La venganza de Fu-Man-Chú

Lin Tang doesn't sit at the feet of Fu Manchu anymore - she got promoted and takes a throne at his side now. Can't say that the movie moves up a level, though, if I compare it to its predecessors. The 3rd one of the series was the first one not directed by Don Sharp, it was most likely not made with the same production time and budget, and the story is, mildly put, simple. Fu Manchu wants revenge on his personal enemy Nayland Smith, and afterwards achieve world domination, of course. Some unnecessary things are stretching the story to 80+ minutes, such as the tavern brawl with the sailors or the introduction of Horst Frank as an additional villain. Fu Manchu asks him to do the torturing for one day as if he thought he must give this character something to do. Peter Carsten gets a better role as a gangster who is joining the good guys after his downfall. Although it is impressive to see the impersonator of Nayland Smith become a murderer under Fu Manchu's command, showing absolutely no emotion and not saying a word during his trial, one can't help wondering why the judge and lawyers didn't think he might be hypnotized or something like that. Did they just think he must be the shy type of guy who doesn't talk much? The green misty hills of Ireland are posing successfully for China again, compliments for the choice of locations. Voted 7/8/5/7/4 for the five movies.

After THE FACE OF FU MANCHU (1965), the first and best of the 5 film series devoted to Sax Rohmer's Oriental villain and produced by Harry Alan Towers, my second favorite is the third film in the series, THE VENGEANCE OF FU MANCHU (1967). Unlike the first two which were directed by Brit B movie auteur Don Sharp, this film was helmed by Brit TV veteran Jeremy Summers who that same year directed Vincent Price in HOUSE OF 1000 DOLLS and Bob Cummings in 5 GOLDEN DRAGONS.

Summers brings a TV director's pacing and no-nonsense approach to the material which is a real plus when the script is less than it should be. As an old theatre director I worked with used to say... "If you can't be good, be fast". VENGEANCE also benefits from the location shooting in Hong Kong which helps to lend an air of authenticity to the proceedings. Also the use of predominantly Asian actors as Fu's minions (not the case with the other titles in this series) adds an extra element of credibility.

Douglas Wilmer returns as Fu's nemesis Nayland Smith having replaced Nigel Green after the first film. This time around he has very little to do as he is mostly catatonic throughout most of the movie. That's because he's actually someone else who has been surgically altered to look like Nayland Smith and is programmed to kill his Chinese housekeeper and then shut down. He is arrested for murder and convicted and sentenced to be executed. Throughout the proceedings he does nothing to defend himself, leaving his friends baffled.

This one aspect of the plot seems to bother most people concerning this film (surely Dr Petrie could spot him as a fake) but logic is hardly a primary component in a Fu Manchu story and so it didn't bother me. A few years earlier a similar plot was used on THE OUTER LIMITS. I just went where the movie took me which is how I watch films whether they are good or bad. In the end, of course, good triumphs over evil and Fu is left uttering his famous line "The World Shall Hear From Me Again."

This Warner Archive DVD-R looks very good for a non-restoration and the soundtrack is loud and clear. The one disadvantage of a Warner DVD-R is that there are no subtitles which are always a great help in understanding what is going on and for picking up dialogue that you might have missed. For those concerned with political correctness, if you're watching a Fu Manchu movie then you have no business complaining about Asian stereotyping or Christopher Lee as the Oriental arch-villain. It's Saturday Matinee time and that's all this movie was ever meant to be...For more reviews visit The Capsule Critic.

Fu Manchu and his daughter Lin Tang(Tsai Chin)return home to China.This time Fu Manchu kidnaps a Christian missionary working in China,who is also a surgeon.He is kidnapped to perform an operation on one of Fu's dacoits to make him look just like Nayland Smith.However he wants duplicates made of all the major police chiefs of the world,to discredit them as well.He calls Rudolph Moss(Horst Frank),the head of American syndicate,to join him.Christopher Lee is again amazing as a Fu Manchu-the film is pretty well-made and exciting.Followed by two euro-trash cheapies "The Blood of Fu Manchu" and "The Castle of Fu Manchu".

Evil Oriental mastermind Fu Manchu (CHRISTOPHER LEE) and his daughter in crime Lin Tang (TSAI CHIN) return to their ancestral China from where they plot their latest diabolical scheme for world domination. First they create an explosion causing a rocky mountain to subside, thus creating the illusion that all communications have been cut off between the village that neighbors Fu Manchu's palace and Shanghai. Secondly they abduct a renowned plastic surgeon called Dr Lieberson (WOLFGANG KIELING) and force him to create a double of Nayland Smith (DOUGLAS WILMER). The real Smith is subsequently abducted and brought to Fu Manchu's palace. Meanwhile, the double who is a prisoner under a deep state of hypnosis kills Smith's housekeeper and is subsequently arrested, tried and hanged for the crime. Fu Manchu is delighted as the whole world thinks that Nayland Smith was a psychopathic killer and his reputation is posthumously ruined. While all this is going on, Fu Manchu will have the pleasure of murdering the real Smith on the quiet. A wanted American criminal mastermind called Rudolph Moss (NOEL TRETHARNAN) has recently arrived at Fu Manchu's palace with a pact signed by the world's criminal bosses agreeing to the Yellow Peril becoming their leader. Fu Manchu plans to use Dr Lieberson to create further doubles of all the criminals' enemies and give them the same treatment as he intends for Nayland Smith. Smith must escape, clear his name and stop an international murder spree erupting.

THE VENGEANCE OF FU MANCHU was the third of producer Harry Alan Towers' series of international productions starring Christopher Lee as Sax Rohmer's fiendish Oriental mastermind. Don Sharp had directed the first two films in the series, but Jeremy Summers took over for this one entry. Summers was essentially a TV director who occasionally made feature films. These include the Gerry & The Pacemakers movie FERRY CROSS THE MERSEY (1965) and the Tony Hancock vehicle THE PUNCH AND JUDY MAN (1964). On TV he has directed episodes of such British cult classics as JASON KING and RANDALL & HOPKIRK (DECEASED) as well as contributing to notable UK soap operas such as CORONATION STREET and BROOKSIDE. Summers' father was Walter Summers who directed the notable Bela Lugosi horror film THE DARK EYES OF London (1939). Incidentally, this was the first film in the UK to receive the "H" for horrific certificate in Britain.

The film marks first step down the slippery slope of the series' degeneration into becoming shambling nonsense. The script is both poorly plotted and confused. Matters are not helped by an unwise emphasis on torture and sadism like when Fu Manchu brands Liebrson's daughter (MARIA ROHM) with a branding iron in order to force him to carry out his demands. These scenes are disheartening and make one wish for the return of the light direction of Don Sharp in THE FACE OF FU MANCHU (1965). The production also has the air of being a half-hearted effort all round as most of the performances are all at best average with the possible exception of Tsai Chin whose portrayal of Lin Tang is still undeniably evil without any sign of remorse in her actions. The direction is coherent and well-paced (which saves the picture from being a complete disaster) but shows little enthusiasm for the material. The film wasn't particularly successful, but Towers was able to squeeze out two more (and even worse) sagas featuring Fu Manchu. They were THE BLOOD OF FU MANCHU and THE CASTLE OF FU MANCHU (1968), which were shot back to back by Spanish director Jess Franco. This series could have lasted for a long time if they had referred back to the original source for plots rather than trying to invent their own.

This has got relatively more torture scenes than the overrated FACE OF FU MANCHU although they are nowhere as imaginative and adult comics/pulp flavored as in the classic MASK OF FU MANCHU. Minor points of interest: feeble and failed attempt to add some sensuality by a few uninspired nightclub scenes with Maria Rohm, one karate-style fight scene, and the presence of one Oriental among the good guys and one Westerner among Fu's camp to break down good guys - bad guys pattern along racial lines.