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Mikey and Nicky

  • 1976
  • R
  • 1h 46min
CALIFICACIÓN DE IMDb
7.3/10
8.4 k
TU CALIFICACIÓN
Peter Falk and John Cassavetes in Mikey and Nicky (1976)
Ver Official Trailer
Reproducir trailer1:39
1 video
90 fotos
TragedyCrimeDramaThriller

Nicky huye de la mafia y pide ayuda a su viejo amigo Mikey.Nicky huye de la mafia y pide ayuda a su viejo amigo Mikey.Nicky huye de la mafia y pide ayuda a su viejo amigo Mikey.

  • Dirección
    • Elaine May
  • Guionista
    • Elaine May
  • Elenco
    • Rose Arrick
    • Carol Grace
    • William Hickey
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    8.4 k
    TU CALIFICACIÓN
    • Dirección
      • Elaine May
    • Guionista
      • Elaine May
    • Elenco
      • Rose Arrick
      • Carol Grace
      • William Hickey
    • 72Opiniones de los usuarios
    • 51Opiniones de los críticos
    • 81Metascore
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:39
    Official Trailer

    Fotos90

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    Elenco principal22

    Editar
    Rose Arrick
    • Annie
    Carol Grace
    Carol Grace
    • Nellie
    William Hickey
    William Hickey
    • Sid Fine
    Sanford Meisner
    Sanford Meisner
    • Dave Resnick
    Joyce Van Patten
    Joyce Van Patten
    • Jan
    M. Emmet Walsh
    M. Emmet Walsh
    • Bus Driver
    Peter Falk
    Peter Falk
    • Mikey
    John Cassavetes
    John Cassavetes
    • Nicky (Nick Godalin)
    Ned Beatty
    Ned Beatty
    • Kinney
    Sy Travers
    • Hotel Clerk
    Peter R. Scoppa
    Peter R. Scoppa
    • Counter Man
    • (as Peter Scopia)
    Virginia Smith
    • Jan's Mother
    Jean Shevlin
    Jean Shevlin
    • Lady on Bus
    Danny Klein
    • Harry
    Martin Wolfson
    Martin Wolfson
    • Candy Store Man
    Eugene Hobgood
    Eugene Hobgood
    • Mel
    David Pendleton
    David Pendleton
    • Bar Patron
    Will Gill Jr.
    • Bartender
    • (as William Gill)
    • Dirección
      • Elaine May
    • Guionista
      • Elaine May
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios72

    7.38.4K
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    Opiniones destacadas

    7athanasiosze

    7.4/10. Recommended but..

    This is a typical Cassavetes/Falk movie disguised as a crime/drama. Of course, anyone who believed this is something like COLLATERAL or a Scorsese gangster movie, is gonna be disappointed. The crime element and plot (Someone is after Cassavetes' character) is only a "MacGuffin" for Peter and John. The whole movie is about these two friends, they constantly argue/fight/talk and of course, there is a lot of improvisation here if i am not mistaken. This is a similar movie to HUSBANDS (1970), HUSBANDS is a superior movie though.

    Only for a specific audience. For me, this is a very good movie but it's just my personal taste. Many people won't like it. These are unlikeable characters, i mean, Cassavetes' character seems almost unredeemable and Falk character did something that can't be excused. Furthermore, it seems reasonable to me for a moviegoer to not find anything interesting here. But if you are looking for something different, something real/raw/honest and you haven't heard of Cassavetes, maybe you will like it too.
    a1_andy_11

    Good acting, let down by poor pacing.

    Cassavetes and Falk are excellent in this film. Unfortunately the film is let down by poor pacing, and poor production.

    Each scene is drawn out just that little bit too long. By the time we hit the 2nd act I was finding it hard to keep focused. It felt like the director was trying to string out a short into a feature. It's a pity because both leads gave excellent performances'. Cassavetes's character was getting incredibly annoying. I was rooting for him to get whacked after 45 minutes.

    I don't using complain about production value of 70's films. It was a LOT tougher back then. Mickey & Nicky had a sizeable budget though, and it looked terrible.

    There are much better Cassavetes films, such as "Gloria" & "The Killing of a Chinese Bookie".
    8Felonious-Punk

    This movie makes me want to fight for its respect!

    People give respect to give respect to Scorsese's "Casino", to "Taxi Driver", to "Mean Streets", they give respect to "The Godfather" and a whole slew of gritty organized crime movies. But I've never heard a single mention of this movie. Thankfully, people have been coming slowly around to Cassavetes-directed movies, but seldom, if ever, have I heard anyone compliment this movie for which Cassavetes is only credited for his acting. The silence regarding this movie is ridiculous, because of how great this movie is. It's so pure, it's so rough, it makes "Mean Streets" look big budget. The director, the comic-timing pro Elaine May, is a genius to let the actors do their thing, because they are legendary actors and to get too involved would ruin the chemistry. I think it's wise to go into this movie without knowing too much except maybe the names of the two leads and the director, and that the whole production is amazing without being perfect.
    dutra-2

    Unsung Classic

    Elaine May gives us a real portrait of friendship that hacks like Tarantino and LaBute could only dream of making. She doesn't get hung up on the hipness or the coolness of her characters. Mikey and Nicky are people she forces us to care about. They are reflections of ourselves, even if we have never been wanted by the mob. Elaine May gives us reasons to relate to and to sympathize with Mikey and Nicky, but she also shows us reasons to feel out and out disgust for them. Our decisions and emotions are not simple and our view of this characters cannot be one-sided. No one wears white. No one wears black. There is no right, no wrong. It's not about witty dialogue and unique and jaded perspectives on life. This film is life and it's not pretty and easy to swallow, but it is honest.
    5jellopuke

    Not the lost classic some say

    Mikey and Nicky, two small time mob guys wander around town while a hitman chases Nicky (sort of). They bicker and yabber endlessly the whole time.

    I'd wanted to see this for a long time. It's called some kind of misunderstood classic, lost work of genius, etc. I'm sad to say it's not. There's not really enough here for the running time and what is here is barely interesting. Lots of talking and improvising (despite what May says, I don't buy that this wasn't, in parts, largely improvised. There are too many nonsensical bits to be anything other than spur of the moment choices). Also, it's shockingly poorly edited, with loads of continuity errors, off camera dialogue to on camera closed mouths, poorly framed shots, out of focus inserts, freeze frames on details they forgot to cover, and even reused reactions. It's obvious that there was way too much film shot, no focus, and bad construction.

    This is not some fabled hidden gem, but it's not a total waste. There are a couple of okay scenes and the bookend shots work nicely. Solid Meh.

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    Mikey and Nicky - Collaborators
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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Elaine May shot 1,400,000 feet of film for the production. A two-hour feature is just under 11,000 feet. This was nearly three times the amount of film that was shot for Lo que el viento se llevó (1939).
    • Errores
      In the hotel room when Nicky is on the bed moving, a crew member can be seen reflected in the mirror in a crouching position.
    • Citas

      Mikey: [they have just climbed over the wall of a cemetery] I'm exhausted really, Nick. This is foolish. Nick, please. It's just foolish.

      Nicky: Foolish?

      Mikey: Frankly, I think it's ridiculous.

      Nicky: You didn't like my mother?

      Mikey: I loved your mother. I thought she was a wonderful woman.

      Nicky: Why is it ridiculous to visit her grave?

      Mikey: Because it's one o'clock in the morning.

      Nicky: That makes it nicer.

      Mikey: It doesn't make it anything, Nick. A grave is a grave. There's not a religion in the world that says a person's soul is buried with them in their grave. It's not your mother in there.

      Nicky: You don't believe in any of that stuff?

      Mikey: No.

      Nicky: You don't believe there's anything after you die?

      Mikey: Er, me personally, no. I believe you die and that's it.

      Nicky: That doesn't scare you? To think that one day'll you die. You'll be over. You won't be anything, you won't know anything. Be nothing.

      Mikey: Look, Nick, if you wanna visit your mother, let's visit your mother because this conversation is stupid.

      Nicky: It isn't stupid. It's interesting - if you're gonna die.

      Mikey: Well, I'm not gonna die so I think it's stupid.

      Nicky: Yeah, well you are some day.

      Mikey: Look, Nick...

      Nicky: You're gonna die some day.

      Mikey: I'm not gonna stand here at one o'clock in the morning and discuss what's gonna happen to me when I die. I mean, that mishegoss I leave to the Catholics.

      [he walks off]

      Nicky: Aren't you gonna die some day? Aren't you gonna die some day? Aren't you gonna die some day? I just wanna know, are you gonna die some day?

    • Conexiones
      Featured in The Making of Mikey and Nicky (2004)
    • Bandas sonoras
      Good Times Bad Times
      Words and Music by John Strauss

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    • How long is Mikey and Nicky?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de diciembre de 1976 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official site
    • Idiomas
      • Inglés
      • Hebreo
    • También se conoce como
      • Mikey und Nicky
    • Locaciones de filmación
      • Filadelfia, Pensilvania, Estados Unidos(the Essex Hotel at 13th and Filbert Streets depicting the film's Hotel Royale)
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 4,300,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 46 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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