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El imperio de los sentidos

Título original: Ai no korîda
  • 1976
  • D
  • 1h 49min
CALIFICACIÓN DE IMDb
6.6/10
24 k
TU CALIFICACIÓN
POPULARIDAD
3,484
189
Tatsuya Fuji and Eiko Matsuda in El imperio de los sentidos (1976)
TragedyDramaRomance

Un apasionado relato de la historia de Sada Abe, una mujer cuyo romance con su patrón conduce a obsesión sexual con un final violento.Un apasionado relato de la historia de Sada Abe, una mujer cuyo romance con su patrón conduce a obsesión sexual con un final violento.Un apasionado relato de la historia de Sada Abe, una mujer cuyo romance con su patrón conduce a obsesión sexual con un final violento.

  • Dirección
    • Nagisa Ôshima
  • Guionistas
    • Nagisa Ôshima
    • Kôji Wakamatsu
  • Elenco
    • Tatsuya Fuji
    • Eiko Matsuda
    • Aoi Nakajima
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    24 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,484
    189
    • Dirección
      • Nagisa Ôshima
    • Guionistas
      • Nagisa Ôshima
      • Kôji Wakamatsu
    • Elenco
      • Tatsuya Fuji
      • Eiko Matsuda
      • Aoi Nakajima
    • 133Opiniones de los usuarios
    • 113Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 premios ganados en total

    Videos1

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    Fotos102

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    Elenco principal26

    Editar
    Tatsuya Fuji
    Tatsuya Fuji
    • Kichizo Ishida
    Eiko Matsuda
    Eiko Matsuda
    • Sada Abe
    Aoi Nakajima
    • Toku
    Yasuko Matsui
    • Tagawa Inn Manager
    Meika Seri
    • Matsuko (Yoshidaya maid)
    Kanae Kobayashi
    Kanae Kobayashi
    • Old geisha Kikuryû
    Taiji Tonoyama
    Taiji Tonoyama
    • Old Beggar
    Kyôji Kokonoe
    Kyôji Kokonoe
    • Teacher Ômiya
    Naomi Shiraishi
    • Geisha Yaeji
    Shinkichi Noda
    • Street Restaurant Owner
    Komikichi Hori
    • Mitsuwa Geisha
    Kikuhei Matsunoya
    • Hôkan jester
    Akiko Koyama
    Akiko Koyama
    • Mansaki Geisha
    Yuriko Azuma
    • Mitsuwa Geisha
    Rei Minami
    • Mitsuwa Geisha
    Machiko Aoki
    • Mitsuwa maid
    Mariko Abe
    • Kinu (Yoshidaya maid)
    Kyôko Okada
    • Hangyoku…
    • Dirección
      • Nagisa Ôshima
    • Guionistas
      • Nagisa Ôshima
      • Kôji Wakamatsu
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios133

    6.624.2K
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    Opiniones destacadas

    Beast-5

    terrifying

    IN THE REALM OF THE SENSES explores sexual obsession and the extremes to which it drives the characters. I saw the uncut version,readily available at the Cleveland Public Library. It was indeed sexually graphic,reaching a point where the act seems to be driven by a kind of symbiosis that can only culminate in one way. The ending is one of the most horrifying things I've ever seen in a movie. Do not confuse

    this movie with the vastly inferior IN THE REALM OF PASSION.
    Krustallos

    Get Over It

    It's clear that a lot of people can't get past the explicitness of this film, which is a shame. I recall a lot of embarrassed giggling last time I saw it at the cinema. The art/pornography debate seems futile to me - this is a film about an obsessive sexual relationship/love affair and it tells it like it is. But it's about as far away from the likes of "Debbie Does Dallas 26" as you can get. The film is clearly serious in intent and there is a lot of beauty in it.

    The subtle political content/context of the film is often overlooked - some of the few scenes shot outside the bedroom show groups of soldiers marching the other way from the direction our characters travel - and we all know where the rising Japanese militarism and nationalism of the 1930's led.

    I think the best comparison is probably with a film like "Last Tango in Paris" which dealt with similar themes in a similar way - and was probably also pretty boring for those with a short attention span.
    9BoboPDE

    Well, if nothing else, it has guts...

    Sure, everyone (or most everyone) has heard about "Sex, Lies, and Videotape" and its remarkable statement about human sexuality. However, it is unlikely that as many people have heard about this film, which in a totally different way makes perhaps as profound a statement about that topic.

    In fact, if you see an uncut version of this film, you are in essence watching pornography. That is, you are watching incredibly graphic sexual content that simply would not be allowed in an American film. I won't spell it out for you, but I will say this...do you know what they can't show you in American movies? This one shows that. And quite a bit more. This is not the type of sex you would see in a film like "Sex, Lies, and Videotape" or "Bliss" or some of the other decent American films about sex (though I can't think of any others). This is more like the sex shown in "Last Tango in Paris." The characters are so self-destructive and dangerous that the sex (one of the most inherent of all human practices) becomes an expression of their inhumanity. This is not easy stuff. But if you are willing to find an uncut version and experience the true power of this film, you may find yourself moved by the things you see.

    This film blurs the line between pornography and art, and I believe that it stays one inch to the art side, but decide for yourself. Either way, I think that it is about time for American films to truly explore that distinction.
    roerkav

    You should see this film if you're interseted in sex and good movies

    I saw this film the first time in the movies in holland about 78; I was sitting next to a nice girl wiht her boyfriend and felt terribly upset. I knew this was very real. Not romantic at all. It shows what sex can do to people and although in the ending the dramatics are overdone to my taste; this is a classical tragedy. The acting is incredible; i think the one big problem making movies showing real sex that the actors can't cope with it. These actors could. Everybody who can't see through the pornografic explicities is sexually unfree and morally limited. This film isn't a happy one and doesn't show us the freedom that sex can bring us; it shows the slavery which sex can bring about; it's problably the best film ever about sex addiction there is. It's a problem that is hardly publicly debated; or if in the hands of Christian crusaders, who want to take us all the fun. In other critics you read about th Art question : "is this Art?" Not an important question, but for me it is; it has learnt me very much about the human condition and how we cope with it.
    mgangadeen

    Good!!

    Nagisa Oshima has achieved what few other directors have managed in dealing with the very touchy subject of sex, in this instance, with sexual obsession. If you plan to watch this movie for a cheap sexual thrill, you will be most disappointed. Oshima has drawn from a real incident reported in a 1936 Japanese newspaper. The film centers around the love between two people expressed physically, graphically, into realms of the senses where few dare to tread. And with good reason. This is a very intense film as it progresses from the attraction of two people through increasing experimentation in an effort not only to express their passion but to try to find the outer most limits of passion itself. Oshima must have had something metaphorical in mind but the journey as chronicled in the film also has retained the feel of the specifics. It's quirkey and eccentric. The backdrop of the story is as interesting as the story itself. It is an amazing spectacle to observe, giving the viewer a perspective on Japanese life not usually rendered but often alluded to in some historical accounts. One wonders what this experience must have been like for the actors. Oshima has managed what I have always believed should be done in order to treat the subject of sex fully and without shrinking from its' less savory aspects. This is serious minded erotica and quite unlike anything else on screen. The only other film I can recall that compares at all is "Taxi Zum Klo" which was autobiographical and starred a number of actual people playing themselves.Obviously a different catagory in that regard from what is going on here, but both films draw much of their power from explicitly sexual scenes without compromising the integrity of the story being told. This is a film experience that should not be missed.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Demand to see the film at its first appearance at the Cannes Film Festival was so high, 13 screenings were arranged.
    • Citas

      Kichizo: I've got to pee. Okay with you?

      Sada Abe: There's no need to leave. Do it here.

      Kichizo: Where?

      Sada Abe: Inside of Sada, all nice and warm.

      Kichizo: You're mad! It's impossible to do both at the same time.

    • Versiones alternativas
      The original version ran 108 minutes. Producer Anatole Dauman received Oshima's permission to recut the film, resulting in a shorter 102-minute edit. This version has been distributed theatrically in some countries (such as France) and is available on video in Australia, the UK, the United States, and France. The French DVD includes both versions (via seamless branching), while the U.S. Criterion DVD features the cut footage as an extra. The PAL releases run 97 minutes. This shorter version makes the following changes:
      • An early scene in which Sada has sex with Ishida while playing a shamisen has been cut by about a minute and a half. In the original version, Sada seemingly goes unconscious and Ishida checks for her heartbeat.
      • A brief shot (12 seconds) of Ishida and Sada on a bridge has been added to the scene in which the couple goes out walking at night.
      • A later scene (in which the geishas assault one of their own with a dildo) is cut by 14 seconds to remove a shot of Ishida and Sada's faces in mid-copulation.
      • An entire two-minute scene is deleted about an hour into the film. This scene features Sada and Ishida having sex behind a thin screen, while Ishida speaks of the "darkness" he feels inside Sada.
      • The scene in which Sada first strangles Ishida is cut by just over one minute. In the short version, the scene ends when Ishida starts coughing and Sada releases his throat. In the original version, Ishida asks her to resume, which she does (only to stop when he begins coughing again).
      • The scene in which Ishida becomes drowsy while having sex with Sada is edited differently. The original version has slightly different dialogue and has an additional minute of footage where Ishida actually does fall asleep for a short time.
      • The scene in which Sada wakes up after her final night with Ishida is cut by one minute. The original version shows Sada lying on the floor and apparently panicking, walking around the room and opening doors for no obvious reason. The short version cuts straight from Sada waking up to the shot of her standing over Ishida's body.
    • Conexiones
      Edited into Video Macumba (1991)
    • Bandas sonoras
      Ballades for koto II-Spring: Mebae (Seeding)
      Composed by Minoru Miki

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    Preguntas Frecuentes

    • How long is In the Realm of the Senses?
      Con tecnología de Alexa
    • Is this film still banned in Japan?
    • Are the actors having real sex?
    • What are the differences between the old BBFC 18 Version and the Uncensored Version?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de mayo de 1985 (México)
    • Países de origen
      • Japón
      • Francia
    • Sitio oficial
      • Official site (Japan)
    • Idioma
      • Japonés
    • También se conoce como
      • In the Realm of the Senses
    • Locaciones de filmación
      • Daiei-Kyoto Studios, Kioto, Japón(Studio)
    • Productoras
      • Argos Films
      • Oshima Productions
      • Shibata Organisation
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total a nivel mundial
      • USD 569
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 49 minutos
    • Relación de aspecto
      • 1.37 : 1

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