Mary Hartman, Mary Hartman

Truly one of the greatest-and least remembered -TV shows of all time.I loved this show back in the seventies. It was a rich tapestry of comic-and touching- characters, exemplified by the naive heroine, Mary Hartman,and her friends, perhaps most unforgettable of whom was would be Country Music queen,Loretta Haggers, played by the sadly underused -and brilliant-Mary Kay Place.But then this show was rich in fine acting-Dabney Coleman, martin Mull, and Marian Mercer, among others.If the Comedy channel can rerun "soap" why cant they rerun this masterpiece?

Absolutely the funniest & best written comedy series I have seen in my life.Been waiting for years for syndication.I saw every episode.Put it on DVD`s & I`ll buy them.Haven`t laughed so hard since the movie "It`s a Mad Mad Mad Mad World" Bob

This should MUST be resurrected.

A more insightfully absurd and comically astute series has not been made. Mix the daily grind of ALL MY CHILDREN, the experimentation of MONTY PYTHON, the self-absorbed and urbane existentialism of WOODY ALLEN and the offbeat quality of BLUE VELVET and you have MARY HARTMAN MARY HARTMAN.

What a fabulous cast and what kooky writing! This is black comedy at its most tongue-in-cheek.

TVLAND bring it back, please!

A sharply satirical soap opera about a modern-day "Candide" (Louise Lasser) and the dysfunctional pre-fab Americana she inhabits. In the opening episodes (beginning 1/76), Mary has to contend with her impotent husband, indifferent daughter, pervert grandpa, hot-to-trot sister, and the massacre of a local family (along with their 2 goats and 8 chickens) but it seems the waxy yellow build-up on her kitchen floor subliminally affected the mass media-influenced Mary more than all the domestic drama combined. The absence of a canned laugh track can make viewers feel they're either losing their mind or experiencing a darkly comedic, penetrating pop-culture parody. Possibly both. I loved it then and I love it now!

This was one of those seminal moments in television history, because the 70s seemed to be more open to experimentation and strangeness than certainly the 80s and definitely the 90s.

Mary Hartman, Mary Hartman was a show that was unclassifiable by any standard of TV today. Now, I haven't seen the show in about 15 years (I watched the whole series on tape at a friend of mine's back in the mid or late 80s), but I am sure that it would be just as bizarre and wonderful today as ever.

Martin Mull was brilliant as the psychopathic wife beater, Barth Gimble. I hope that TV Land or some other such channel will pick this show up, because I would really love to see it again.