Harry and Walter Go to New York

A thoroughly well-made and well-paced movie, with a wonderful score, both in the lead characters' signature song "Nobody's Perfect" and in the incidental music. James Caan and Elliot Gould do a great job of playing the low comedy foils of high comedy master Michael Caine.

Excellent for kids, too...although there are touches of violence, romance, and illegal behavior, they are all mild, and it's got a delightfully old-fashioned morality to it.

When I saw Harry and Walter Go to New York in 1976, I liked it because it was fun seeing serious actors playing comedy. It had Diane Keaton, who, back in the day, made my gums sweat. I had no idea what was in store for me when I saw it again as a middle-aged adult.

It was so very awful. Same fine cast to appreciate, but the movie just sat there like a blob of cat puke on the rug that not even the chihuahua will scarf up.

Yup, that bad.

And, considering how it went so over-budget it almost sank Columbia Pictures, you would think, you would hope that there would be some evidence the money had been used effectively. You would want your entertainment dollars (three and a half of them, back then) to be for something.

You would be wrong.

Aren't we lucky that, for some reason or another, you never see Harry and Walter Go to New York offered on even the Later than Late Show?

This film is one of those films in which the elements fail to come together. It is clearly an attempt to recreate the lightning in a bottle of The Sting some years earlier. However it does not measure up for a number of reasons.

Firstly the truly boring title does the film no favours. It is not surprising the audience stayed away despite this having obvious star power. Like The Sting the main stars are a couple of con men. The comedy is very broad, almost slapstick at times. This tends to undermine any tension in the film. And I'm not convinced that either Caan or Gould have any aptitude for this kind of broad comedy (and neither, I think, do they, if their subsequent career moves are an indication).

However, there are certain times when nastiness creeps in, the most obvious example is when Gould is locked in a safe. Yes, that's comedy gold, having a man almost suffocate to death.

Not only are the con men much more buffoonish than in The Sting, but they are also more contemptible. When we first see them, they are stealing money from ordinary members of the public. Why on earth would we be sympathetic to their escapades from then on? While in The Sting the objective was to rob another (and worse) villain, here the target is a normal bank containing real people's money. An attempt to show the manager as corrupt and lecherous does not undermine the fact that the bank contains real people's money and at a time when banks could go out of business.

Ultimately, no one really cares about these two thieves and whether they succeed in their venture.

This is just a good, clean, fun movie with an excellent cast. It was shot back in the 1970's. It is amazing that the movie did not do better at the box office, because of all the stars that were cast in it. It is interesting to note that this movie was shot mostly in Mansfield, Ohio at the Mansfield Reformatory. Since then, Shawshank Redemption and Con Air were filmed there as well. The prison used for the movie has since been replaced by a new one and is now an historical site, open to the public. I think you will find some good laughs here. It is not brain surgery and a great way to experience some top stars in one package. I was an extra in this movie, playing both a prison guard and a prisoner. Chasing James Caan and Elliot Gould was a hoot. The cast and crew of this movie had a great time filming it. I might add that the director, Mark Rydell, went on to direct the movie,On Golden Pond.

I saw this movie when it was first released, then again on television sometime in the Eighties. Why this film is largely forgotten is beyond me. For that matter, why are some of the most entertaining films of the Seventies collecting dust, while the critics continue to insist that we bow and scrape to pretentious self-absorbed WoodyBogdanovichMazurskyAltman? Anyhoo, this film is funny -- maybe not side-splitting, but certainly a lot more entertaining than many films calling themselves comedies. It's atmospheric, with that yellow/sepia look Coppola first introduced in Godfather II. It's well-acted: James Caan is a great comic actor -- let's face it, a great actor, period. Michael Caine is especially good as the kid glove villain. Almost nothing here to offend anybody, (but kids under age 10 might have trouble following it). And after all these years, I still remember the "owls who" joke.