Jackson County Jail

Fundamentally "Jackson County Jail" has all the makings of a crass exploitation picture but is, in fact, a hard-hitting pro-feminist expose of American mores. It also gives that fine and underrated actress Yvette Mimieux one of her best roles as a young businesswoman whose drive across America turns into a nightmare that begins when her car is hi-jacked and goes all the way downhill from there to rape and murder. Of course, whether the audiences of the day caught the film's underlying message or just enjoyed the blatant sex and violence is a different matter but it has certainly built up something of a cult reputation and is well worth seeing.

Yvette Mimieux is a tough, terrific actress, and she cuts an assertive and sexy presence on the screen (especially in these post-"Time Machine" years); however, this mangy Roger Corman production doesn't do much for her or anyone else. Woman traveling alone is unjustly incarcerated while driving cross-country; she escapes jail with help from a convict (Tommy Lee Jones), but the crooked police are not far behind. Though it eventually caught-on with early cable-TV audiences, "Jackson County Jail" is hardly more than a slapdash effort, an exploitation item not designed to empower women but to give drive-in audiences a thrill at seeing one abused. The pretentious finale aside, the picture doesn't even have the good sense to play up its redneck clichés or have fun with the jailhouse formula; instead, director Michael Miller and screenwriter Donald Stewart take things far too seriously, culminating in one ridiculous scene after another. * from ****

I thought the film was good with fine acting coming from the stars : Yvette Mimieux and Tommy Lee Jones. Jones is in his first major movie of his career and performed well. The jail house rape of Yvette is very graphic and I doubt if any other movie will show such a powerful scene unless you see "Two Women" again where the Italian Star is similarly abused.Perhaps the scenes showing Jones in a gun battle with the local police was not too realistic as it might have been but overall I believe the story rang fairly true to life and regret that it had to be placed in the area that presented the law as having such men who would take advantage of a good looking blond woman in distress. The truth is that such things do happen and if nothing else the movie reminds us all that while it is good to try to help strangers in need,it is not wise to pick up hitchhikers.

Fast, tough, and unsentimental. Sure, a potboiler like this is not going to win any awards, but it's got more sheer pluck and energy than twenty A-productions of the time. Pity poor Dinah Hunter (Mimieux). One minute she's a bigshot ad executive in Hollywood; the next, she's ducking cop bullets somewhere in fly-over country. It's a yuppie nightmare all the way for poor Dinah, a steady downhill once she tries a cross-country car ride. On the way she meets homicidal kids, a chiseling waitress, a righteous cop, and a prison guard from heck. No wonder she's on the run with cool dude Coley (Jones). How else can you deal with a cross section of Roger Corman's rural America. Next time she better take the plane like other bi-coastal types.

Corman really hit pay dirt with hillbilly epics like Boxcar Bertha (1972), Big Bad Mama (1974), Crazy Mama (1975), and this one. One look at these and you'd think rural America is just as bloody and hormonally driven as big city America. But these epics are also in the great tradition of the American B-movie, those cheap productions that show guts, energy, and style. Sure, a flick like JCJ is also what some might call vulgar and exploitative, which it is. Still, there can be a lot of truth even in exaggerated crowd pleasers. Besides, these drive-in specials are generally entertaining as heck, just like this one.

"Dinah Hunter" (Yvette Mimieux) works for an advertising agency and after an extremely bad day comes home only to find her husband with another woman. Determined to make a new start in life she decides to leave Los Angeles and drive to New York. But on the way she makes the mistake of picking up two hitchhikers who end up stealing her car and leaving her unconscious along the side of the road. To make matters even worse, after managing to stumble into a nearby restaurant she finds that her problems are only just beginning. Now, rather than reveal any more of the story and risk ruining the film for those who haven't seen it I will just say that I found at least one particular scene involving Yvette Mimieux to be quite graphic and brutal. In any case, I thought she did exceptionally well as did Tommy Lee Jones (as "Colin Blake") who also put in a fine performance. On the flip side, I didn't care too much for the ending and would have preferred a bit more finalization. All things considered I rate this movie as slightly above average.