Le deportate della sezione speciale SS

As with all these Nazi exploitation films, this is not for everyone. However, for those who do enjoy the genre, this will probably be perceived as a less engaging sample when compared to "The Beast In Heat," "Gestapo's Last Orgy" or the deliciously erotic "SS Experiment Love Camp."

The story here is extremely thin; women arrive at a POW camp where they engage in frequent lesbianism and a tedious plot to escape. The SWV crowd may respond to the grossness of the girl/girl scenes, but other audiences will find these a massive turnoff. Male/female sex is almost completely absent and is of the very tame "huggy-kissy" variety, rather than softcore humping.

John Steiner easily steals the show as the most charismatic performer. He also gets to do something quite interesting when he forces his manservant to submit to him sexually - revenge sex for the manservant's tryst with Steiner's old girlfriend. As so often happens with these films, the producers go out of their way to make the male coupling grotesque by casting a fat, bald, old and ugly actor as the object of Steiner's lust. Notice they did not cast someone hot and youthful, like Cesare Barro, for the role!

All in all this is a rainy day time-waster, okay if you're in the mood but not as juicy and exciting as some of its contemporaries.

The female body is a work of art, why would anyone want to see a movie where it is not treated well? I guess I'm wondering why entire sub-genres that are little more than a series of female torture and humiliation scenes are so popular (maybe we can be optimistic and say most viewers are just waiting for the 10-minute payback at the end?), but this is a discussion for another time, another place. There are certainly a lot of (often naked, usually beautiful, always natural) female bodies in "Deported Women of the SS Special Section", and the film itself is rather tamer than expected. In fact, for all the atrocities contained herein, the nastiest scene may be the one where the heroine licks the hairy leg of a fat middle-aged man! No no, the nastiest is probably what happens to that same man a little later (other reviews have already mentioned it)....Writer-director Rino Di Silvestro is better as the latter: the direction is almost arty at times (though the DVD transfer is rather murky), but the script is disjointed. As the prison camp's commander, John Steiner chews the scenery up and spits it out, contrasting with Lina Polito's quiet, dignified presence as his object of obsession. The film has its moments, but it is still recommended only to exploitation fanatics. (*1/2)

As I've seen this film, and no-one else has written anything about it I thought I'd say a few words, not that it is particularly remarkable. If you're even looking at this page you're probably a fan of Italian Exploitation (god help you) and this film is certainly that. It's about women in a Nazi prison, featuring such classic situations as the odd lesbian encounter, sadistic guards, and a lengthy bit of pubic hair shaving.

The plot is handled decently, I guess, being a rare film of this sort that actually provides some interest in the individual characters. This may come from the ridiculously over the top acting (especially from the camp commandant), but at least there is an air of some competence in the production.

In terms of deranged innovation, this film features an eye-opening razor-blade-in-a cork-up-the-vagina manoeuvre to thwart the amorous commandant. That scene, amongst others, contributing to the fact that it was apparently rejected for even Cinema exhibition in Britain. Tragically it occurs quite far into the film, and is not particularly gory or amusing or otherwise of interest. The fact that it is banned probably means more people will seek it out than otherwise would (I know I did).

There are a few scenes like the above, catapulting this film from a routine exploitation movie into something that leaves a bit of a nasty taste in the mouth. Moving from the sort of obviously fake nonsense most films of this kind have, to a seeming attempt to present degrading experiences realistically, for no reason other than whatever kicks viewers can get out of that. Not very many for most people I would expect.

Nonetheless worth seeing if you like the genre I imagine, especially the scene where, in an effort to impress the heroine, the commandant makes two women give him a blow-job (interesting seduction technique, certainly, but then the guy is a Nazi); his facial expression is great. However there's really nothing here that is particularly original, and (as above) will probably leave most feeling a little dirty. Still, no particular reason for it to be banned.

"Deported Women of the SS Special Section" sure provides plenty of sordid details for those who adore the grim, gritty, and nasty side of B cinema. The thing is, it's going to require a fair bit of patience on their part, as this movie is *very* slowly paced.

The story deals with a variety of Jewish women taken prisoner during WWII and taken to a Nazi prison where they're subjected to the expected tortures. There's not much more story than that, except for the longing that ultra creepy camp commandant Herr Erner (John Steiner) expresses for leading lady Tania Nobel (Lina Polito).

There's some melodrama to get through, in between the exploitative moments, accompanied by plaintive music by the talented Stelvio Cipriani. But don't worry, voyeurs, you'll be more than happy with the constant parade of bare female flesh. In loving close-up, no less. We even get to witness as women are repeatedly (and slowly) shaved down below. Of course, there are shower scenes, and lesbian love making scenes. (There's even one male homosexual encounter.) And in addition to all of the female nudity, there's a brief glimpse of the male anatomy as well.

The acting is commendably straight faced. Polito is lovely but rather aloof. Erna Schurer co-stars as Kapo Helga; Solvi Stubing has a great role as a guard. The gorgeous Stefania D'Amario (of Fulci's "Zombie") plays Angela, and Rik Battaglia plays Dr. Schubert. The standout in the cast is clearly Steiner, offering a deliciously depraved performance. This is one kinky guy.

If you just can't get enough of this genre, this movie should prove to be satisfactory. Certainly the Italians were particularly adept masters at this kind of exploitation.

Seven out of 10.

NOW we're scraping the bottom of the barrel, as the Nazisploitation genre kicks into gear with a film that's both offensive and snooze inducing, featuring a career low from John Steiner. His terrible acting in fact is the only thing that will keep you awake.

A bunch of women are taken to a special camp to join Ian Curtis and Peter Hook in Joy Division. There's the usual bunch of aggressive lesbians who all want a piece of this and that and aren't averse to having a cat fight in order to find out who is the top carpet muncher on camp. Meanwhile (and I'm struggling here as the plot just sort of ties all the usual exploitation crap together) John Steiner is the guy and charge and he's delighted to find that his ex-girlfriend is one of the prisoners. That's not so lucky for her mind you, ending up in a Nazi camp with an irate ex in charge. Revenge porn kind of pales in comparison.

The relentless barrage of crap in this film involves Steiner trying to get his ex to fall in love with him which invariably leads to her getting beaten and tortured, being forced to witness sex acts (YOU WILL VIEW MY SPECTACLE - Steiner screams), gets it on with a camp guard to make Steiner jealous (whom he bums in the funniest scene in the film), while the other inmates are beaten, showered, glowered at, ogled, tortured and murdered, all done in a rather cheap fashion which causes the viewer to start nodding off.

What was Steiner thinking? Things come to a head when Big John ends up getting little John torn to shreds with a fanny/razor blade combo. What a pile of crap. I'm only watching it because when I set out to watch all these films I figured I'd see how low things got in the Italian film industry. The answer is: very low. Who was this film aimed at? All those escaped Nazis in South America?

And there you have it: My review of The Departed: US Special Edition