CALIFICACIÓN DE IMDb
5.2/10
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TU CALIFICACIÓN
El fotoperiodista hedonista Emanuelle se infiltra para exponer las sórdidas vidas de cultistas sexuales y vendedores ambulantes de películas rapadas ricos y poderosos en Estados Unidos y Eur... Leer todoEl fotoperiodista hedonista Emanuelle se infiltra para exponer las sórdidas vidas de cultistas sexuales y vendedores ambulantes de películas rapadas ricos y poderosos en Estados Unidos y Europa.El fotoperiodista hedonista Emanuelle se infiltra para exponer las sórdidas vidas de cultistas sexuales y vendedores ambulantes de películas rapadas ricos y poderosos en Estados Unidos y Europa.
- Dirección
- Guionistas
- Elenco
Bruno Alias
- Party Guest in Venice
- (sin créditos)
Fernando Arcangeli
- Antonio Ramirez
- (sin créditos)
Salvatore Baccaro
- Charlie
- (sin créditos)
Erminio Bianchi Fasani
- Party Guest in Venice
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
After reading the reviews to this film and being a huge Joe D´Amato-fan since a long time my expectations were more than immense! The story is about beautiful reporter Emanuelle (played by D´Amato-darling Laura Gemser) who wants to write a sensational story about perverse sexual practicals of America´s high society. Meeting (and even more than that..!) an influential politician Emuanuelle finds a trail to the legendary/notorious snuff-movies where real humans are tortured and killed on film...
A very interesting story, but sadly the execution is only average, because "Emanuelle in America" is nothing else but typical 1970s standard soft sex! When you´ve seen one example of the endless Emanuelle-series you´ve seen´em all - this movie is no exception! In my opinion, the sickest scene is featured in the 30th minute when a naked girl caresses the dick of a horse. Then nothing´s gonna happen... After one hour the first blow job-scene is brought on and in the last third the movie there are some short hardcore takes filmed.
And then at the very end you´ve got to see those notorious snuff-sequences..! Yes, they are extremely violent! Yes, they are extremely disturbing!! However they have a pretty short running time from about 15 seconds all together and they are quite similar to those featured in Pasolini´s "Salo". And I can´t get rid of that feeling director Joe D´Amato only added them to give this after all very tame movie some shocking and provoking impulses..!
If you want to see a real sick Joe D´Amato-movie watch his splatterfest "Buio Omega" instead!!!
A very interesting story, but sadly the execution is only average, because "Emanuelle in America" is nothing else but typical 1970s standard soft sex! When you´ve seen one example of the endless Emanuelle-series you´ve seen´em all - this movie is no exception! In my opinion, the sickest scene is featured in the 30th minute when a naked girl caresses the dick of a horse. Then nothing´s gonna happen... After one hour the first blow job-scene is brought on and in the last third the movie there are some short hardcore takes filmed.
And then at the very end you´ve got to see those notorious snuff-sequences..! Yes, they are extremely violent! Yes, they are extremely disturbing!! However they have a pretty short running time from about 15 seconds all together and they are quite similar to those featured in Pasolini´s "Salo". And I can´t get rid of that feeling director Joe D´Amato only added them to give this after all very tame movie some shocking and provoking impulses..!
If you want to see a real sick Joe D´Amato-movie watch his splatterfest "Buio Omega" instead!!!
A good film by sleaze-master Joe D'Amato? No chance. Wait a minute, this one actually isn't too bad. Emanuelle's (notice, one "m", not Emmanuelle ©) forays into the aristocratic decay lifestyle get weirder and sleazier, culminating in the snuff footage in the end (modeled after Pasolini's "Salo", how ironical). It's not all bleak however, as Joe has a sense of humor. Case in point, Emanuelle and cohort having sex in the next room to an orchestra playing, and hysterically editing the sex with close-ups of the geek musos playing Ludwig's fifth. Or what about the ending? Emanuelle getting a vacation as a reward for her investigative journalism, only it turns to be a movie decor. It is only a movie after all. Hah.
This is probably about as extreme as exploitation gets (even when compared to such gory masterpieces as Nekromantik and Cannibal Holocaust). What makes it so extreme are that all the images on display as used in the context of sexual fantasy.
The infamous scene of a naked girl masterbating a horse is shown for the purposes of titillation and arousal.
The snuff footage is extremely nasty and difficult to watch and again plays to an audience looking for sexual arousal.
The film also contains numerous hard-core sex scenes and various lesbian scenes.
All in all a classic in its own right, surely only D'Amato could get away with such a film - hunt it high and low and get hold of a copy now!
You might be disgusted, but you won't be disappointed!
The infamous scene of a naked girl masterbating a horse is shown for the purposes of titillation and arousal.
The snuff footage is extremely nasty and difficult to watch and again plays to an audience looking for sexual arousal.
The film also contains numerous hard-core sex scenes and various lesbian scenes.
All in all a classic in its own right, surely only D'Amato could get away with such a film - hunt it high and low and get hold of a copy now!
You might be disgusted, but you won't be disappointed!
Extreme depravity, hardcore sex, and ultra violence: I'd heard that this sleazy offering from Italian trash-movie king Joe D'Amato (Aristide Massaccesi) was the epitome of exploitation, so I borrowed a copy from a friend and settled down to enjoy a prime slice of deviancy. Unfortunately, this supposedly spicy dollop of D'Amato sauce actually turned out to be rather bland.
Laura Gemser plays Emanuelle, an investigative reporter determined to get her scoop, whatever the risk. Using her womanly wiles, she digs up the dirt on an organised-crime boss and his harem, some lust-crazed Venetian aristocrats, and a sex club for lonely women where our horny heroine eventually stumbles on the story of the century when she discovers a couple enjoying a genuine snuff movie.
The first half of the movie is rather dull, packed with plentiful female nudity but hardly any of the 'rough stuff' that I had read so much about; only a brief scene involving a happy horse named Pedro is worthy of note.
Eventually D'Amato hits his stride and, during an orgy scene, he delivers the first of many hardcore moments; from here on in, the XXX action is more plentiful, but the clumsy direction and editing means that they are far from erotic.
At the end of the movie, Joe throws in a smattering of very gory pseudo-snuff footage for good measure, but this only serves to make the film feel even more disparate. The end result is neither a soft-core adventure, a hardcore porn movie or an all out gore-fest, but a disappointing (and often boring) half-assed mixture of all three.
See it so that you can talk knowledgeably about the genre to like-minded sickos, but don't expect anything too amazing.
Laura Gemser plays Emanuelle, an investigative reporter determined to get her scoop, whatever the risk. Using her womanly wiles, she digs up the dirt on an organised-crime boss and his harem, some lust-crazed Venetian aristocrats, and a sex club for lonely women where our horny heroine eventually stumbles on the story of the century when she discovers a couple enjoying a genuine snuff movie.
The first half of the movie is rather dull, packed with plentiful female nudity but hardly any of the 'rough stuff' that I had read so much about; only a brief scene involving a happy horse named Pedro is worthy of note.
Eventually D'Amato hits his stride and, during an orgy scene, he delivers the first of many hardcore moments; from here on in, the XXX action is more plentiful, but the clumsy direction and editing means that they are far from erotic.
At the end of the movie, Joe throws in a smattering of very gory pseudo-snuff footage for good measure, but this only serves to make the film feel even more disparate. The end result is neither a soft-core adventure, a hardcore porn movie or an all out gore-fest, but a disappointing (and often boring) half-assed mixture of all three.
See it so that you can talk knowledgeably about the genre to like-minded sickos, but don't expect anything too amazing.
If pernicious is a stronger word for ugly, then it applies here, but I'm not referring to the "snuff" footage sequence, I'm referring to the non-sex/non-horror scenes. They're so unbelievably boring and poorly acted that you could end up leaving the theatre (or living room) and missing out on the sleaze.
The film's soundtrack is outstanding and captures the era wonderfully.
As always, Laura Gemser is captivating and too sexy for words, and the film's explicitness verges on hardcore for most of the time and crosses the softcore line once or twice.
But it's the "snuff" footage sleaze fans want and it doesn't disappoint. Almost SALO-esque in its intensity and terribly well executed, it arrives in context but blurs its context quickly because it is unexpectedly extreme and realistic.
Worth seeing once or twice. Or owning, if the inclination's there.
The film's soundtrack is outstanding and captures the era wonderfully.
As always, Laura Gemser is captivating and too sexy for words, and the film's explicitness verges on hardcore for most of the time and crosses the softcore line once or twice.
But it's the "snuff" footage sleaze fans want and it doesn't disappoint. Almost SALO-esque in its intensity and terribly well executed, it arrives in context but blurs its context quickly because it is unexpectedly extreme and realistic.
Worth seeing once or twice. Or owning, if the inclination's there.
¿Sabías que…?
- TriviaThe infamous snuff footage in this film inspired David Cronenberg to write "Videodrome"(1983).
- ErroresGemini has an entirely different dubbing voice (and accent) in her two scenes.
- Versiones alternativasA region-free USA DVD is available from Blue Underground. This version runs at over 100 minutes and is completely uncut, featuring all the hardcore footage and 'snuff' footage.
- ConexionesFeatured in Loose Enz: The Venus Touch (1982)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Emanuelle in America
- Locaciones de filmación
- New York Daily News Building - 42nd Street, Manhattan, Nueva York, Nueva York, Estados Unidos(Emanuelle meets with her editor)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 40min(100 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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