CALIFICACIÓN DE IMDb
3.7/10
2.3 k
TU CALIFICACIÓN
Dos detectives de la policía intentan atrapar a un asesino en serie que acecha un autocine rural de California y mata a personas al azar con una espada.Dos detectives de la policía intentan atrapar a un asesino en serie que acecha un autocine rural de California y mata a personas al azar con una espada.Dos detectives de la policía intentan atrapar a un asesino en serie que acecha un autocine rural de California y mata a personas al azar con una espada.
- Dirección
- Guionistas
- Elenco
John F. Goff
- Police Det. Mike Leary
- (as Jake Barnes)
Steve Vincent
- Police Psychologist
- (as Adam Lawrence)
Verkina Flower
- Little Girl in Warehouse
- (as Verkina Flowers)
Robert E. Pearson
- Austin Johnson
- (as Newton Naushaus)
Norman Sheridan
- Orville Ingleson
- (as Norman Sherlock)
John Alderman
- Jim
- (as Frank Hollowell)
Jacqueline Giroux
- Arlene
- (as Valdesta)
Bruce Kimball
- Police Det. John Koch
- (as Michael Alden)
Martin Gatsby
- David
- (as Marty Gatsby)
Sandy Carey
- Lori
- (as Patricia James)
Janus Blythe
- Alan's Girl
- (as Tiffany Jones)
George 'Buck' Flower
- Suspect in Warehouse
- (sin créditos)
Stu Segall
- Police Captain
- (sin créditos)
Cheri Woods
- Murder Victim
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The movie is awful, cheesy but kinda fun to watch. It's better than I expected it to be - I thought it might have been a grindhouse style of film but it's not. It's a slasher, bloody but not a lot of that going on... it's main focus is on two cops trying to solve the murders! The best thing about the film are the two cops who could pass as brothers! Really, their facial features look similar to one another and similar build to their bodies.. only real difference is one is slightly shorter than the other!! I could see these two in a spin off 1970s TV show playing the same two cops and still solving murders. LOL! It's not a film to seek out - even for a die-hard horror fan - but it is an OK watch if you happen to catch it on one night or acquire it in a film pack as I did.
3/10
3/10
I find many of the old horror movie titles as part of packaged releases from Brentwood and other companies, twelve titles for $5.99, fifty titles for $20.00, etc. Therefore, many of these films have not been remastered and have lousy sound or picture quality. This is very true for the version I saw of "Drive-in Movie Massacre". I couldn't understand most of what was being said in the opening sequence, and I had to increase the brightness of my television to figure out exactly whom was being shown at the end, and I think I know who it was -- due to the context -- but it wasn't clear.
However, despite its sound and picture problems, this film couldn't have been any better in crisp shape 30 years ago. I was only 4 and 5 in 1976 and recall only one time being sneaked into a drive-in; my understanding of drive-ins, however, is that when things on the screen got boring, people honked their horns. I read that that was why Sam Raimi kept up the pace of "Evil Dead", to prevent horn-honking. I imagine that there was much honking during screenings of this film. The ending is laughably absurd; it MIGHT have worked in 1940, or 1876, and it might scare little four year olds who are still afraid of the bogeyman and have parents who try to keep them well-behaved by using his appearance as a threat, but for teenagers or adults, it's "Oh, Jesus" lame.
This is on top of the film being highly padded, with a minutes-long scene of one character's carnival-gazing and another set in a warehouse that doesn't make a lick of sense. However, I found this film mildly amusing, in a movie-night-with-your-drinking-buddies sort of way. It has touches of camp, sometimes intentional. The manager of the drive-in, filled with angrily-told stories of self-pity, amused me, and I thought that the actor playing "Germy" often hit some spot-on moments, his pathetic 'am-I-a-good-boy?' eagerness to help with the investigation and wounded reaction when finally being pushed too far helping to ground the film.
This is not the worst film of its genre, and I'd watch it again with friends who want to make fun of something while we get drunk.
However, despite its sound and picture problems, this film couldn't have been any better in crisp shape 30 years ago. I was only 4 and 5 in 1976 and recall only one time being sneaked into a drive-in; my understanding of drive-ins, however, is that when things on the screen got boring, people honked their horns. I read that that was why Sam Raimi kept up the pace of "Evil Dead", to prevent horn-honking. I imagine that there was much honking during screenings of this film. The ending is laughably absurd; it MIGHT have worked in 1940, or 1876, and it might scare little four year olds who are still afraid of the bogeyman and have parents who try to keep them well-behaved by using his appearance as a threat, but for teenagers or adults, it's "Oh, Jesus" lame.
This is on top of the film being highly padded, with a minutes-long scene of one character's carnival-gazing and another set in a warehouse that doesn't make a lick of sense. However, I found this film mildly amusing, in a movie-night-with-your-drinking-buddies sort of way. It has touches of camp, sometimes intentional. The manager of the drive-in, filled with angrily-told stories of self-pity, amused me, and I thought that the actor playing "Germy" often hit some spot-on moments, his pathetic 'am-I-a-good-boy?' eagerness to help with the investigation and wounded reaction when finally being pushed too far helping to ground the film.
This is not the worst film of its genre, and I'd watch it again with friends who want to make fun of something while we get drunk.
For the type of movie this is, given when it was made, and a total lack of big name stars ( or small name stars for that matter ) this film is very watchable. The players, none of whom are great at their craft, are worth the effort and make the movie. The special effects aren't bad given '76 standards and low budget. The plot is typical and functional. My favorite part of the whole thing? The cops. They actually come off like cops. Coupled with the premise its like Dragnet does Freddie Kruger. I liked this film. Of course I liked Dragnet and Nightmare on Elm Street too. Its certainly not great art, but thats not what this type of film is meant to be. Its meant to be cheap entertainment, and thats exactly what it is.
OK, just finished watching the awful transfer of this film on a $1 DVD. I prepared myself to be shatteringly disappointed by reading the reviews here before I started. And... drum roll please... I didn't think it was nearly as bad as everyone says.
That being said, let's get the really awful aspects out into the open; the music really is pretty uninspired. Think Radio Shack electronic workshop - imagine a 9 year old plugging and unplugging wires and pushing buttons on a flimsy bit of PC board. Got it? OK, bring it down a notch. There are also some awkward transitions in the plot. Consider a story you might tell a child, the kind you make up as you go along. When the child asks why the plot of your story contradicts itself, you just wave off their questions with a shake of your hand and say, "Keep listening!" This movie does that... kind of a lot. And, alas, sometimes the murdered dead look like dummies - and that never happens in any film and it should absolutely not be forgiven under any circumstances... ;) But what about the good? How about some really excellent acting on the part of Douglas Gudbye as "Germy" and his counterpart, Newton Naushaus, "Mr Johnson." Gudbye's skill on the screen made me pause the movie to check his filmography, hoping he had matured into a great success. Saddly, his role here was his first and last. Gudbye puts Dustin Hoffman to shame in acting out the role of a mentally handicapped. Naushaus, also appearing here in his only film role, was the embodiment of the anal-retentive schmuck we all endured at our first summer job. Also good? The sets - always authentic but never in the way.
Bearing in mind that the film was intended for drive-in audiences, the plot, the ending, and the characters all make perfect sense and contribute to what would have been, if seen in the proper environment, a genuinely unnerving film.
I'm sorry for those who really think this is the worst film ever. I'm always on a quest for the Holy Grail of Hokiness, the Ark of Awful... but it won't be found here.
That being said, let's get the really awful aspects out into the open; the music really is pretty uninspired. Think Radio Shack electronic workshop - imagine a 9 year old plugging and unplugging wires and pushing buttons on a flimsy bit of PC board. Got it? OK, bring it down a notch. There are also some awkward transitions in the plot. Consider a story you might tell a child, the kind you make up as you go along. When the child asks why the plot of your story contradicts itself, you just wave off their questions with a shake of your hand and say, "Keep listening!" This movie does that... kind of a lot. And, alas, sometimes the murdered dead look like dummies - and that never happens in any film and it should absolutely not be forgiven under any circumstances... ;) But what about the good? How about some really excellent acting on the part of Douglas Gudbye as "Germy" and his counterpart, Newton Naushaus, "Mr Johnson." Gudbye's skill on the screen made me pause the movie to check his filmography, hoping he had matured into a great success. Saddly, his role here was his first and last. Gudbye puts Dustin Hoffman to shame in acting out the role of a mentally handicapped. Naushaus, also appearing here in his only film role, was the embodiment of the anal-retentive schmuck we all endured at our first summer job. Also good? The sets - always authentic but never in the way.
Bearing in mind that the film was intended for drive-in audiences, the plot, the ending, and the characters all make perfect sense and contribute to what would have been, if seen in the proper environment, a genuinely unnerving film.
I'm sorry for those who really think this is the worst film ever. I'm always on a quest for the Holy Grail of Hokiness, the Ark of Awful... but it won't be found here.
During the first two thirds of the movie it seems that all the people involved are giving their best and despite it's evidently low budget, movie does resemble a real movie, has some decent practical effects, makes you interested in it's story and undeniably has a certain interesting atmosphere. However, in the last third of the movie whole thing breaks apart with a try at a comedy and a filler warehouse sequence which drags on for too long and is painfully boring to watch. If it continued like it's first two thirds, the movie could have been a nice mediocre movie for the fans of the genre, but like this, it's not very good. I give it 4.5/10! If you do decide to watch the movie, do keep your expectations really low!
¿Sabías que…?
- TriviaThe majority of the cast used pseudonyms because this movie was made non-union and they wanted to avoid being fined by the Screen Actors Guild.
- ErroresWhen woman is killed at the start of the movie, fake skin when her neck is penetrated is apparent.
- Citas
Detective Larry: I talked to the manager of the drive in. His name is Austin Johnson, and you're really gonna like him. He's what you'd call your perfect asshole.
- Créditos curiososMake up effects by: the Duke of Disguise
- ConexionesFeatured in Nýtt líf (1983)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Drive in Massacre?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 30,000 (estimado)
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta