El submarino amarillo

I bet you're thinking, "another Beatles movie?" but that's not really what this is. A wonderfully vibrant and gorgeous cartoon, and a treat for the eye and ear. This is how vivid and bright all cartoons should be. Great soundtrack of course, and the Beatles make a real cameo at the very end. Watch if you are a Beatle fan like me, or simply if you want a fun cartoon. They did a wonderful job remastering and cleaning it up.

This could have been poorly done had it not been for a sense of quality that seemed to be a part of the Beatles and their people. This is the wonderful story of society that develops over time and come under threat. But it is not the usual "save the world" kind of thing but rather the creation of a world like we've never seen. There is a surreal being to it. It is colorful and engaging. Of course, what is most impressive is the integration of Beatles music into the plot. "Lucy in the Sky with Diamonds" is a great example of psychedelic visuals. But overall, it is a movie that never bores. Its images are striking and there is an array of the most wonderful characters.

Over 35 years later, this is still an innovative animated film: colorful, clever and different. In fact, you'd have to look hard to find a more colorful film ever made.

The Beatles characters are fun, spouting a number of good puns and inside jokes concerning lyrics from some of their past songs. The bad guys here, the "Blue Meanies," are also fun to watch and really different from anything you've seen.

This is wild stuff which can appeal to adults even more than kids. The only improvement I would have made would have been to shorten it a bit. Even at a fairly short 90 minutes, some could have been trimmed.

The DVD is fine, except for the last 30 minutes when it gets grainy. However, the 5.1 surround sound more than makes up for that, affording the viewer to hear all these famous Beatles songs in a better format that surrounds you as a CD could never do.

After learning that my girlfriend had only see Yellow Submarine while stoned, and seemed convinced that was the reason she liked it, I insisted she watch it unstoned. She still liked it, and it was every bit as good as I recalled.

The story makes no sense, as the movie struggles to turn a bunch of random songs into some sort of narrative, but that hardly matters. The pun-filled script is blithely entertaining, the scenarios are wonderfully imaginative, the songs are terrific (of course), and the visuals are beyond amazing. The animation has a lose, experimental feel that was extraordinary at the time and is even more so in the days of digital animation.

Surprisingly, the weakest aspects of the movies are the Beatles' contributions, which consists of four of their lesser songs (although I do really like Only a Northern Song even though my girlfriend points out it's quite similar to Harrison's previous If I Needed Someone). None of the new songs really helped with creating the story and thus feel a little shoehorned in.

The first time I saw this movie I was 10 years old and I loved it. Now I'm 58 and I still love it. It is a gloriously colorful display of 60s pop art that should be seen by anyone who loves animation, the Beatles, or weird psychedelic art.

"Yellow Submarine" is a great film but it's not because of the plot or even the whimsical, non-sequitur filled dialogue. "Yellow Submarine" works best as a series of loosely connected music videos that pre-date MTV by 12 years.

If you grew up with MTV and you think that most music videos consist of 80's Hair-Metal bands "in concert" or rappers in hot tubs with women in bikinis, take a look at some of the musical numbers in "Yellow Submarine".

You have "Only a Northern Song" which is presented with Andy Warhol style pop-art images. "Nowhere Man" is a whimsical, trippy, rainbow colored cartoon. "When I'm Sixty Four" is illustrated by a "Sesame Street" style numerical countdown. Even "All Together Now", for which The Beatles themselves actually appear on screen, contains little camera tricks and quick cut edits that are common tools of more recent music videos.

The two best segments in the movie, in my opinion, are "Eleanor Rigby" and "Lucy in the Sky with Diamonds". "Eleanor Rigby" uses black and white still photos of what is apparently Liverpool rotoscoped with occasional splashes of color to illustrate the dreariness of the lives of "all the lonely people." The full-color rotoscoped images for "Lucy", such as the can-can dancing chorus line and the horse running in the field, are beautiful.

If you are a fan of The Beatles, great animation, or music video, this film is for you.