Maratón de la muerte

I have always found this to be a very entertaining, involving, taut suspense movie with some very dramatic scenes. I've seen in three times and liked it better each time, particularly since it's been available on DVD which enhanced the sound from mono to stereo, and the 1.85:1 widescreen enhancing the cinematography.

I didn't find the infamous (this was quite a buzz when the film came out) dentist scene to be as terrifying as it was made up to be and the references to the McCarthy hearings are a bit annoying and typical of Hollywood director John Scheslinger. It's also a typical modern-day film in which the U.S government's police agencies are corrupt (oh, puhleeze, filmmakers - think of something new).

However, despite those negatives, the film is fascinating with no dry spots despite its two-hour length. There is a nice variety of action scenes and very interesting characters. Marthe Keller never looked better. Too bad she didn't make more movies in the U.S. Dustin Hoffman, as he did so well in the '70s, keeps your attention and Laurence Olivier is absolutely riveting. This is a terrific thriller, start to finish.

Marathon Man starts off rather slowly, and for the first hour at least, it feels as if you're watching a human drama rather than a thriller. However, unlike a lot of thrillers; Marathon Man uses this time to create characters and establish the situation, which ultimately pays off later on in the film when the movie really gets going. When the film does step on the gas, it is as thrilling as any thriller you will ever see; Dustin Hoffman is subjected to all sorts of things, most notably an excruciating torture sequence. This scene is powerful and painful on it's own, but it is made more so by the fact that we have already gotten to know the character and therefore we feel sympathy for him, as well as cringing at the images we see on screen. That scene alone is enough to propel the movie in the realms of greatness, as it is simply one of the most powerful that cinema has ever given us; but this movie is a hell of a lot more than just a torture sequence.

The plot revolves around a car crash that takes place in downtown New York. One of the men in this crash is the brother of the infamous Nazi war criminal, Szell, who has some diamonds hidden in a safety deposit box. From then on, many members of a US defence organisation, known as "The Division", begin turning up dead and soon after, Thomas Levy, a college student, obsessive runner and the brother of one of The Division's members, becomes embroiled in the plot. It is easy to see the parallels between the plot movie and World War 2, from the withered ex-Nazi (indicative of the state of the actual regime), to his enemies being American; the movie has world war 2 written all over it. The film is excellently directed throughout by John Schlesinger. Schlesinger, probably best known for "Midnight Cowboy" does a fantastic job of keeping the audience on the edge of their seat for the duration of the movie. A constant foreboding feel is created, and you're never truly sure of what will happen. This is exactly what you want in a thriller, as nobody likes it when they can predict what will happen next.

Dustin Hoffman takes the lead role of Thomas Levy. Dustin Hoffman is a fantastic actor, and he certainly gets to flex his acting muscles here, in a film which sees him go through all manner of unpleasant scenes and also hold up lots of relationships with various characters, as well as drawing sympathy from the audience to accent his situation. Roy Scheider (of Jaws fame) stars opposite Dustin Hoffman in the movie. Scheider doesn't get a great deal of screentime in the film, but he still manages to do good things with the time he does have. The third lead role, that of the Nazi war criminal, is taken by Lawrence Olivier, who is also a fantastic actor and gives a great performance in this film. He gives his character just the right atmosphere, and we can tell just by looking at the man that he is cold and uncaring, and also past it; which is the crux of his character.

The film ends with a spectacular sequence, which sees the movie and the two centrals characters come to a satisfying conclusion. The characters are the central theme in this movie, and had the movie have ended differently it could have unravelled everything that it had created, but the movie's end is absolutely perfect and does the entire movie justice. A brilliant piece of cinema.

THRILLER

Marathon runner and grad student Thomas "Babe" Levy (Dustin Hoffman) unknowingly crosses paths with Nazi (Lawrence Olivier) attempting to disguise himself as a regular citizen posing as a dentist, for the intention of retrieving some jewels. It was quite an effective chiller during it's time, from director John Schilsinger, especially the well-known drilling of the teeth scene that can be painful to even watch. Dentists were not too popular after the film's release this is part of the reason why. Roy Schneider also stars as Dustin Hoffman's brother Doc Levy as a government agent. Acting veteran received another Best Oscar nomination for this role. The second of 2 movies director John Schlesinger made with actor Dustin Hoffman.

Schlesinger made a great action-suspense film and married it to the artistry of unique talents… Hoffman was, by then, a dynamic, young and incredibly versatile film actor with three Academy Award nominations already under his belt for "The Graduate," "Midnight Cowboy," and "Lenny."

But the key to "Marathon Man" was the chemistry between its stars… Perhaps one of the most gut-wrenching and most memorable scenes in the film comes when Hoffman is captured and tortured by Olivier who plays the role of a mean and vicious and sadistic Nazi war criminal, Christian Szell… Olivier's performance resulted in a 1976 Academy Award nomination as Best Supporting Actor…

In 1945, Szell ran the experimental camp at Auschwitz where they called him the White Angel… He was a dentist and could provide escape for any Jew who was willing to pay the price… He started out with gold, naturally, but very quickly worked his way up to diamonds…

As Szell saw the end early, he sneaked his brother into America with the diamonds… And they were right here, in New York, in a safe deposit-box until Szell's brother got killed in a head-on collision with an oil truck…

Uniquely built, and with a marvelous, rugged face, Roy Scheider, well known for his strong performances in "The French Connection," "Klute," and "Jaws," came on board as Hoffman's mysterious businessman brother, getting the rare chance to play a character that's both hero and villain… Doc is a fascinating guy because he chooses to work out his problems in a much different way than Dustin's character does… He was very touched and very moved by his father's death, but he abandoned all his hopes for whatever he intended to do and he became a spy, a killer, a very jaded personality…

In doing something truly suspenseful, Schlesinger accomplished a film that's largely about fear and it's about pain and the infliction of pain because of fear… The thrilling sensation of great expectations came on the 47th Street in the diamond district in New York, where Schlesinger gets the best of it

My alternate title for this one is "Nebbish vs. the Nazis". I've seen it 4 times and it's as scary each time. You can put aside all his 40's and 50's Shakespeare stuff--Laurence Olivier has never been better than in this movie. His portrayal of the monstrously cold-blooded Dr. Szell is truly blood curdling--in every scene he's in he's absolutely mesmerizing. (A welcome treat after his pitiful performance in "Bunny Lake is Missing.") Dustin Hoffman is the perfect foil as the naive and 'nebbishy' graduate student who inadvertantly gets embroiled in it all. He's as good in this as he's ever been. These two together in this film is acting at its very best. Solid supports from Roy Scheider and William Devane fill this out nicely. Notice that virtually no special effects were needed--They just don't make action thrilers like they used to.