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Emanuelle negra en América

Título original: Emanuelle in America
  • 1977
  • Not Rated
  • 1h 40min
CALIFICACIÓN DE IMDb
5.2/10
2.1 k
TU CALIFICACIÓN
Emanuelle negra en América (1977)
DramaHorrorMystery

El fotoperiodista hedonista Emanuelle se infiltra para exponer las sórdidas vidas de cultistas sexuales y vendedores ambulantes de películas rapadas ricos y poderosos en Estados Unidos y Eur... Leer todoEl fotoperiodista hedonista Emanuelle se infiltra para exponer las sórdidas vidas de cultistas sexuales y vendedores ambulantes de películas rapadas ricos y poderosos en Estados Unidos y Europa.El fotoperiodista hedonista Emanuelle se infiltra para exponer las sórdidas vidas de cultistas sexuales y vendedores ambulantes de películas rapadas ricos y poderosos en Estados Unidos y Europa.

  • Dirección
    • Joe D'Amato
  • Guionistas
    • Maria Pia Fusco
    • Ottavio Alessi
    • Piero Vivarelli
  • Elenco
    • Laura Gemser
    • Gabriele Tinti
    • Roger Browne
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.2/10
    2.1 k
    TU CALIFICACIÓN
    • Dirección
      • Joe D'Amato
    • Guionistas
      • Maria Pia Fusco
      • Ottavio Alessi
      • Piero Vivarelli
    • Elenco
      • Laura Gemser
      • Gabriele Tinti
      • Roger Browne
    • 49Opiniones de los usuarios
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos39

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    Elenco principal36

    Editar
    Laura Gemser
    Laura Gemser
    • Emanuelle
    Gabriele Tinti
    Gabriele Tinti
    • Alfredo Elvize, Duke of Mount Elba
    Roger Browne
    Roger Browne
    • The Senator
    Riccardo Salvino
    Riccardo Salvino
    • Bill
    Lars Bloch
    • Eric van Darren
    Paola Senatore
    Paola Senatore
    • Laura Elvize
    Maria Piera Regoli
    • Diana Smith
    Giulio Bianchi
    • Tony
    Efrem Appel
    • Joe
    Matilde Dall'Aglio
    • Woman Watching Snuff Movie
    Maria Renata Franco
    • Zodiac girl #2
    Giulio Massimini
    • Waiter at Venice Party
    Stefania Nocilli
    • Model Janet
    Carlo Foschi
    Bruno Alias
    • Party Guest in Venice
    • (sin créditos)
    Fernando Arcangeli
    • Antonio Ramirez
    • (sin créditos)
    Salvatore Baccaro
    Salvatore Baccaro
    • Charlie
    • (sin créditos)
    Erminio Bianchi Fasani
    • Party Guest in Venice
    • (sin créditos)
    • Dirección
      • Joe D'Amato
    • Guionistas
      • Maria Pia Fusco
      • Ottavio Alessi
      • Piero Vivarelli
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios49

    5.22.1K
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    Opiniones destacadas

    Moshing Hoods

    When genres collide...

    EMANUELLE IN AMERICA is clearly a testament to the declining CineCitta film industry of this time. Exploitation film-makers were being forced to throw genres together in bizarre hybrids to try and cover as many commercial bases as possible.

    This film, without doubt, is the flat out WEIRDEST example of that I've ever seen. The first 50 minutes or so play like a typically flaccid D'Amato softcore sex movie, before kicking into high octane with hardcore bestiality footage, hardcore porn, and pretty grueling "snuff" footage (shot in a verite, hand-held and shaky style that reminds me of the latter half of CANNIBAL HOLOCAUST). None of it really fits together well within the narrative (particularly the XXX footage which is clearly spliced in from another film) and all the excessive stuff is quite brief. I don't really understand what the commercial motivation for the production of this film was, but that certainly interests me. The whole film has an air of not being complete, especially when you consider the bizarrely truncated ending.

    An interesting and VERY sleazy watch, but don't expect the rest of the film to be anything but appalling. D'Amato's straight horror (specifically BLUE OMEGA and ABSURD) do the job way more for me, and I usually love sleaze with all my grimy heart. Before anyone yells at me, the copy I own is the "fully uncut" Venezuelan print so I really don't think I'm missing anything here.
    kenneymljken

    The Personification of Joe D'Amato's Work

    There are basically two kinds people in this world: those who like smut and those who don't. Those who like it should revel in the work of Aristede Massaccesi, a.k.a. Joe D'Amato. Those who don't should stay as far away from it as humanly possible. However, I see myself as that rare someone who is able to walk the line that divides them. I can watch a D'Amato film from beginning to end but will have a storm of mixed feelings afterwards. The first Joe D'Amato film I saw was either "Emmanuelle Around the World," "Emmanuelle in Bangkok" or "Emmanuelle and the Last Cannibals." I saw them on Showtime and/or the Movie Channel (now called Starz) back in late '92 and early '93. I was not familiar with D'Amato at the time; I was intrigued by the star, Laura Gemser. I had seen her in another Emmanuelle film called "Emmanuelle, Queen of Sados" (not directed by D'Amato) and was struck by her exotic beauty. I had always been a fan of 70s movies and many of the Gemser and D'Amato films had the texture of kung fu movies, exploitation movies and other genres of that time. Unfortunately, the cable stations stopped showing them and the only ones I could find at the local video stores were the aforementioned "Emmanuelle, Queen of Sados" and "Black Cobra," a soft-core film directed by D'Amato, with Gemser and Jack Palance. But finally in 1995 I jumped on the information superhighway, and thanks to many cult films sites on the net, I was able to find many if not all of these films and purchase them. Upon receiving the videos, I soon realized that I wasn't as seasoned a Joe D'Amato fan as I thought. I watched "Black Emmanuelle," Gemser's first outing in the title role, and "Erotic Nights of the Living Dead I was shocked in find her in a hard core scene in the former with Angelo Infanti, the same guy who blew up Michael Corleone's wife in "The Godfather!" I'm not going to say I've never watched pornography but it wasn't what I was looking for. In fact, I would find out later, and much to my relief, that a body double was used to substitute Gemser in the scene. I was still however shocked to find these films I had seen late on Friday and Saturday nights contained graphic, often violent scenes of hardcore sex. It took some adjusting but I found that I was still curious. I tried to find "Emmanuelle in America," the unofficial grand daddy of 'em all, on the net but tracking it would prove not to be so simple. The online store that was supplying it appeared to have ran out of copies. So I went on to buy other D'Amato films like "Caligula, the Untold Story." Though I was taken aback by the graphic scenes, I wasn't surprised by them. Finally I found another site that carried it. Though I was anxious, I must admit I was eager to see it, especially the infamous "snuff" film (at this point, I feel obligated to point out that it is well documented that the snuff footage seen in the movie was staged, so please don't go awry trying to contact the FBI to confiscate the film). I finally saw `Emmanuelle in America,' and its most famous seen. I found I wasn't as jaded as I thought, as I found myself quite disturbed by the footage. Emmanuelle thought she saw it in a dream, but when her boss at the paper shows her photos of the crime, she replies (much to my shock), "Amazing." I burst out laughing at her quip, but when the film reached its anti-climactic end, I was surprised to find that Emmanuelle did not further investigate the sadistic crime, then I thought to myself, "It's a Joe D'Amato flick. What do you expect?" And I burst out in laughter again.
    fertilecelluloid

    Pleasant and pernicious

    If pernicious is a stronger word for ugly, then it applies here, but I'm not referring to the "snuff" footage sequence, I'm referring to the non-sex/non-horror scenes. They're so unbelievably boring and poorly acted that you could end up leaving the theatre (or living room) and missing out on the sleaze.

    The film's soundtrack is outstanding and captures the era wonderfully.

    As always, Laura Gemser is captivating and too sexy for words, and the film's explicitness verges on hardcore for most of the time and crosses the softcore line once or twice.

    But it's the "snuff" footage sleaze fans want and it doesn't disappoint. Almost SALO-esque in its intensity and terribly well executed, it arrives in context but blurs its context quickly because it is unexpectedly extreme and realistic.

    Worth seeing once or twice. Or owning, if the inclination's there.
    DJ Inferno

    Don´t believe the hype!!!

    After reading the reviews to this film and being a huge Joe D´Amato-fan since a long time my expectations were more than immense! The story is about beautiful reporter Emanuelle (played by D´Amato-darling Laura Gemser) who wants to write a sensational story about perverse sexual practicals of America´s high society. Meeting (and even more than that..!) an influential politician Emuanuelle finds a trail to the legendary/notorious snuff-movies where real humans are tortured and killed on film...

    A very interesting story, but sadly the execution is only average, because "Emanuelle in America" is nothing else but typical 1970s standard soft sex! When you´ve seen one example of the endless Emanuelle-series you´ve seen´em all - this movie is no exception! In my opinion, the sickest scene is featured in the 30th minute when a naked girl caresses the dick of a horse. Then nothing´s gonna happen... After one hour the first blow job-scene is brought on and in the last third the movie there are some short hardcore takes filmed.

    And then at the very end you´ve got to see those notorious snuff-sequences..! Yes, they are extremely violent! Yes, they are extremely disturbing!! However they have a pretty short running time from about 15 seconds all together and they are quite similar to those featured in Pasolini´s "Salo". And I can´t get rid of that feeling director Joe D´Amato only added them to give this after all very tame movie some shocking and provoking impulses..!

    If you want to see a real sick Joe D´Amato-movie watch his splatterfest "Buio Omega" instead!!!
    8Maciste_Brother

    They sure don't make movies like this anymore

    "Emanuelle in America" has the reputation of being one of the sleaziest, most vile films ever made. Well, having watched it a couple of times I have to say that its reputation is a tad overblown. Yes, the average movie-going public would probably be offended by many parts of EIA but when you think about those objectionable scenes, they're not that freaky. There is much worse on the internet right now than what is seen, briefly, in EIA. EIA was made during the greatest period of exploitation films, a period, which alas, will never be recreated again. The mores of the 1970s made it possible for films to explore the sleaziest, darkest part of the human psyche. Remember, these films were released theatrically. There's almost no chance today for a film like EIA to be released on the big screen, no matter how many sleazy or super violent films have been made recently, like, hmm, "Passion of the Christ"? Arf!

    Anyway, there's something backwards and ahead of its time about "Emanuelle in America". It's painfully backwards in the attempts the producers tried to shock jaded 42nd ave viewers with bestiality and such but forward thinking in the way sex is shown so carefree and dare I say fun? It's like the realization of a silly Penthouse forum story made come to life...seriously, the film is sexy in only the way 1970s can be. The beginning is great. Seeing Laura walking around New York, which the groovy theme song, makes EIA look like an adult version of the MARY TYLER MOORE show intro: Laura is a free woman (who's almost always in control), a career woman and is sexually active. The only thing missing in the intro is Laura tossing a hat in the air.

    The biggest problem with "Emanuelle in America" is the script. Films like this are not known to have solid scripts but the producers actually tried to create a semblance of an interesting story, amidst the sleaze and lurid goings on, but then completely forgot a satisfactory ending for this. I love the fact that film suddenly veered into snuff-like territory at the very end but it became sorta pointless without a proper conclusion to that last minute plot line.

    All in all, I think "Emanuelle in America" is a masterpiece of 1970s exploitation. It has almost every exploitation element in it (the only thing missing, like most of exploitation films, is male homosexuality). Laura Gemser is hot. The music is amazing and the cinematography is actually pretty good. I only give it 8 because of the missing ending and because of some boring, drawn-out spots.

    If want to see a film that captures the warped side of the 1970s in all its Euro-cult glory, make sure to watch "Emanuelle in America".

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The infamous snuff footage in this film inspired David Cronenberg to write "Videodrome"(1983).
    • Errores
      Gemini has an entirely different dubbing voice (and accent) in her two scenes.
    • Citas

      Emanuelle: Don't you think that a hot bath is nice as a lover's caress?

    • Versiones alternativas
      A region-free USA DVD is available from Blue Underground. This version runs at over 100 minutes and is completely uncut, featuring all the hardcore footage and 'snuff' footage.
    • Conexiones
      Featured in Loose Enz: The Venus Touch (1982)
    • Bandas sonoras
      Celebrate Myself
      Written by Nico Fidenco

      Performed by Armonium

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    Preguntas Frecuentes

    • What are the differences between the Softcore and Hardcore Version?

    Detalles

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    • Fecha de lanzamiento
      • 12 de noviembre de 1982 (México)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • También se conoce como
      • Emanuelle in America
    • Locaciones de filmación
      • New York Daily News Building - 42nd Street, Manhattan, Nueva York, Nueva York, Estados Unidos(Emanuelle meets with her editor)
    • Productora
      • New Film Production S.r.l.
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 40 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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