Los reporteros de "The Washington Post" Bob Woodward y Carl Bernstein descubren los detalles del escándalo de Watergate, que lleva a la renuncia del presidente Richard Nixon.Los reporteros de "The Washington Post" Bob Woodward y Carl Bernstein descubren los detalles del escándalo de Watergate, que lleva a la renuncia del presidente Richard Nixon.Los reporteros de "The Washington Post" Bob Woodward y Carl Bernstein descubren los detalles del escándalo de Watergate, que lleva a la renuncia del presidente Richard Nixon.
- Dirección
- Guionistas
- Elenco
- Ganó 4 premios Óscar
- 17 premios ganados y 23 nominaciones en total
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Opiniones destacadas
A meticulously made film, and Redford and Hoffman were at the heights of their careers and both so adorable! The cast was perfect, with Hal Holbrook as Deep Throat, Jason Robards as Ben Bradlee, Jack Warden - all brilliant.
The break-in, as we see, was a mess. In preparation for the break-in, someone had gone around the Democratic headquarters and put tape on all the doors so they wouldn't lock automatically. One of the first things you see is a guard finding one of the taped doors - that was the actual guard, and he was considered the hero of the night.
One of the Republican plans was that during the convention, a yacht with prostitutes would be nearby; the Republicans would lure delegates onto the yacht and then blackmail them later.
The interesting thing is how all of the people involved had no problem committing actual felonies - blackmail, embezzling, perjury, and one of the most powerful moments in the documentary is the TAPE of Nixon saying he knew where he could get a million in cash to pay people off. It was all like something out of The Sopranos, with John Mitchell threatening to put Katherine Graham's tit in a wringer if anything was published about him. Astonishing. And this was The White House.
Woodward and Bernstein were like dogs with a bone, beautifully shown here as they continually pursue a story originally thought of as a waste, later called a witch hunt, and finally above-the-title news.
I'm older now, obviously, than when Nixon resigned. It was hard for me to see him as a person then. Later on, transcribing his speeches and an interview - I realized that he was an amazing speaker, and his career had been absolutely brilliant. I pity him that he felt he had to do what he did. And then I remember his comments about Jews and artists on those tapes. A very complicated man who let his dark side take over.
The film doesn't dwell on that, but on what Redford wanted - the mechanics of the investigation itself, the grunt work that went into getting the story.
Some trivia: After this film, there was a large increase in the number of applicants to journalism schools. I'd like to point out that this took place after the movie - not the book.
The story has been the prototype for every conspiracy thriller since, establishing all the motifs that would eventually be exhausted by 'The X-Files' and become cliché. The narrative flows smoothly, and Goldman does an excellent job of reigning in a potentially incomprehensible plot line, a feat that won him a much-deserved Oscar. The story does, however, slow down in spots, becoming repetitious, and could have benefited from a little judicious pruning.
An excellent movie, that not only sheds light on a historic episode without the usual glossy spin, but highlights the pitiful condition of modern journalism, a fall from grace that in time will prove to far more terrifying and long reaching than anything perpetrated by Nixon and his cronies.
¿Sabías que…?
- TriviaOne scene involving Robert Redford on the phone is a continuous six-minute single take with the camera tracking in slowly. Towards the end, Redford accidentally calls the phone caller by the wrong name. But as he stays in character, it appears genuine, so the take was used in the final cut.
- ErroresWhen Bernstein is questioning Judy Hoback in her home, she tells him that "In one two-day period, $6 million came in." In the following scene, in which Bernstein is explaining his notes to Woodward, he repeats the information as "In one six-day period."
- Citas
[last lines]
[last lines excluding archive footage]
Ben Bradlee: You know the results of the latest Gallup Poll? Half the country never even heard of the word Watergate. Nobody gives a shit. You guys are probably pretty tired, right? Well, you should be. Go on home, get a nice hot bath. Rest up... 15 minutes. Then get your asses back in gear. We're under a lot of pressure, you know, and you put us there. Nothing's riding on this except the, uh, first amendment to the Constitution, freedom of the press, and maybe the future of the country. Not that any of that matters, but if you guys fuck up again, I'm going to get mad. Goodnight.
- Créditos curiososThe opening Warner Bros. Zooming \\' logo is in black and white.
- Versiones alternativasGerman theatrical version was cut by. ca 7,5 minutes (ie. a conversation between Rosenfeld and Simons, Woodward asking a woman about Hunt, Woodward and Bernstein being dismissed by Mrs. Hambling, Woodward on the way to a meeting with Deep Throat). DVD release is uncut.
- ConexionesEdited into La classe américaine (1993)
Selecciones populares
- How long is All the President's Men?Con tecnología de Alexa
- At 59.20 there is guy in the Chief Editors office trying to sell weather reports then crosswords and enjoying a bit of banter. We only see him from behind and when he stands up the shot cuts off at his shoulders until he walks out and turns and asks Woodward to get his boss to buy something - we get a glimpse of the side of his face. His voice and brand of humor delivery really does remind me of Mel Brookes. Even the way the actors react to him doesn't look scripted. Does anyone think that was Mel Brookes making an unscripted appearance?
- Why did the pages that the journalists used in their typewriters have wide red margins on the left and right with the number 6 on them?
- Is "All the President's Men" based on a book?
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
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- All the President's Men
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Taquilla
- Presupuesto
- USD 8,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 70,600,000
- Total a nivel mundial
- USD 70,601,199