Psicosis del crimen

Something I've always liked to do is look through classic horror gems, and unearth some truly forgotten gems, like this one which was hampered with controversy when released and sadly failed to make any impact. This is a shame given that this is a well and truly crafted thriller with great performances that does echo tension with the actions of the lead character.

The biggest strength relies on Martin who has an alter ego who pretends to be a simpleton, just so he can con his way into a woman's affections. Despite living a lift of wealth and good looks, his mind is anything but stable, with an overbearing mother and a down syndrome brother who is put away for just being handicapped and is more or less forgotten about, apart from by Martin, a deep hatred for his stepfather, his mind begins to shatter like a broken mirror which sends him into a spiral. It is often difficult to pull this kind of thing of convincingly, but here it is done right and slowly builds throughout the movie.

Okay this isn't a perfect movie and does have some lower points, like there is just way too much time focused on Martin's descent into madness, instead of moving along at a quicker pace, it seems that other elements of the film suffers in a way, and also the message at the beginning of the movie just contradicted the events of what happens, is also just silly. But asides from this is a really good movie with camera styles and technique that echoes Hitchcock, along with well written main characters, something that's rare these days, does make this viewing a treat.

The casting like I already said is excellent Hywel Bennett who plays Martin was the clear standout, his performance was chilly and captivating, his pleasant features and broad range are both hypnotic and terrifying. Hayley Mills who plays the female lead was also excellent and pulls off the victim angle and of course has great chemistry with the male lead. Billie Whitelaw gives a great sympathetic turn as the owner and Susan's mother, she felt very tragic as a woman whose just wants to be loved.

All in all "Twisted Nerve" is a very complex thriller that may be slow burning at times, but well worth a watch.

Martin/Georgie is a mommy obsessed psychopath with a mental age of an infant.Georgie dupes his way into beautiful Hayley Mills' residence and the sinister things begin to happen..."Twisted Nerve" is a psychological thriller strongly influenced by Alfred Hitchcock's "Psycho".The camera-work is outstanding as is the acting.There are only two murders shown in the film,so fans of horror will be disappointed.The soundtrack by Bernard Herrmann of "Psycho" fame is truly memorable as is the whistling theme later used by Tarantino in "Kill Bill Vol 1".The characters are well-written and there is strong emphasis on oedipal complex.8 out of 10.

Like many I knew this film only from the review in Phil Hardy's "Encyclopedia of Horror Films." Based on that I expected a piece of totally exploitative trash that would prove highly offensive. Having now seen it, I ask "what film did he watch?" The Twisted Nerve I just watched is a surprisingly good, well made thriller that does not deserve it's critical drubbing or audience ignorance (It is also not a Splatter" movie as the review states). Back in the day it seems that it caused a firestorm of controversy in it's native England as many mistook Martin/Georgie's split personality for mental retardation. It is his brother, not Martin, that is mentally retarded and in no way a threat to anyone. Martin is in fact, a split personality. As Georgie, he is a very likable man/child, sweet and innocent. But as Martin, he's cold, calculating, and dangerously clever. I think this makes for a fascinating hero/villain and Hywell Bennet carries it off with extreme effectiveness. Hayley Mills and Billie Whitelaw are at their loveliest, and overall the cast does extremely well. Could be a tad overlong at nearly 2 hours, but the film never drags once. Forget what the critics say and it's controversial legacy. Give it a chance, you'll be rewarded.

Hayley Mills and Hywel Bennett who scored big in The Family Way, she as the eager bride and him as the groom with nervous performance problems, made several films after that together. But Twisted Nerve is about as different from The Family Way as you can get. Hayley Mills still had some box office clout via the Disney films she made. But it's Bennett here who has a meaty role as a narcissistic sociopath.

He meets Hayley Mills when both are suspected of shoplifting in a London toy store. But Mills and Bennett both get out of it after he puts on a second personality, a man with the development of a seven year old. Mills feels sorry for him and Bennett makes a note of her address and makes sure to bump into her.

He may act a seven year old as a ploy calling himself Georgie. But in is real life role as Martin, Bennett is getting an understandable case of the hots for Mills. She can't take him seriously though in his little boy persona. That's when Bennett's narcissism takes over and he goes full blown psychotic.

Bennett dominates this film, he enters the room your eyes are on him even if he's not speaking. Beautiful as Hayley Mills was at the prime of her life, she can't keep your attention when Hywel is in the scene.

The film fills you full of anticipation. You never know when Bennett is going to finally lose it, but when he does you are fearful of this man/child.

Nothing like The Family Way, but still a good film.

In 1960, two respected British directors debuted shocking psychosexual thrillers, to mixed critical and commercial receptions: Alfred Hitchcock with 'Psycho,' and Michael Powell with 'Peeping Tom.' Both films were shocking in their time, and their influence on low-budget 1960s horror can't be overstated. Roy Boulting's 'Twisted Nerve (1968)' is a typical Hitchcock rip-off, but of the serious, stylish Brian De Palma mould, rather than the schlocky comic-horror of William Castle. The film introduces us to Martin Durnley (Hywel Bennett), the younger brother of a man suffering from "mongolism," the condition now known as Down Syndrome. Though seemingly healthy a birth, it seems that young Martin has developed some psychopathic, psychosexual tendencies, inextricably linked to a chromosomal mismatch at conception. Martin pretends to be mentally-challenged in order to get into bed with the virginal Susan (Disney favourite Hayley Mills, later the director's much-younger wife), only to instead capture the attentions of Susan's lonely mother (Billie Whitelaw) – did I mention this film was rather twisted?

Though the film treats its absurd, gloriously un-PC narrative with the utmost seriousness, it is nevertheless startlingly effective at capturing the main character's psychoses. Bennett's performance is menacing and pathetic in equal degree, playing a sort of introverted Alex DeLarge, whose wicked intentions are always bubbling beneath an otherwise honest exterior. 'Twisted Nerve' also features a maddeningly catchy musical theme, memorably recycled in Tarantino's 'Kill Bill: Vol. 1 (2004),' composed by Bernard Hermann, who by this time was estranged from Hitchcock on account of his rejected score for 'Torn Curtain (1967).' Nevertheless, it's clear that Alfred Hitchcock himself both saw and enjoyed 'Twisted Nerve,' as he cast both Barry Foster and Billie Whitelaw in his own back-to-basics British shocker 'Frenzy (1972).' Due to controversy surrounding its depiction of Down Syndrome, the film opens with a spoken announcement that attempts to shirk responsibility for its political incorrectness, but without much luck. I probably wouldn't have it any other way.