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Las aventuras de un niño atrapado en una tierra fantástica con un amigo dragón y una enemiga bruja.Las aventuras de un niño atrapado en una tierra fantástica con un amigo dragón y una enemiga bruja.Las aventuras de un niño atrapado en una tierra fantástica con un amigo dragón y una enemiga bruja.
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This is a weird, weird, weird show. My friend Tom and I are afraid to watch it because it feels like you are on drugs. Strange muppets, subliminal messages, hypnotic imagery, funky colors are all on parade in this 1969 TV Series about... you know, I have no clue what was going on! I don't know if this would be considered a recommendation, but I must admit, you should see this show once to see how "trippy" it really is.
For any adult born after 1970, this series (and the movie that was made from it) will make little sense, if any. Wild, raucous colors, dancing, singing, and an island where everything - yes, EVERYTHING - is alive.
Little Jimmy, coaxed to Living Island by the evil machinations of Witchy-Poo (the heavy of the series) finds himself in possession of a magic, talking flute, and trapped on an island of talking hats and dragons and witches, all of which he can barely comprehend. To an adult of today, the show simply makes little sense...
Ah, but if you saw it as a child, as I did, the show makes perfect sense. First, it's *FUN*. That, indeed, was one of the main points of the show - having fun. Yet, each show attempted to impart (as is typical for children's programming) a moral message. In general, the most common message of the entire series was "Perseverance". Keep trying, because though you may fail, if you keep trying, you may succeed in the end. Other lessons imparted by the show include 'Don't steal', 'Don't Lie', and 'Don't be Mean (despite how much fun it may be, you end up hurting others, and that isn't nice).'
Adults today look at the show, searching for depth, perhaps hidden meanings. Well, there *AREN'T* any - what you see is what you get. Cling and Clang have no "Hidden Meanings" - they are simply Cling and Clang. The talking flute is just a talking flute, and Jimmy is just a boy who wants to go home.
Alas, the networks decided to cancel the show. In an era where even the most critically acclaimed shows often died due to a slip of a point or two in the Nielsens, H.R. Pufnstuf was not the smash hit the network demanded. Adults of the time simply shook their heads as their children laughed and clapped and sang along with the simple songs, for parents of the time understood the show about as well as they understood the dark side of the moon.
Yet, I understood it as a child, as did all my friends of that time. Yes, we sang along with the theme song (which I can still sing today, word for word - it was mercifully short), laughed at the antics of the Living Islanders, booed the evil Witchy-Poo, and deeply felt for Little Jimmy, who sometimes wept for his heartfelt desire to go home. As a child, however, I often found I was jealous, even angry with little Jimmy. Living Island was, in the end, a fantasy paradise (despite Witchy-Poo), and for each moment Jimmy sighed and wished he could go home, I sighed and wished I could be there, on Living Island, instead of in the world of 1969, with it's turmoil and strife that were far beyond the comprehension of a little boy.
Little Jimmy, coaxed to Living Island by the evil machinations of Witchy-Poo (the heavy of the series) finds himself in possession of a magic, talking flute, and trapped on an island of talking hats and dragons and witches, all of which he can barely comprehend. To an adult of today, the show simply makes little sense...
Ah, but if you saw it as a child, as I did, the show makes perfect sense. First, it's *FUN*. That, indeed, was one of the main points of the show - having fun. Yet, each show attempted to impart (as is typical for children's programming) a moral message. In general, the most common message of the entire series was "Perseverance". Keep trying, because though you may fail, if you keep trying, you may succeed in the end. Other lessons imparted by the show include 'Don't steal', 'Don't Lie', and 'Don't be Mean (despite how much fun it may be, you end up hurting others, and that isn't nice).'
Adults today look at the show, searching for depth, perhaps hidden meanings. Well, there *AREN'T* any - what you see is what you get. Cling and Clang have no "Hidden Meanings" - they are simply Cling and Clang. The talking flute is just a talking flute, and Jimmy is just a boy who wants to go home.
Alas, the networks decided to cancel the show. In an era where even the most critically acclaimed shows often died due to a slip of a point or two in the Nielsens, H.R. Pufnstuf was not the smash hit the network demanded. Adults of the time simply shook their heads as their children laughed and clapped and sang along with the simple songs, for parents of the time understood the show about as well as they understood the dark side of the moon.
Yet, I understood it as a child, as did all my friends of that time. Yes, we sang along with the theme song (which I can still sing today, word for word - it was mercifully short), laughed at the antics of the Living Islanders, booed the evil Witchy-Poo, and deeply felt for Little Jimmy, who sometimes wept for his heartfelt desire to go home. As a child, however, I often found I was jealous, even angry with little Jimmy. Living Island was, in the end, a fantasy paradise (despite Witchy-Poo), and for each moment Jimmy sighed and wished he could go home, I sighed and wished I could be there, on Living Island, instead of in the world of 1969, with it's turmoil and strife that were far beyond the comprehension of a little boy.
Attention: If her charms are completely lost on you, read no further!
As someone who's never smoked the wacky tobacky, I do my best to ignore the alleged reference in H(appy).R(elaxing). Pufnstuf. Anyway, my story...
I was just a little too young to watch the show when it first aired. Today, having first seen it on TV Land quite recently, I would easily dismiss it as silly crap if it weren't for one thing: Witchiepoo, the resident villain. This little witch, as played by Billie Hayes, is irresistibly cute and utterly entertaining. She more than makes up for everything the show may lack. Kudos, though, to the rest of the cast, mostly puppeteers.
True, Witchiepoo may seem like a total rip-off of the Wicked Witches in "The Wizard of Oz", but I have yet to fall madly in love with Margaret Hamilton's green-faced ghoul, as excellent as she was in that role. It is a testament to Billie Hayes' talent that, through all the ugly make-up, she can be so wonderfully charming and adorable. Witchiepoo proves that a witch need not be pretty (Samantha, Sabrina) to be lovable. And I defy you to hear that sweet laugh of hers and not instantly fall under her spell!
Witchiepoo is the antithesis of so much sleazy TV programming today, and that's why I don't feel as silly as I could've about proclaiming my deep affection for this sweet and enchanting character. Thirty-five years since Witchiepoo first arrived, and it'll be a long time before I fall for another fictional character the way I've fallen for Witchiepoo. I am truly bewitched.
As someone who's never smoked the wacky tobacky, I do my best to ignore the alleged reference in H(appy).R(elaxing). Pufnstuf. Anyway, my story...
I was just a little too young to watch the show when it first aired. Today, having first seen it on TV Land quite recently, I would easily dismiss it as silly crap if it weren't for one thing: Witchiepoo, the resident villain. This little witch, as played by Billie Hayes, is irresistibly cute and utterly entertaining. She more than makes up for everything the show may lack. Kudos, though, to the rest of the cast, mostly puppeteers.
True, Witchiepoo may seem like a total rip-off of the Wicked Witches in "The Wizard of Oz", but I have yet to fall madly in love with Margaret Hamilton's green-faced ghoul, as excellent as she was in that role. It is a testament to Billie Hayes' talent that, through all the ugly make-up, she can be so wonderfully charming and adorable. Witchiepoo proves that a witch need not be pretty (Samantha, Sabrina) to be lovable. And I defy you to hear that sweet laugh of hers and not instantly fall under her spell!
Witchiepoo is the antithesis of so much sleazy TV programming today, and that's why I don't feel as silly as I could've about proclaiming my deep affection for this sweet and enchanting character. Thirty-five years since Witchiepoo first arrived, and it'll be a long time before I fall for another fictional character the way I've fallen for Witchiepoo. I am truly bewitched.
This is a strange,scary,freaky demented show. All I can remember is a screaming, living flute, bizarro McDonaldland characters and "Withchy-Poo", by far the scariest villian ever on T.V. The thought of seeing this show again sends shivers up my spine. Therefore I have no choice but to give it a "10"
I cannot recommend this show highly enough! It is a major reason that I grew up with the wild imagination I still have to this day! Along with Lidsville and Sigmund and the Seamonsters, Pufnstuf was a staple of my Saturday morning. I taught a group of high school kids last year. A few of them somehow found out about the show. We started talking and then one of them came back the next day with the DVD set! He bought all the episodes and a new generation was exposed to the big goofy dinosaur. They loved it! Now I need to show it to some younger kids and get them influenced early by Pufnstuf, Witchiepoo, Freddy, Jimmy, and the rest! HR Pufnstuf is a classic. Pufnstuf even went on stage with the Brady Kids at one of their cheesy concerts at the Hollywood Bowl ! The late 60's early 70's were a great time to be a kid. A big dinosaur puppet became a teen idol !
¿Sabías que…?
- TriviaMarty Krofft accepted guardianship of Jack Wild while the teenage boy was in America filming the show. Krofft had 2 teenage daughters, and said later that Wild "made my life Hell."
- ErroresIn most scenes featuring flying creatures, wires can be seen holding them up.
- Citas
Witchiepoo: With friends like you two, who needs enemies?
- ConexionesFeatured in Krofft Late Night (1991)
- Bandas sonorasH.R. Pufnstuf
(End title theme)
Performed by The Pufnstuf
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- Sitio oficial
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- También se conoce como
- 怪獣島の大冒険
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By what name was H.R. Pufnstuf (1969) officially released in India in English?
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