you serve the law or the criminal forces. In between, Vanni is ordered to stay off the hunt, and to go on leave, but he could not give a flip about the boss and his orders - Vanni is obsessive about payback!
Certainly, the viewer does get to watch action pretty much nonstop. Whatever dialogue you hear is quick, often under bated breaths, and the pace is frenetic, with chases in cars and on foot aplenty.
Typical washed out color and basic 1970s cinematography by to me unknown Gabor Pogani, effective editing by Antonio Siciliano, and fitting score by Stelvio Cipriani.
The script could have taken COLT 38 to greater heights with closer attention to character development, cause and effect logic... but it ain't no waste of time! 7/10.
Colt 38 Special Squad does pretty much everything you would want an Italian crime flick to do - and it does it in style! Like many of the best Polizi flicks, this one takes most of it's influence from Don Siegel's masterpiece Dirty Harry, with the weapon used by Clint Eastwood's disgruntled copper obviously being the main point of interest. As is the case with many of these films, the rising crime in Italy takes centre stage, and the plot is based on the police's attempts to halt the crime through an innovative new means. Hard bitten police captain, Capitan Vanni, is fed up of the way that his city is being run by criminals - "The Black Angel" in particular, whom Vannia has an old feud with. So, he gets clearance from his superiors to set up a 'special squad' - a team made up of four of the police's best shooters, all armed with Colt .38's for maximum impact on organised crime! But the stakes are raised when The Black Angel steals some dynamite, and starts putting his time to good use by blowing up various things within the city...
The film is directed by Massimo Dallamano, who is of course, most famous for his 'Schoolgirls in Peril' trilogy. Dallamano does another excellent job here, as he manages to keep up the fast pace throughout and the film is never boring for a second. The characters are surprisingly easy to get on with, and for an Italian crime flick; it's all rather believable too, which is a bonus. French actor Marcel Bozzuffi takes the lead role and does an excellent job with it. While he is clearly meant to come off a bit like Clint Eastwood in Dirty Harry, Bozzuffi makes the role his own and gives himself sufficient distance from the classic Eastwood character to ensure that he's not just an imitation. The great Ivan Rassimov co-stars and gives another convincing bad guy performance. The Black Angel is surely one of his most interesting roles, and fans of Rassimov won't want to miss this! It all boils down to an invigorating and worthwhile conclusion that does the film justice. Overall, Colt .38 Special Squad is certainly at the top of the Polizi genre and comes highly recommended!
The film is directed by Massimo Dallamano, who is of course, most famous for his 'Schoolgirls in Peril' trilogy. Dallamano does another excellent job here, as he manages to keep up the fast pace throughout and the film is never boring for a second. The characters are surprisingly easy to get on with, and for an Italian crime flick; it's all rather believable too, which is a bonus. French actor Marcel Bozzuffi takes the lead role and does an excellent job with it. While he is clearly meant to come off a bit like Clint Eastwood in Dirty Harry, Bozzuffi makes the role his own and gives himself sufficient distance from the classic Eastwood character to ensure that he's not just an imitation. The great Ivan Rassimov co-stars and gives another convincing bad guy performance. The Black Angel is surely one of his most interesting roles, and fans of Rassimov won't want to miss this! It all boils down to an invigorating and worthwhile conclusion that does the film justice. Overall, Colt .38 Special Squad is certainly at the top of the Polizi genre and comes highly recommended!
COLT 38 SPECIAL SQUAD is a typical example of the Italian polizia flick, so if you're wondering what a Dirty Harry-inspired police film from the '70s looks like, then look no further than this. It's a film which exemplifies the best of a genre that's still hidden from most film fans today, who are missing out on the delights of Maurizio Merli and his contemporaries beating the hell out of criminal scum.
Although this film doesn't boast any roles for big Hollywood names or familiar genre fans, it proves to be distinctly above average. That's because it tells a complex, action-packed story at speed, never slowing down for a second. There are robberies, kidnappings, assassinations, terrorism and even a bombing campaign, all delivered in a typically gutsy, as-it-is kind of way, free of sentimentality, the focus on the realism. Massimo Dallamano's camera never sits still for a second in depicting a kinetic struggle between criminals and the police.
The essential story involves Marcel Bozzuffi (THE FRENCH CONNECTION) playing a tough Inspector with a personal vendetta against a criminal gang. He sets up a special squad, all armed with powerful handguns and motorbikes, to track down and take out the criminals, but of course it doesn't go according to plan. Although the way, the haunted Carole Andre gets caught between cops and bad guys, and Ivan Rassimov once again tackles the role of criminal mastermind. It goes without saying that the various action bits – shoot-outs, car chases, you name it – are second to none and miles ahead of most of what Hollywood churns out today.
Although this film doesn't boast any roles for big Hollywood names or familiar genre fans, it proves to be distinctly above average. That's because it tells a complex, action-packed story at speed, never slowing down for a second. There are robberies, kidnappings, assassinations, terrorism and even a bombing campaign, all delivered in a typically gutsy, as-it-is kind of way, free of sentimentality, the focus on the realism. Massimo Dallamano's camera never sits still for a second in depicting a kinetic struggle between criminals and the police.
The essential story involves Marcel Bozzuffi (THE FRENCH CONNECTION) playing a tough Inspector with a personal vendetta against a criminal gang. He sets up a special squad, all armed with powerful handguns and motorbikes, to track down and take out the criminals, but of course it doesn't go according to plan. Although the way, the haunted Carole Andre gets caught between cops and bad guys, and Ivan Rassimov once again tackles the role of criminal mastermind. It goes without saying that the various action bits – shoot-outs, car chases, you name it – are second to none and miles ahead of most of what Hollywood churns out today.
Captain Vanni(Marcel Bozzuffi)kills the brother of the vicious crime boss Marsiglese a.k.a. Black Angel(Ivan Rassimov)during warehouse shoot-out.Angry Marsiglese murders Vanni's wife in front of their kid.After the funeral his superiors decide to create special team of four motorcycle riding cops with Colt 38 pistols.Marsiglese returns to Torino with a gruesome plan which involves explosives hidden in suitcases plus plenty of ordinary people killed during detonations in public places.Very violent and exciting Italian polizioteschi flick with fantastic car/motorcycle chase sequences and some spectacular explosions.The acting by Marcel Bozzuffi and Ivan Rassimov is great as is the score of Stelvio Cipriani.8 Colt 38 pistols out of 10.
¿Sabías que…?
- Errores(around 13 min.) When the gang members speed away from the bank amid a crowd of spectators and police, a male hostage is let go. He disappears in the wide shot.
- ConexionesFeatured in Ultimate Poliziotteschi Trailer Shoot-Out (2017)
- Bandas sonorasI Still Get the Blues
Written by Hal Shaper and Stelvio Cipriani
Composed by Stelvio Cipriani
Performed by Grace Jones
Published by Cinevox Record
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- How long is Colt 38 Special Squad?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Colt 38 Special Squad
- Locaciones de filmación
- Turín, Italia(location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 43 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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