We’re introduced to the protagonist of Son of Joseph as he silently observes the tortured of a trapped rat. Two of his schoolmates jab thin steel pins at the frightened rodent. “Try to poke one of its eyes out” one urges. “I can’t, he’s too clever,” the other replies. Our hero promptly leaves, finding himself to have more in common with the rat than his supposed friends.
If you’re unfamiliar with the work of Eugène Green you have a weird road ahead of you. He’s an American-born French filmmaker with a tendency towards brain numbingly glacial pacing, intentionally monotone performances, compositions static to the point of fossilization and characters who generally end scenes by gazing blankly into the lens. His style is definitely an acquired taste, catering for those with reservoirs of patience and the ability to tolerate some pretty artsy fartsy filmmaking.
Our lonely...
If you’re unfamiliar with the work of Eugène Green you have a weird road ahead of you. He’s an American-born French filmmaker with a tendency towards brain numbingly glacial pacing, intentionally monotone performances, compositions static to the point of fossilization and characters who generally end scenes by gazing blankly into the lens. His style is definitely an acquired taste, catering for those with reservoirs of patience and the ability to tolerate some pretty artsy fartsy filmmaking.
Our lonely...
- 12/1/2017
- de David James
- We Got This Covered
IMDb.com, Inc. no asume ninguna responsabilidad por el contenido o la precisión de los artículos de noticias, Tweets o publicaciones de blog anteriores. Este contenido se publica únicamente para el entretenimiento de nuestros usuarios. Los artículos de noticias, Tweets y publicaciones de blog no representan las opiniones de IMDb ni podemos garantizar que los informes en ellos sean completamente objetivos. Visita la fuente responsable del artículo en cuestión para informar cualquier inquietud que puedas tener con respecto al contenido o la precisión.