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El inocente

Título original: L'innocente
  • 1976
  • R
  • 2h 9min
CALIFICACIÓN DE IMDb
7.4/10
4.6 k
TU CALIFICACIÓN
Laura Antonelli, Giancarlo Giannini, and Jennifer O'Neill in El inocente (1976)
DramaRomance

Giuliana Hermil es una mujer asentada en el convencionalismo de un matrimonio que siente roto, desde hace tiempo sospecha que su marido, Tullio Hermil, tiene una amante.Giuliana Hermil es una mujer asentada en el convencionalismo de un matrimonio que siente roto, desde hace tiempo sospecha que su marido, Tullio Hermil, tiene una amante.Giuliana Hermil es una mujer asentada en el convencionalismo de un matrimonio que siente roto, desde hace tiempo sospecha que su marido, Tullio Hermil, tiene una amante.

  • Dirección
    • Luchino Visconti
  • Guionistas
    • Gabriele D'Annunzio
    • Suso Cecchi D'Amico
    • Enrico Medioli
  • Elenco
    • Giancarlo Giannini
    • Laura Antonelli
    • Rina Morelli
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    4.6 k
    TU CALIFICACIÓN
    • Dirección
      • Luchino Visconti
    • Guionistas
      • Gabriele D'Annunzio
      • Suso Cecchi D'Amico
      • Enrico Medioli
    • Elenco
      • Giancarlo Giannini
      • Laura Antonelli
      • Rina Morelli
    • 15Opiniones de los usuarios
    • 52Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Videos1

    The Innocent trailer
    Trailer 0:43
    The Innocent trailer

    Fotos58

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    Elenco principal24

    Editar
    Giancarlo Giannini
    Giancarlo Giannini
    • Tullio Hermil
    Laura Antonelli
    Laura Antonelli
    • Giuliana Hermil
    Rina Morelli
    Rina Morelli
    • Tullio's Mother
    Massimo Girotti
    Massimo Girotti
    • Count Stefano Egano
    Didier Haudepin
    • Federico Hermil
    Marie Dubois
    Marie Dubois
    • The Princess
    Roberta Paladini
    Roberta Paladini
    • Miss Elviretta
    Claude Mann
    Claude Mann
    • The Prince
    Marc Porel
    Marc Porel
    • Filippo d'Arborio
    Jennifer O'Neill
    Jennifer O'Neill
    • Teresa Raffo
    Philippe Hersent
    Elvira Cortese
    Elvira Cortese
    Siria Betti
    Enzo Musumeci Greco
    • Maestro d'armi
    Alessandra Vazzoler
    Alessandra Vazzoler
    Marina Pierro
    Marina Pierro
    • Maria
    Vittorio Zarfati
    Vittorio Zarfati
    • Dr. Milani
    Alessandro Consorti
    • Dirección
      • Luchino Visconti
    • Guionistas
      • Gabriele D'Annunzio
      • Suso Cecchi D'Amico
      • Enrico Medioli
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios15

    7.44.6K
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    Opiniones destacadas

    msantayana

    Literary origins of a cinematic masterpiece

    I saw "L' Innocent" in the mid-eighties, at at time when I was discovering a lot of Visconti's films from his last period ("Death in Venice"--my favorite--, "The Damned," and "Conversation Piece") It made a very favorable impression then; but I do agree with the viewer who dwelt on the languid pace of the film, highlighted by the sensuous musical score. What saddens me is that not one of the viewers commenting on the film --I have little to add regarding the plot, and am trying to avoid spoilers-has remarked that it is based on a novel by Gabriele D'Annunzio (né Gaetano Raspagnetta), the most popular and yet one of the most aristocratic "fin-de-siecle" writers in turn-of-the century Italy. Visconti, the majority of whose films are based on European 19th and 20th century novels, was extremely faithful to D'Annunzio' book, down to the morbidest details. D'Annunzio was a sensual man and what was regarded in his day as a "decadent" poet and novelist. His scenarios were usually luxurious, his characters were often relentless pleasure-seekers, albeit dissatisfied in their passionate search for the ultimate fulfillment of the senses. Tullio, the character so intensely played by Giancarlo Giannini, is a would-be Nietschean "superman", beyond good and evil, as "L'Innocent'(the novel) was inspired by the Italian poet's readings of the German philosopher.

    Despite the slow pace of the film, I believe "L'Innocent' to be one of its director's most characteristic achievements. The glowing beauty of its female stars (fragile, yet alluring Jennifer O'Neill and earthy Laura Antonelli)and Giancarlo Giannini's seething intensity alone make this movie a worthwhile experience for cinema lovers who favor art over technology and substance over mindless, noisy violence.
    9denappel

    is this called love?

    love often used misspelled abused love taken for a selfish game manipulating shame

    he loved himself apart from that a selfish search for someone to confirm he is what he only pretends to be

    was she crazy or insane was her love so true she bared the pain for her it was no game and yet she lost...

    beautiful movie, timeless! delightfull to see how this movie takes his time to tell a story, the script is strong, the music emotional, the actors impressive, I can only write down positive aspects, thanks to visconti's perfectionism and talent this movie became more than a traditional story about love and hate. the thin line between the beauty of the movie and the manipulating selfish desire of the story creates a strong emotional masterpiece that will no one left untouched
    10phibes012000

    Beautiful and Sad

    Luchino Visconti is one of my favorite directors. I think Death in Venice is one of the most beautiful movies I have ever seen. This film begins with the credits shown over a book with its pages being turned by a hand reminding me of Jeanne Cocteau's beginning for Beauty and the Beast (1946). Tullio (Giancarlo Gianni) is an aristocrat married to Laura Antonelli but he fools around shamelessly with Jennifer O'Neil. He's a bullshit artist at high speed, but one day he gets his come-uppance. He seems not to care about Antonelli's feelings, and one day she cheats on him with a novelist/writer. She is left pregnant, and Tullio is devastated. He cannot accept the child (who all thinks is his own). Visconti's films always have a certain disdain for rich people, and here his contempt is risen to art while telling a very engaging story. Gianni's performance is powerful stuff, while Antonelli is both beautiful and sad in equal measures. Not as good as Death in Venice but excellent nonetheless.
    8PaulusLoZebra

    A beautiful, languid, intense melodrama

    Luchino Visconti's l'Innocente is a beautiful film. Magnificent details fill up the screen on every shot, as he has done so masterfully with other period films. It's also a strange, intense and erotic story set in the high society of Rome in the late 1800s. Giancarlo Gianinni is magnificent as an erratic, determined, egotistical and passionate man who alternates between arrogance and jealously, between lucidity and rage. Laura Antonelli is wonderful as his beautiful, repressed and enigmatic wife, who quietly surprises us at various points in this torrid tale. Jennifer O'Neill is very good as a mysterious and detached object of desire. This is a melodrama with some deeply disturbing themes. Occasionally, supporting characters show flashes of morality that contrast with the self-indulgent and self-destructive natures of the three protagonists. But the film does not need to have one character to provide a moral compass for the story, because the audience can see all too clearly everyone's very bad behavior.
    10davidtraversa-1

    One of the most refined films I had ever watched.

    Could we qualify a movie as Ardent? I think so, at least I do when remembering this film. Maybe it's because of the smoldering story it tells, maybe because of the passionate characters temperament, maybe because of the gleaming beauty of the surroundings, the extremely luxurious interiors of upper class old noblesse, with their incredibly gorgeous 'Fin de Siecle' gowns and jewels and objects and music... What a superb film!

    Jennifer O'Neil devastatingly beautiful and seductive as the self-assured, selfish, spoiled, ambitious, self-seeking lover, as much as Laura Antonelli as the opposite side of the coin but in a lower key, as the humble and insecure, betrayed, embittered, resentful wife, but also devastatingly gorgeous. And Giancarlo Giannini, holder of the most beautiful male green eyes ever shown on a close up, and adding to that his fantastically sensuous voice.

    We end up watching this ultra-refined European product that only a Visconti and very few other directors (Kubrick with "Barry Lindon") could have had the exquisiteness of taste to produce.

    The libretto is first rate and overwhelming in its slow development (and that makes almost unbearable the unpredictable climax) leaving us almost as devastated as its female protagonist, when she walks away while an early dawn starts defining the outline of the magnificent garden surrounding that incredibly perfect building where life had just ceased to exist.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Director Luchino Visconti intended the title roles to be played by Alain Delon and Romy Schneider. But Delon was under long-term contract and the $1,000,000 that his producers wanted to release him was considered too much, and Schneider was pregnant at the time, so Visconti had to work with Laura Antonelli and the little-known Giancarlo Giannini.
    • Citas

      Giuliana Hermil: It's too luxurious.

      Tullio Hermil: [Pontificating] Peasants always like to see their masters well-dressed.

    • Créditos curiosos
      The credits are shown over the novel "L'innocente." A man's hand is turning the pages of the book. It is actually the hand of Visconti himself.
    • Conexiones
      Featured in La femme de l'amant (1992)
    • Bandas sonoras
      Berecuse
      Music by Frédéric Chopin (as Chopin)

      Performed by Franco Mannino, pianoforte

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    Preguntas Frecuentes18

    • How long is The Innocent?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 18 de mayo de 1976 (Italia)
    • Países de origen
      • Italia
      • Francia
    • Idioma
      • Italiano
    • También se conoce como
      • The Innocent
    • Locaciones de filmación
      • La Badiola, Capannori, Lucca, Tuscany, Italia(Tullio's mother's villa)
    • Productoras
      • Rizzoli Film
      • Les Films Jacques Leitienne
      • Imp.Ex.Ci.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 22,549
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 7,191
      • 16 feb 2020
    • Total a nivel mundial
      • USD 5,929,392
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 9 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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