Yo, Viernes

I have not seen this in a long while, and it has not been released on VHS or DVD, but I remember it as in intelligent spoof of Robinson Crusoe. It is the same old story we all know, but it is told from the perspective of Friday, who, if I recall correctly, narrates the tale like a hip soul brother from the 1970's replete with a Jamaican accent.

"Broter, lemme tell ya, iss da story o dis dumb wite mon, who doan know his ahs from a coconut grove."

That's not exactly what he said, but it is the gist of how things are told. Friday, Richard Roundtree, who had just finished three movies and one television series as Shaft, is a wealth of oneupsmanship over the not too bright Crusoe, played superbly by Peter O'Toole.

This is a must watch and a keeper. Write ABC Entertainment. Tell them to get it out on DVD. I think that one of the problems with this film is that AVCO Embassy Pictures, which produced it with ABC, went out of business years ago.

A choice film.

I missed the start of this film on tv but managed to tune in to the story's events which appear to carry a strong social message based on prevalent ideas, prejudices and conflicts among people. It brings to mind the movie, Hawaii, in which the white man's ways and beliefs were supposed to transform the local inhabitants but as it turned out, the well-meaning visitors had much to learn from the island people's customs and beliefs. In a way it's a lesson for us all that we should respect cultural differences, customs and values. As the saying goes, There are many roads that lead to Rome. The episode of trying to spread their inventive wings and fly was great fun to watch and O'Toole's furry feet were a hilarious footnote to the scene. I regret some of the violence enacted but then those days were not always pleasant times. A happier ending would have been nice. On the other hand this film makes you stop and think. One can observe the conflict of intellect versus soul wisdom being played out. It's a film well worth seeing.

Absent the Pandemic, this turns into a brilliant parody of post-George Floyd America and Anarcho-Capitalism. Meant to see it at age 32 and accidentally found it on YouTube, age 82. Yea, O'Toole's slightly hammy but not gratingly. I knew of Richard Roundtree only as the Blaxpolitation-era SHAFT.

Crusoe explaining money and wages to Friday might have been lifted from a Democratic Socialists of America introduction to Karl Marx's theory of indentured labor. The Hang Glider scene doesn't work and didn't then but otherwise MAN FRIDAY has aged itself into front page 2020 relevance.

Robinson Crusoe is an extremely important work of literature, being one of the very earliest novels ever written in the accepted "novel" form. However, it is also extraordinarily racist. To understand its racism, one has to consider the attitudes that prevailed at the time when the book was published. Were it written nowadays, it would probably be banned. Within its historical context, though, it is rightly hailed as a classic. The makers of this film have realised that there is a strong case to revise this essentially racist book, and have made encouragingly open-minded and thoughtful attempts to re-do the story for a multi-cultural audience.

Man Friday is a reasonably engrossing story of how Crusoe, shipwrecked for years on a barren desert island, befriends a savage and names him "Friday". As time goes by, Crusoe attempts to change Friday into a good, decent Christian, but is shown to be more irrational and ignorant than the supposed savage. In the end, Friday proves himself to have a far more wise, perceptive and knowledgable personality than Crusoe.

The film is hindered by a few mis-judgements. There was no need for the handful of songs that have somehow made it into the script. If those misplaced bouts of singing were removed, the end product would doubtless have been better. Also, the pacing is a bit erratic, and much time seems to be meaninglessly wasted over the course of the 115 minute duration. The point could've been made efficiently in 90 minutes, and audiences might have felt the moral of the story more sharply. However, all in all, this is a worthy film, well acted and thought-provoking throughout, and significant for its recognition that the source material needed to be revised.

This half-baked version of the brilliant novel "Robinson Crusoe," is ruined by shoddy production values, poor plotting and woeful dialogue. Peter O' Toole - one of the greatest actors of his generation - should have been offered a better film than "Man Friday." Richard Roundtree (a flash in the pan) was making poor film after poor film. There may be some good photography but that can only compensate for so much.