Un extraterrestre debe hacerse pasar por ser humano para salvar su planeta moribundo, pero una mujer y la codicia de otros hombres se lo pondrán difícil.Un extraterrestre debe hacerse pasar por ser humano para salvar su planeta moribundo, pero una mujer y la codicia de otros hombres se lo pondrán difícil.Un extraterrestre debe hacerse pasar por ser humano para salvar su planeta moribundo, pero una mujer y la codicia de otros hombres se lo pondrán difícil.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 4 nominaciones en total
Jim Lovell
- Capt. James Lovell, Commander of Apollo 13
- (as Capt. James Lovell)
Dort Clark
- Waiter
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Maybe Starman David Bowie was born to play the title role in The Man Who Fell To Earth, an avant-garde disjointed sci fi film from director Nicolas Roeg.
Thomas Jerome Newton (David Bowie) is an alien who lands in New Mexico with some precious rings, a British passport and some rudimentary knowledge of patents. He needs to make money so he can build a rocket ship that can transport water to his dying planet.
Newton quickly makes money through his advanced business patents, he recruits a chief scientist (Rip Torn) who discovers that he is not what he appears to be and falls in love with hotel maid (Candy Clark) who also introduces him to the delights of gin & tonic.
The government intelligence service and rival businesses decide to look closely into his activities. They throw his patent lawyer and business associate (Buck Henry) out of the window and then hold Newton captive in a hotel plying him with gin.
The film plays with time as years go by and other characters age. We have flashbacks of Newton in his home planet with his family. The most memorable scenes is that of an alien with a British passport and the famous scene of Clark urinating her underwear when Newton reveals himself as an alien.
The film has a cult following but it is not a great film. It is too trippy and unstructured leading you to ask more questions than get any answers from it. Still I cannot think of anyone else who could had played the title role in that era and Bowie goes for it full frontal.
However the combination of Bowie and Roeg makes this a landmark science fiction film of the 1970s just as worthy as Close Encounters of the Third Kind.
Thomas Jerome Newton (David Bowie) is an alien who lands in New Mexico with some precious rings, a British passport and some rudimentary knowledge of patents. He needs to make money so he can build a rocket ship that can transport water to his dying planet.
Newton quickly makes money through his advanced business patents, he recruits a chief scientist (Rip Torn) who discovers that he is not what he appears to be and falls in love with hotel maid (Candy Clark) who also introduces him to the delights of gin & tonic.
The government intelligence service and rival businesses decide to look closely into his activities. They throw his patent lawyer and business associate (Buck Henry) out of the window and then hold Newton captive in a hotel plying him with gin.
The film plays with time as years go by and other characters age. We have flashbacks of Newton in his home planet with his family. The most memorable scenes is that of an alien with a British passport and the famous scene of Clark urinating her underwear when Newton reveals himself as an alien.
The film has a cult following but it is not a great film. It is too trippy and unstructured leading you to ask more questions than get any answers from it. Still I cannot think of anyone else who could had played the title role in that era and Bowie goes for it full frontal.
However the combination of Bowie and Roeg makes this a landmark science fiction film of the 1970s just as worthy as Close Encounters of the Third Kind.
This movie is definitely one of my favourites. First off, the acting is wonderful. David Bowie is awesome, I could not have imagined a better choice of actor. He plays his role to perfection and with just the right emotion. Candy Clark is also incredible in her role. Then comes the plot itself. Sure the plot is a little hard to follow but it is so brilliantly rendered and the cinematography is perfect. A very strong atmosphere and mood is created and the whole thing all together is just mind-blowing. Very original. Very artistic. Go see it if you haven't already.
I would also like to add that this cult science fiction film is however not for everyone. The way it was created and the way the scenes are shot resembles an experimental film. The style is also out of the ordinary and the plot may seem to be a little strange and confusing to some. Most people either love it or hate it.
I would also like to add that this cult science fiction film is however not for everyone. The way it was created and the way the scenes are shot resembles an experimental film. The style is also out of the ordinary and the plot may seem to be a little strange and confusing to some. Most people either love it or hate it.
Several things about this film make it worth watching... beginning with the premise that Earth's abundant water is what makes it rare in the galaxy.
But more intriguing is how the alien visitor, landing with absolutely nothing but the clothes on his back and a gold wedding ring, and knowing absolutely nothing about Earth culture, "gets up to speed" with astonishing, ruthless, clear-sighted rapidity...within days raising the $10,000 he offers a patent attorney for one hour of the latter's time. In that hour, Bowie's character outlines three basic patents -- including two which we can recognize today as digital cameras and music.
A particularly fascinating scene has our newly rich and already bored alien watching about 20 TV sets at once, while holding a small, battery-powered propeller. Repeated viewings will reveal that the disparate programs (presumably actual images of television shows) occasionally "come together" to form coherent messages... at which time our hero spins the propeller.
But more intriguing is how the alien visitor, landing with absolutely nothing but the clothes on his back and a gold wedding ring, and knowing absolutely nothing about Earth culture, "gets up to speed" with astonishing, ruthless, clear-sighted rapidity...within days raising the $10,000 he offers a patent attorney for one hour of the latter's time. In that hour, Bowie's character outlines three basic patents -- including two which we can recognize today as digital cameras and music.
A particularly fascinating scene has our newly rich and already bored alien watching about 20 TV sets at once, while holding a small, battery-powered propeller. Repeated viewings will reveal that the disparate programs (presumably actual images of television shows) occasionally "come together" to form coherent messages... at which time our hero spins the propeller.
so, it seems to me there have been a lot of negative reviews. they break down into two categories: 1) those that say its got "too much sex". blah. grow up. 2) those who say "it's a mess". okay...we can work with that.
this really isnt a plot-based scifi like Star Wars. its not about linear events with obvious cause-and-effects, good guys and bad. its part scifi, part art film, and part trippy 70s movie. these movies dont speak with dialogue, they speak with images, and with mood (ie, "How does this sequence make you feel?" warm? uncomfortable? etc) thats just what this movie is. if you dont like these types of movies--movies in which you may have to do some interpretation--you wont like this one either. simple. its not Star Wars, people...Lucas isnt here to hold your hand.
for instance, one of the "gratuitous" sex scenes near the end, after Mary Lou has aged, was not gratuitous but in fact grotesque. it made me uncomfortable. which i am certain is exactly what it was supposed to do--to show me what a sham Newton's relationship with Mary Lou had become. it had become merely a drunken-memory, for them both... and their sex-scene-revisited depicted that, perfectly.
the whole movie is like that, speaking in general feelings and mood rather than black-and-white dialogue. and its more powerful because of it.
so...put it in perspective as you critic it. dont like romantic comedies? then youre not gonna like the latest Hugh Grant film. but that doesnt mean it isnt good. capese? (btw, i think hugh grant movies suck).
this really isnt a plot-based scifi like Star Wars. its not about linear events with obvious cause-and-effects, good guys and bad. its part scifi, part art film, and part trippy 70s movie. these movies dont speak with dialogue, they speak with images, and with mood (ie, "How does this sequence make you feel?" warm? uncomfortable? etc) thats just what this movie is. if you dont like these types of movies--movies in which you may have to do some interpretation--you wont like this one either. simple. its not Star Wars, people...Lucas isnt here to hold your hand.
for instance, one of the "gratuitous" sex scenes near the end, after Mary Lou has aged, was not gratuitous but in fact grotesque. it made me uncomfortable. which i am certain is exactly what it was supposed to do--to show me what a sham Newton's relationship with Mary Lou had become. it had become merely a drunken-memory, for them both... and their sex-scene-revisited depicted that, perfectly.
the whole movie is like that, speaking in general feelings and mood rather than black-and-white dialogue. and its more powerful because of it.
so...put it in perspective as you critic it. dont like romantic comedies? then youre not gonna like the latest Hugh Grant film. but that doesnt mean it isnt good. capese? (btw, i think hugh grant movies suck).
Nicholas Roeg is a maverick filmmaker and The man who fell to Earth is one of the many reasons why. Bowie is an alien who lands on earth in search of water. This was the legendary singer's first starring role and he more than owns the role of a strange human trying to mix with humans. The surreal imagery by noted director Nicholas Roeg is a highlight and although the film wasn't a big hit either critically or commercially back when it was released, it has a huge following today. If you are a fan of science fiction you should check this out. 7/10 (Surreal galore in this sci-fi).
¿Sabías que…?
- TriviaThe picture was temporarily scored with music from Pink Floyd's album "The Dark Side of the Moon".
- ErroresWhen Mary-Lou takes Thomas to the hotel's fifth floor in the elevator instead of allowing him to use the stairs, she says, "It's five flights." This would be correct in the UK, but not in America; from the ground floor to the fifth floor of an American building is four flights.
- Citas
Thomas Jerome Newton: Ask me...
Nathan Bryce: What?
Thomas Jerome Newton: The question you've been wanting to ask ever since we met.
Nathan Bryce: Are you Lithuanian?
Thomas Jerome Newton: [grins] I come from England.
Nathan Bryce: Ah, that's not so terrible.
- Versiones alternativasThe US theatrical release of the film was drastically altered. Not only were 20 minutes cut (including the gun sequence) but some scenes were rearranged and a few scenes had different camera angles.
- ConexionesEdited into We are the Robots (2010)
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- How long is The Man Who Fell to Earth?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Man Who Fell to Earth
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 100,072
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,922
- 26 jun 2011
- Total a nivel mundial
- USD 167,072
- Tiempo de ejecución2 horas 19 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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