The Eagle Has Landed

"The Eagle has Landed" is a fine World War II fiction film placed in England that deals with a German commando operation planned to kidnap (or kill) Winston Chruchill.

The pìcture is most entertaining right from the start -when the plan is designed- and keeps up all along when it comes to the operation's achieving. A good script, excellent British outdoor locations, well made action sequences and a most competent cast are highlights of the film. Its also interesting that the German commandos are shown as decent and even likable men, professional soldiers that just like the allies fight a war for their country even if they don't agree with the Nazi regime that rules it.

"The Eagle has Landed" is also a good farewell from movies for director John Sturges (this is his last work in direction) a prolific man that gave us movie and western fans very good titles of the genre such us "Gunfight at OK Corral", "The Magnificent Seven", "Last Train from Gun Hill" and the more contemporary "Bad Day at Black Rock".

A most entertaining and enjoyable film in the genre.

Based on a best-selling tall story by Jack Higgins, and featuring an all-star cast that must've cost half the budget just to get to sign up for the project, The Eagle Has Landed is an enjoyable but slightly overlong wartime actioner.

German soldier Max Radl (Robert Duvall) comes up with an audacious plot to deliver a devastating blow to the Allied forces by kidnapping Winston Churchill from a Norfolk village. A team of deadly German spies, led by Kurt Steiner (Michael Caine), are smuggled into England to carry out this sinister scheme. Aided by an Irish mercenary (Donald Sutherland), the German forces rapidly and ruthlessly close in on their target. Only an inexperienced American garrison, posted in a quiet corner of Norfolk, can stand in the way of a devastating German victory.

The Eagle Has Landed is one of the few films where the all-star cast doesn't have a detrimental effect. In films like A Bridge Too Far and The Longest Day, the presence of so many stars actually results in a game of "star-spotting", and this diverts the audience's attention away from important plot developments. In The Eagle Has Landed, each actor brings depth and charisma to their strongly written roles (especially Sutherland as the devious Irish rogue, and Duvall as an eye-patch wearing Nazi). This film's faults lie elsewhere. The opening hour and a quarter goes on rather too much and ought to have been trimmed by at least fifteen minutes. Also, the plot rides its luck with increasingly less likely, less plausible developments (especially the unpersuasive "twist" ending). For these reasons, The Eagle Has Landed isn't quite the excellent film you might be hoping for. What it is, however, is an enjoyable, well-acted and very watchable slice of escapism.

A small Norfolk village in England is suddenly the focal point for a Polish regiment's training exercise. It would seem they are not all they are saying they are, so with Winston Churchill due to visit the village, there is something seriously afoot.

Written by Jack Higins, directed by John Sturges {The Great Escape} and starring Michael Caine, Donald Sutherland and Robert Duvall, The Eagle Has Landed is a different sort of war movie. Flipping the axis to a German point of view and having English and American actors playing the Germans, is a bold move that, fluctuating accents aside, makes for a totally engrossing picture. Offering a fair bit more than your standard film of men on a suicide mission for the war effort, the piece's pulp origins, and its idyllic country setting give it a quality that ensures the viewers attention stays firmly with the film's steadily paced first half. Also adding intrigue into this already interesting broth is that our main Nazi protagonist is not down with the whole killing Jews thing. It's very sly in how it pans out, its not asking the audience to feel sympathy with Steiner {Caine professionally impacting}, it's just proclaiming that not all people should be tarred with the same brush.

Mostly the cast are fine and boosted by a brilliant turn from Donald Sutherland as an IRA spy helping the Germans, Robert Duvall, Donald Pleasance, Anthony Quayle, Jenny Agutter and Jean Marsh all are solid within the picture's structure. Oddly the performance of Larry Hagman as the appropriately named Colonel Pitts sticks out like a sore thumb, buffoonery in bravado intent it's difficult to tell if it's meant to be comic relief or a statement of how the British viewed the yanks at this time? A young Treat Williams as Capt. Harry Clark ensures that not all American soldiers in the film come off as dunderheads. Playing out more as a mystery with it's various twists and turns, and seeping with tension amidst the village folk, The Eagle Has Landed is an odd sort of picture, but it certainly delivers enough to make it way above average. 6.5/10

OK, to respond to the "review" from Richard WA.

The movie is of course based on Jack Higgins' bestseller of the same name and like many debut books, is by far the best book he wrote - being written over a period of years as Higgins worked as a schoolteacher. It is meticulously researched and a fine read.

Now the film.

First, Of course an historically illiterate US teen would barely comprehend that history existed pre World War II or understand that the USA doesn't have a monopoly of the eagle as a national symbol. I read the book back in the mid-70's and never even thought about moon landings. For war movies/books, "eagles" are forever associated with Germany & that the USA also uses an eagle as a national symbol is purely coincidental.

Richard WA can relax in the knowledge that few outside his peer group experienced his confusion.

Second, By telling the story from the German perspective, we get a new appreciation of the German fighting man's view. Just as "Das Boot" gave us an insight into the German mind, so too does this. A similar experience can be had watching the WWII POW camp movie "The McKenzie Break" where German POW's try to escape from a British camp - quite interesting really. But I guess if you're only interested in rooting for the Red, White and Blue, this is not your thing.

Third, The accents are brilliantly done. It was decided for the movie that the comical Hollywood "German" accent would not be used. The "Ve haff vays of making you tork you schweinhund" is nowhere to be seen, instead the German characters use perfect accentless English to great effect.

Fourth, Sutherland's Irish character, Devlin, is not a Nazi sympathiser. He agrees to support the operation because the Germans offer to pay him a fortune to do so. Money for the cause etc.

Fifth, The pre-operation phase of the movie is actually too short - as the producers wanted more of an action flick than the book delivers. In the book, the planning of the operation is analysed to infinite detail, down to the uniform details and relative attributes of allied versus German parachutes. I guess if your experience is computer games, then exposure to any kind of pre-operation detail is not something you're used to.

Sixth, A newcomer in WWII Britain would certainly raise suspicion and Sutherland's character certainly does do that - not really a flaw of the book/movie but an operational problem that the Germans just had to accept given the timeframes involved.

Seventh, Jenny Agutter's character is completely unbelievable. Try to ignore that part of the movie - thankfully she's there for purely aesthetic purposes.

Eighth, The 5th columnist who already lives in the English village is actually a South African survivor of the British concentration camps - as explained in the movie. Perhaps Richard WA thought they were a German invention or more likely he's never heard of the Boer War and sleepwalked through that part of the movie.

Ninth, The "battle" scene is deliberately short to emphasise the gulf in class between German paratroops and National Guards. When the Germans are confronted by real soldiers, they're defeated in short order. Larry Hagman's character is a poor caricature and serves only to supply a comic element that's not needed - something the movie suffers from as if the producer was scared to make the movie too gritty. Richard WA's last point is most revealing. Why should Germans fight for Germany when everyone knew that they were going to lose and were on the wrong side anyway. Who ever heard of a brave German soldier fighting to the end anyway? Despite what many think, Americans don't have an monopoly on patriotism either - I doubt if he ever wonders why Steve McQueen never settled for a comfortable life in a German POW camp!

Tenth, Yeah, the tunnel is something of a contrived device...it's not in the book BTW.

Eleventh, The reason for not spiriting "Churchill" away after the attempt to kidnap him was precisely because the British wanted Germany to think he was there and not in Tehran! The whole point of a decoy is that it's visible and attracts the attention while the real principal is concealed.

In summery, the Eagle has Landed is a solid attempt to film a great book. I doubt, given the plot, that a universally appealing movie could've been made but the greatest movies ever are not universally appealing. Movies you love as children are not regarded in the same way in adulthood.

The Eagle has Landed is in many ways like "The Day of the Jackal". Most of the action goes on inside the principals' heads. Deception, mental thought processes and subterfuge don't make good cinema. However the movie has some very good points:

Great locations. Great actors doing good jobs (Jenny Agutter excepted) - especially Donald Pleasance doing the best ever spine-chilling portrayal of Himmler. Good twist at the end. Challenging portrayal of "the enemy".

I recommend it - it's not "A Bridge Too far" but it's pretty good.

The concept of the movie is both great and original but however the execution of it is not exactly done in the best way possible.

The movie starts of very slow and even perhaps a bit boring. Thankfuly the second halve of the movie is much better once the action and story really start and take more pace and form. It might not be as entertaining and good as other WW II/action movies, meant as entertainment, such as "Where Eagles Dare", "Kelly's Heroes" and "The Guns of Navarone" but it does have some great moments in it which still helps to make "The Eagle Has Landed" a bit of a must see for the fans of the genre.

The story is just great and its interesting to see a movie for once from the perspective of the German side. For once the Germans are not portrayed as ruthless villains but as soldiers with valor and courage instead. The movie is perhaps a bit moralistic in the first halve of the movie (basicly every German soldier shown in the movie openly hates Hitler and is against the deportation of Jews to the concentration camps. It feels too forced all) but nevertheless the perspective the movie is told from is great and works good for the movie. It's too bad that the movie is told needlessly slow at times, while it could had been a great fast paced action-movie.

The movie has a great cast but this is not really an actors movie, meaning that the movie wouldn't had been any better or worse with some other lesser known names in it. It was weird to hear Donald Sutherland talking in an Irish accent and Robert Duvall with a German one. Also Treat Williams in one of his first movie roles was horrible as the American soldier Capt. Clark. On the other hand, it was great to see Donald Pleasance as Heinrich Himmler. Other big names in this movie are Michael Caine, Anthony Quayle and Jean Marsh.

The action sequences are good and definitely the best part of the movie. The movie is somewhat entertaining to watch and it does have some well placed humor at times but its not quite enough to truly uplift this movie to a level of greatness.

This last movie from director John Sturges is a memorable but not perfect one.

7/10

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