Los perversos sueños de una rubia

This movie, like many comedy pictures from earlier in the sixties and the prior decade, includes some slapstick humor, a guy and a girl being pursued by bad guys, and a series of romantic misunderstandings that lead to outlandish situations and humorous dialog. In addition to that, add some major characters from Hogan's Heroes to a film that, again, pokes fun at some seriously misguided Germans, and you have a picture that is fun to watch, for those who get it. The setting for the picture is Germany in the cold war era, so in this case, the bumbling villains are East German communists instead of world war two Nazis.

This movie is probably not for everyone. If you are not fond of fifties and sixties romantic comedies that substitute somewhat risqué innuendo for graphic sex scenes, then you may find this movie to be too mild. If you thought that Hogan's Heroes' theme of mocking Europe's second world war oppressors was in poor taste, then you may find this film to be just as distasteful. If you hold the view that soviet communism was a great idea that was misunderstood and you can't wait for Vladimir Putin to restore it to eastern Europe, then you will probably hate this movie. However, if you are not among those who hold such views, then you may find that this picture contains some enjoyably ironic humor and is fun to watch. Just sit back and enjoy this light comedy with Bob Crane and Elke Sommer.

This film begins with a beautiful Olympic athlete by the name of "Paula Schultz" (Elke Sommer) constantly at odds with the communist establishment in East Germany and wanting the freedom to express herself as a woman. As far as the East German authorities are concerned, they only care about her fame as an athlete and want to use her simply for propaganda purposes. So, when she shows up in a stylish outfit for a photo session intended to publicize the latest tractor, things soon become quite heated to the point that her boss "Director Klaus" (Werner Klemperer) decides to personally intervene. To that effect, one thing soon leads to another and, after he attempts to seduce her in his bedroom, she utilizes her athletic ability to escape into West Berlin. From that point on Director Klaus does everything he can to bring her back--which includes making a deal with a black marketeer named "Bill Mason" (Bob Crane) who promises to betray her for $75,000. For his part, Director Klaus would rather capture her without paying anything in return and sends in a specialist by the name of "Agent Weber" (John Banner) to try to accomplish that task first. What he doesn't count on, however, is just how incompetent he and his men turn out to be. Now, rather than reveal any more, I will just say that this turned out to be a little bit better than I expected due in large part to the casting of Bob Crane, Werner Klemperer, John Banner and Leon Askin (as "Oscar") from the popular television series "Hogan's Heroes." I especially liked the performance of John Banner who, I believe, stole the show. Likewise, having a stunning beauty like Elke Sommer certainly didn't hurt either. Admittedly, the script wasn't nearly as good as it could have been, and the actors suffered to a certain extent because of it. But even so, I enjoyed this movie for the most part, and I have rated it accordingly. Slightly above average.

This trashy cheap comedy has only one reason to be preserved. That saving grace is Elke Sommers. Elke is the most beautiful actress in Hollywood. Her costumes were amazing. They showed so much but still concealed. She is constantly losing her clothes in delightful ways. The scene in the white satin dress is the stuff that dreams are made of. Her expressions, her voice, her accent, her hair, her eyes...I can watch that scene over & over again. That sounds adolescent, but I was an adolescent when I first watched this film. Elke had many other good scenes:her fight with agent outside the club was fun as were the high jump over the tower of bottles; dancing on the bed wearing a bedspread;the torn dress that belonged to Forman's wife (who is also quite comely in a different way). So why not give it a ten? Because the awful script & the clumsy antics of the East German agents rate a 0. I will give it +1 for Joey Forman's believability and +7 for Elke. In summary, not an ounce of appeal for women and only has appeal for men who still recall their adolescent dreams.

I, too, tuned in to see the cast members of "Hogan's Heroes" in different roles, though other than Leon Askin, most of them are playing very similar characters. After a time, one gets used to the novelty casting, and the movie itself begins to show through.

Leading lady Elke Sommer is beautiful and genuinely charming, at least in those scenes where she is allowed to act. (An aside: I wish she had been given more to do during her film career.)

On the whole, however, this movie is very poorly written and directed. Most of the physical humor is silly rather than funny, as well as being badly choreographed. Take at most 15 minutes to appreciate said cast members and then turn to something riveting and intellectual, like a rerun of Gilligan.

The subject matter notwithstanding, this picture is a colossal waste of time and film...I cannot for the life of me figure out why anyone decided to actually sign a contract to do this...the ONLY reason to give it anything more than a 1 is because there are enough scenes of Elke to elevate it to a 2...and spoiling the ending wouldn't come into play here...it would be a patriotic duty to tell everyone how it ends...so they can skip watching it...I think it is a tribute to the other members of the "Hogan's Heroes" cast that they didn't either agree to make this piece of trash or weren't asked...in which case they should thank their lucky stars or buy a lottery ticket...and what is really astonishing is that you can actually find this pseudo-feature on the Net...I found a copy on Half.com...so if you're in the market for one of the worst movies in cinematic history...my suggestion is you go trolling there...